January 2019 - Page 4 of 4 - The Theatre Times

A Review of “Disgrace” from the 2018 Boska Komedia Festival: Fascinating but Problematic Theatre

Posted by Rem Myers | 12th Jan 2019 | Adaptation, Divine Comedy Festival 2018, Festivals, Poland, Review

Hańba [Disgrace] directed by Marcin Wierzchowski. Presented at Teatr Ludowy—Scena Stolarnia for...

A Review of “Conformist 2029” from the 2018 Boska Komedia Festival: “Those Who Would Give Up Essential Liberty, to Purchase a Little Temporary Safety…”

Posted by Rem Myers | 11th Jan 2019 | Divine Comedy Festival 2018, Festivals, Poland, Review, Theatre and Politics

Konformista 2029 [Conformist 2029], directed by Bartosz Szydłowski. Presented at Teatr Łaźnia...

Report from The 11th Divine Comedy International Theatre Festival, Kraków, Poland: Reflections of a Strange Strange World

Posted by Rem Myers | 11th Jan 2019 | Divine Comedy Festival 2018, Essay, Festivals, Poland

The 11th iteration of the Boska Komedia (Divine Comedy, think Dante) International Theater...

How Brexit Ruins My Life

Posted by Aleks Sierz | 11th Jan 2019 | Essay, London, Theatre and Politics, United Kingdom

Brexit. The UK Referendum vote to leave the European Union — Brexit — took place on 23 June 2016,...

“Hole” at The Royal Court

Posted by Duška Radosavljević | 11th Jan 2019 | London, Review, United Kingdom

Dates: November 28-January 12 Writer: Ellie Kendrick Directors: Helen Goalen and Abbi...

“One Jewish Boy” at The Old Red Lion Theatre

Posted by Aleks Sierz | 10th Jan 2019 | London, Review, United Kingdom

There’s a nasty smell in the air. Something rotten. Horrible. I can’t quite put my finger on it....

Sin Muros: Interview with “City Without Altar” Poet and Playwright Jasminne Mendez

Posted by Trevor Boffone | 10th Jan 2019 | Festivals, Interview, Playwriting, United States of America

This February, writer Jasminne Mendez’s City Without Altar will receive a staged reading at Stages...

Martha Plimpton On “Sweat”: “In Rehearsals, I Would Nauseate Myself”

Posted by Hugh Montgomery | 10th Jan 2019 | Acting, Interview, London, United Kingdom

“I’m a white heterosexual woman with a fair amount of good fortune and–as the saying...

Care To Dance Dramaturg? The Invention Of A New Craft

Posted by Denise Fujiwara, DD Kugler, and Tama Soble | 9th Jan 2019 | Canada, Dramaturgy, Essay, Theatre and Dance

A Foreword by the Editor Thirty years ago an essay was published in the Canadian journal Theatrum...

Making And Knowing: How Theatre Helps To Explore A City’s Identity

Posted by Alex Halligey | 9th Jan 2019 | Essay, Participatory Theatre, South Africa

What gives an urban area a particular quality? What is the mood, feeling or atmosphere that makes...

In The Post-Truth Era, Documentary Theatre Searches For Common Ground

Posted by Jenn Stephenson | 8th Jan 2019 | Canada, Documentary Theatre, Essay

With the onslaught of “alternative facts” or “fake news,” it can feel as though the ground has...

Acting Out: Theatre Class Where Students Rehearse For Change

Posted by Amir Al-Azraki | 7th Jan 2019 | Canada, Review

The auditorium buzzes with anticipation. It is opening night for a group of students from the...

Sin Muros: Interview with “Then They Forgot About the Rest” Playwright Georgina Escobar

Posted by Trevor Boffone | 7th Jan 2019 | Festivals, Interview, Playwriting, United States of America

This February, playwright Georgina Escobar’s Then They Forgot About the Rest will receive a staged...

Radical Theatre Of The Difabled

Posted by Irfan Kortschak | 6th Jan 2019 | Essay, Indonesia, Theatre and Disability

“Theatre is the art of looking at ourselves” – Augusto Boal, founder of the...

Ellie Kendrick’s “Hole” at The Royal Court

Posted by Aleks Sierz | 5th Jan 2019 | London, Review, United Kingdom

Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...

My Life In Russia: Life Of Ballet Dancer Xander Parish

Posted by Yulia Shamporova | 4th Jan 2019 | News, Russia, Theatre and Dance

Meet Xander Parish, the principal dancer of the famous Mariinsky Theater in St. Petersburg. He...

“Anna Karenina Musical” At The Moscow Operetta Theatre

Posted by Emily Couch | 3rd Jan 2019 | Musical Theatre, News, Russia

Anna Karenina at the Moscow Operetta Theatre is an original musical adaptation of Leo Tolstoy’s...

The Magic Mountain: Cough Medicine

Posted by Emiliia Dementsova | 2nd Jan 2019 | Review, Russia

Emiliia Dementsova reports from Moscow with a review of Konstantin Bogomolov’s The Magic...

For Whom Technology Tolls

Posted by Vikram Phukan | 1st Jan 2019 | India, Review, Transmedia

For those of us that are perennially nostalgia bound—even for the sepia-tinted memories of the...

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Month: January 2019

A Review of “Disgrace” from the 2018 Boska Komedia Festival: Fascinating but Problematic Theatre

A Review of “Conformist 2029” from the 2018 Boska Komedia Festival: “Those Who Would Give Up Essential Liberty, to Purchase a Little Temporary Safety…”

Report from The 11th Divine Comedy International Theatre Festival, Kraków, Poland: Reflections of a Strange Strange World

How Brexit Ruins My Life

“Hole” at The Royal Court

“One Jewish Boy” at The Old Red Lion Theatre

Sin Muros: Interview with “City Without Altar” Poet and Playwright Jasminne Mendez

Martha Plimpton On “Sweat”: “In Rehearsals, I Would Nauseate Myself”

Care To Dance Dramaturg? The Invention Of A New Craft

Making And Knowing: How Theatre Helps To Explore A City’s Identity

In The Post-Truth Era, Documentary Theatre Searches For Common Ground

Sin Muros: Interview with “Then They Forgot About the Rest” Playwright Georgina Escobar

Radical Theatre Of The Difabled

Ellie Kendrick’s “Hole” at The Royal Court

My Life In Russia: Life Of Ballet Dancer Xander Parish

“Anna Karenina Musical” At The Moscow Operetta Theatre

The Magic Mountain: Cough Medicine

For Whom Technology Tolls

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