A New Eliza: Bedlam’s “Pygmalion” At The Central Square Theatre
After a critically acclaimed run in New York City, Bedlam Theatre Company has brought their...
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Month: February 2019
China, Liberia, America: A Suite Of Women’s Stories
In an intimate performance space in New York’s East Village, a quietly consequential experiment is...
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“The Petty Bourgeois‘” And “The Gambler‘s” Warnings About Anthropocentrism And Capitalism
For the first article about Czech theatre, I’ve selected works by two young directors, who belong...
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Interview with Festival Director Sarah Purdue: Short + Sweet Sydney Launches 18th Season
The biggest little theatre festival in the world is all grown up! The popular staple of the Sydney...
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“Welcome To The U.K.” at The Bunker Theatre: Satire on Obstacles Facing Refugees
Refugees have an image problem—and it’s getting worse. But the widespread anger that their...
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“Ms. Smith Goes To Washington”-The Fountain Theatre At Los Angeles City Hall
On Thursday, January 24th a lucky group of citizens in Los Angeles was treated to a unique...
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Walking Alongside “Bitten: Return To Our Roots”
Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong...
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“Lungs” A Piece Of Stripped Down Theatre With A Fully Packed Message
What do you do when you’re rehearsing a show that has no set, no props, no costume changes, and no...
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Unfinished Business: “A Doll’s House, Part 2” at The Huntington Theatre Company
After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...
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Tarell Alvin McCraney’s “Choir Boy,” Fearless and Faithful, Makes Radiant Broadway Debut
“Choir Boy” is itself a spiritual whose song, sung triumphantly by the bountiful talent of its leading star, Jeremy Pope, rises from its stage with the same faith and fearlessness of a prayer sung only for the stars.
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Four Wonders Of The Russian Circus
Amazing artistic performances, unimaginably difficult tricks, and the highest appraisals from both...
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“Small Mouth Sounds” And Not Much Dialogue Either
Small Mouth Sounds now playing at Boston’s SpeakEasy is influenced by the personal experience of...
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Creating a Space for Repeating a Domestic Nightmare: A Note on the Performance of “You Were Occupied with Your Dying”
The privatization of theatre in Iran has compelled many theatre directors and producers to become...
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“Paradise” at Odyssey Theatre – STEM and The Teenage Brain
Odyssey Theatre presents us with another thought-provoking play in Paradise by Laura Maria...
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Gilded in Glitter, How Much Jukebox Inferno Can “The Cher Show” Take?
Cher, the Academy, Grammy and Emmy Award winning superstar, could never be contained in a Broadway...
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Cally Spooner: Between Language And Body
Black box and white cube From February 3 till March 18, the Centre d’Art Contemporain in Geneva...
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Street-Theatre And Indian Feminist Theatre
Impact of Street-Theatre on the Formation of Indian Feminist Theatre The introduction of feminist...
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The Inner Monster Of Steve Jobs Comes Alive On An Iranian Stage With Mehrān Ranjbar’s Tale
Written, directed, and played by Mehrān Ranjbar, Steve Jobs was staged from October 18 to December...
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To Belong Or Not To Belong? AHSC Stages David Ives’s “The Interrogation Of Baruch De Spinoza”
The University of Western Ontario’s Arts and Humanities Student Council (AHSC) recently staged its latest production The Interrogation of Baruch de Spinoza written by David Ives. The play was performed at TAP Centre for Creativity at London, Ontario, Canada, and was directed by Julia Sebastian.
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