Betraying Kane, the Musical: “4.48 Psychosis” Venables’ Operatic Version
4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
Read MorePosted by Heather Waters | 18th Jan 2019 | Prototype 2019, Review, Theatre and Gender, Theatre and Opera, United Kingdom, United States of America
4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
Read MorePosted by Aleks Sierz | 18th Jan 2019 | LGBTQ+ Theatre, London, Review, United Kingdom
Long before Mark Ravenhill’s Shopping And Fucking, or Jonathan Harvey’s Beautiful Thing, Kevin...
Read MorePosted by Jillian Walker | 17th Jan 2019 | New York, Review, United States of America
An audience-sized mirror, a small wooden table with a bowl of fruit, and the lyrics to Rihanna’s...
Read MorePosted by Marilena Borriello | 17th Jan 2019 | Immersive Theatre, Interview, London, United Kingdom
We all probably agree that the theatre is by nature “immersive” and that–since the...
Read MorePosted by Anadolu Agency | 16th Jan 2019 | News, Theatre and Politics, Turkey
A theater group based in İzmir province has been preparing the play Hiç Kimse...
Read MoreDirected by the famous comedy actor Ashraf Abdel-Baky, Crime In Maadi play surpasses any revival...
Read MorePosted by Anadolu Agency | 16th Jan 2019 | News, Theatre and Film, Turkey
A short movie about the theater adventure of the villagers of Ulamış neighborhood in the İzmir...
Read MorePosted by Russian Art + Culture | 16th Jan 2019 | News, Russia
2018 was an amazing year for the events related to Russian art and culture all over the world. And...
Read MorePosted by Jonathan Kalb | 15th Jan 2019 | Immersive Theatre, Review, United Kingdom, United States of America
“Immersive theater” is a gimmicky term that can be just an indiscriminate pitch nowadays for any...
Read MorePosted by Aleks Sierz | 15th Jan 2019 | London, Review, United Kingdom
Superlative. It might seem odd that it is this show, a retelling of a Greek myth, and not a piece...
Read MorePosted by Vikram Phukan | 15th Jan 2019 | India, Musical Theatre, Review
If broadsheets and banners are to be taken into account, this has been another fertile year for...
Read MorePosted by Aleks Sierz | 14th Jan 2019 | Essay, London, United Kingdom
“In the dark times Will there also be singing? Yes, there will also be singing. About the dark...
Read MorePosted by Oberon Books | 14th Jan 2019 | Books
As we come to the end of 2018, it feels like it’s been a stand-out year for diaspora East and...
Read MorePosted by Alice Jones | 14th Jan 2019 | London, News, United Kingdom
When We Have Sufficiently Tortured Each Other Cate Blanchett stars in Martin Crimp’s experimental...
Read MorePosted by M. Dinesh Varma | 14th Jan 2019 | Festivals, India, News
A three-day fete of poetry readings, book launches, workshops, and music gets underway from...
Read MorePosted by The Hindu | 14th Jan 2019 | India, News, Theatre and Disability
20 differently-abled students to stage plays in Bahrain As a 50-member team of Thanal, Vadakara,...
Read MorePosted by culture.pl | 13th Jan 2019 | Festivals, News, Poland
Hellerau–European Center for the Arts Dresden In honor of the 100th anniversary of Poland...
Read MorePosted by Rem Myers | 13th Jan 2019 | Divine Comedy Festival 2018, Festivals, Poland, Review
Zapiski Z Wygnania [Notes from Exile] directed by Magda Umer. Presented at Narodowy Stary...
Read MorePosted by Rem Myers | 13th Jan 2019 | Divine Comedy Festival 2018, Festivals, Poland, Review
Wyjeżdżamy [We are Leaving], directed by Krzysztof Warlikowski. Presented at Teatr Łaźnia...
Read MorePosted by Rem Myers | 12th Jan 2019 | Divine Comedy Festival 2018, Festivals, Poland, Review, Theatre and Gender
Pod presją [Under the Influence], directed by Maja Kleczewska. Presented at Teatr Ludowy, ICE...
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