Shakespeare on Zoom: How a Theatre Group in Isolation Conjured up a “Tempest”
While theatres remain closed, the way we watch Shakespeare is changing. When I picture the...
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Tag: National Theatre
The Story Behind Andrew Ssebaggala’s “Mother Uganda”
Rose Mbowa is an indubitable doyenne in Uganda’s theatre. At Makerere University, an ivy league of...
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Tony Kushner’s “The Visit” at the National Theatre
Now that’s what I call a star turn. Hitting the brakes on an express train, Lesley Manville lands...
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Williams and Dyer’s “Death of England,” National Theatre
Is this an angry island? Although the British national character (if there is such a thing) has...
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“The Welkin” at The National Theatre
History plays should perform a delicate balancing act: they have to tell us something worth...
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Brexit Revisited
“Fetch me ’ammer.” (Edward Bond, Saved) “Art is not a mirror held up to reality, but a hammer with...
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Stripping and Getting Personal: Catharsis and Medical Performance
This excerpt is taken from the concluding chapter of Performance, Medicine and the Human, a book...
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Shelagh Delaney’s “A Taste of Honey” at the Trafalgar Studios
It is hard to believe that Shelagh Delaney wrote A Taste of Honey when she was only nineteen. This...
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National Theatre: Inua Ellam’s “Three Sisters” Surges with Narrative Energy, Depicting Sisterhood and Colonial Injustice in the Short-Lived Republic of Biafra
In recent years there has been a resurgence of progressive adaptations of Chekhov’s realist...
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Elena Ferrante’s “My Brilliant Friend” at The National Theatre
Adapting novels for the stage is a tricky business. When the novel in question happens to be...
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Annie Baker’s “The Antipodes” at the National Theatre
“Wily, slippery thing.” “Spiky little animal.” “One long nightmare.” These are the phrases that...
Read More![Alice Birch’s “[BLANK]” at the Donmar Warehouse](https://thetheatretimes.com/wp-content/uploads/2019/10/image-3-627x376.jpg)
Alice Birch’s “[BLANK]” at the Donmar Warehouse
Believe me when I tell you that there is much more to Alice Birch’s play [BLANK] than meets the...
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Olonkho Show “Dzhyrybyna the Warrior Woman”: Hit the Tambourine
The guest performance of the Olonkho Theatre from Yakutia in St. Petersburg as part of the Theatre...
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Interview with Emily Mann
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
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Poetic Political Theatre: A Review of “The Secret River” by Kate Grenville, Adapted by Andrew Bovell
The Sydney Theatre Company’s 2013 landmark staging of The Secret River to the United Kingdom was...
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Alexander Zeldin’s “Faith, Hope and Charity” at the National Theatre
Alexander Zeldin’s new play arrives at the National Theatre’s Dorfman stage with a title...
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“Hansard” at the National Theatre
Simon Wood’s debut play Hansard, performed at London’s National Theatre Lyttleton...
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“The Secret River” at The National Theatre
The revival of Sydney Theatre Company’s production of The Secret River, performed to great acclaim...
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Probing Tom Stoppard on Russia: Part of The Legacy of Theater Critic and Educator J. Cooper Robb
Cooper Robb, an immensely knowledgeable and prolific American theater critic, who recently passed...
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Silent Voices’ “Niqabi Ninja”: A Technical Triumph
Silent Voices Uganda has for many years now outdone themselves while producing theatre. From a set...
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