Four Directors Give Four Reasons To Be Graeae
To mark the launch of Graeae’s new book, Reasons to Be Graeae, which charts the history of the...
Read MorePosted by Natasha Sutton Williams | 24th Jul 2018 | Books, Directing, Theatre and Disability, United Kingdom
To mark the launch of Graeae’s new book, Reasons to Be Graeae, which charts the history of the...
Read MorePosted by Aleks Sierz | 19th Jul 2018 | Italy, Kosovo, London, Review, United Kingdom
Images are what make abstract crises concrete. And who can forget the image of the bankrupt Lehman...
Read MorePosted by Yulia Savikovskaya | 9th Jul 2018 | Directing, Interview, Russia, United Kingdom
Katie, or rather, Katrina Jane Mitchell, is a leading British theatre director whose creative...
Read MorePosted by Aleks Sierz | 16th May 2018 | Acting, London, Playwriting, Review, United Kingdom
The good news about so-called black drama on British stages is that it has broken out of its...
Read MorePosted by Aleks Sierz | 14th May 2018 | Acting, LGBTQ+ Theatre, London, Playwriting, Review, Theatre and Politics, United Kingdom
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
Read MorePosted by Aleks Sierz | 22nd Apr 2018 | London, Review, United Kingdom
Let us have a quick moan about repertoire. You know, the types of plays that most of our theatres...
Read MorePosted by Aleks Sierz | 3rd Apr 2018 | Documentary Theatre, London, Review, United Kingdom
Until very recently British theatre has been pretty poor at representing the stories of Chinese...
Read MorePosted by Aleks Sierz | 26th Mar 2018 | London, Review, United Kingdom
Good programming is an art, and Paul Miller—artistic director at this venue—is clearly on a...
Read MorePosted by Sandra D'urso | 21st Jan 2018 | Adaptation, Australia, Melbourne, Review
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
Read MorePosted by Aleks Sierz | 11th Jan 2018 | Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Refugees, it is said, have no nationality—they are all individuals. This new docu-drama, The...
Read MorePosted by Aleks Sierz | 27th Nov 2017 | Acting, London, Playwriting, Review, United Kingdom
One defining characteristic of Englishness is social awkwardness, and its emotional register is an...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
Read MorePosted by The Theatre Times | 23rd Oct 2017 | London, News, United Kingdom
“You’re told you can’t do this. I’ve tried to go: yes we can.” The new artistic director of...
Read MorePosted by Adam Sherwin | 16th Oct 2017 | London, Review, Theatre and Politics, United Kingdom
Sir David Hare will return to the National Theatre with the latest addition to a wave of plays...
Read MorePosted by Adam Sherwin | 18th Sep 2017 | Directing, Essay, London
A titan of the stage, whose influence over the development of post-War British theatre was...
Read MorePosted by Aleks Sierz | 28th Aug 2017 | London, Review, Theatre and Politics, United Kingdom
Another plague is sweeping British theatre: audience participation. Instead of just sitting back...
Read MorePosted by Maren Day | 16th Aug 2017 | Germany, Theatre and Science, Transmedia
The Field Survey, Part 1: Seeing Summarizing the answers of the playful poll done at the...
Read MorePosted by Aleks Sierz | 13th Aug 2017 | London, Review, United Kingdom
The question that always needs to be asked of any example of science on stage, and there are now...
Read MorePosted by Aleks Sierz | 3rd Jul 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
The recent general election result proves that the power of the rightwing press has diminished...
Read MorePosted by Laura Swift | 14th Jun 2017 | United Kingdom
Last year, London audiences have been horrified by the violence shown on stage in the National...
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