K.S. Rajendran’s “Ghosts” Explores Human Relations
Directed by K.S. Rajendran, Ghosts explores the moral dilemmas of a dysfunctional family. We...
Read MorePosted by Diwan Singh Bajeli | 2nd Jul 2021 | India, Review, Translation
Directed by K.S. Rajendran, Ghosts explores the moral dilemmas of a dysfunctional family. We...
Read MorePosted by David Malcolm | 15th Jun 2021 | Between.Pomiędzy 2021, Essay, Festivals, Playwriting, Poland
Tadeusz Różewicz (1921-2014) might need a few words of introduction for English-speaking readers,...
Read MorePosted by Alexa Alice Joubin | 12th Jun 2021 | Adaptation, Essay, Hong Kong, Japan, Singapore, South Korea
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
Read MorePosted by S.E. Gontarski | 10th Jun 2021 | Between.Pomiędzy 2021, Essay, Festivals, Poland
Now in its twelfth year, the Between.Pomiędzy Festival of Literature and Theatre has made much of...
Read MorePosted by Niloofar Mohtadi | 24th Apr 2021 | Adaptation, Interview, Iran
James Shapiro is a Shakespeare scholar and a professor of English and Comparative Literature at...
Read MorePosted by Charlie Gobbett | 2nd Dec 2020 | France, Translation, United Kingdom
What are the challenges in translating comedy for the stage? And how do you get your translation...
Read MorePosted by Charlie Gobbett | 28th Nov 2020 | Transcultural Collaborations, Translation, United Kingdom
The annual International Literary Translation & Creative Writing Summer School is delivered in...
Read MorePosted by Irina Yakubovskaya | 23rd Oct 2020 | Belarus, Documentary Theatre, Interview, Theatre and Politics, Transcultural Collaborations
The new play Insulted. Belarus(sia) was written in September 2020 by Andrei Kureichik, a prominent...
Read MorePosted by Athira M | 10th Aug 2020 | India, News, Theatre and Dance, Transmedia
When performance spaces closed during the lockdown, digital mediums became the stage for several...
Read MorePosted by Gertrude Gibbons | 30th May 2020 | Interview, Italy, Translation
Rome, 9th February 2020. “Can I get some paper? Some cream-colored paper? And a pen?”...
Read MorePosted by David Malcolm | 16th May 2020 | Between.Pomiędzy 2020, Essay, Poland
David Malcolm has been one of the key organizers of the Between. Pomiędzy festival ever since it...
Read MorePosted by Mert Dilek | 1st Feb 2020 | Adaptation, London, Review, United Kingdom
The wilting characters of Uncle Vanya would like us to believe that their scenes from country life...
Read MorePosted by Mert Dilek | 12th Dec 2019 | Adaptation, London, Review, United Kingdom
“You into words?” Jamie Lloyd’s magnificent treatment of Cyrano de Bergerac very much...
Read MorePosted by Mert Dilek | 24th Nov 2019 | London, Review, Theatre and Art, Translation, United Kingdom
What’s the use of thinking about the future? What’s the use of thinking about the future in a...
Read MorePosted by Jack Wernick | 2nd Nov 2019 | Adaptation, New York, Theatre and Politics, United States of America
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
Read MorePosted by Philippa Wehle | 26th Sep 2019 | Avignon 2019, Festivals, France, News
Writing about non verbal communication in his book Beaux Gestes; A Guide to French Body Talk, the...
Read MorePosted by Kee-Yoon Nahm | 15th Sep 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
Read MorePosted by Kee-Yoon Nahm | 15th Sep 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
Read MorePosted by Nicole Birmann Bloom | 19th Aug 2019 | Festivals, France, Interview, Puppetry
In August and September, the street theater collective Plasticiens Volants (PV) return...
Read MorePosted by James Montaño | 19th Jul 2019 | Adaptation, Boston, Review, Spain, Translation, United States of America
Yerma, the titular character of Federico García Lorca’s play is terribly desperate. She...
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