Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
It is a common reflex to reach for Aristotle’s Poetics to determine what a good tragedy should be....
Read MorePosted by Kirk Dodd | 20th Jul 2024 | Australia, Dramaturgy, Review, Sydney
It is a common reflex to reach for Aristotle’s Poetics to determine what a good tragedy should be....
Read MorePosted by Margaret Rose | 18th Jul 2024 | Dramaturgy, Festivals, Italy, Review
After Brexit, UK productions very rarely play in Italy, but Biennale theatre directors Gianni...
Read MorePosted by Maria Delgado | 8th Feb 2024 | Review, Spain
Shakespeare’s King Lear has defied composers who refused invitations to render this bleakest...
Read MorePosted by Orlaith Darling | 20th Nov 2022 | Adaptation, Essay, Theatre and Politics, United Kingdom
The last few years in politics have gifted the keen observer many allusions to some of...
Read MorePosted by Sarah Annes Brown | 25th Jan 2022 | Adaptation, Essay, Theatre and Science, United Kingdom
Science fiction is a genre very much associated with technological marvels, innovations, and...
Read MorePosted by Dawna Fung | 2nd Dec 2021 | Adaptation, China, Hong Kong, Review
What has been left after all well-written dialogues, which were once deemed to be the spirit of...
Read MorePosted by Emiliia Dementsova | 2nd Nov 2019 | Festivals, Poland, Review, Russia, Theatre Olympics 2019
King Lear by William Shakespeare. Text adaptation and music scoring by Jan Klata. Translation:...
Read MorePosted by Aleks Sierz | 12th Oct 2019 | London, Review, Theatre and Politics, United Kingdom
At the age of 81, Caryl Churchill, Britain’s greatest living playwright, is still going strong....
Read MorePosted by Kee-Yoon Nahm | 15th Sep 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
Read MorePosted by Kee-Yoon Nahm | 15th Sep 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
Read MorePosted by Iga Szczodrowska | 11th Aug 2019 | Festivals, London, Poland, Polish Theatre Abroad, Review
The Shakespeare and Poland Festival at the Globe – a two-week exploration of the relationship...
Read MorePosted by Poonam Trivedi | 6th Jun 2019 | Adaptation, Essay, India
The most striking aspect of Shakespeare in India today is that it seems to have at last got over...
Read MorePosted by Saul Levmore and Martha C. Nussbaum | 4th Jun 2019 | Adaptation, Chicago, Theatre and Age, United States of America
Aging in the world of entertainment is portrayed in a variety of ways. In some cases it’s graceful...
Read MorePosted by Alyssa Ridder | 4th May 2019 | Design, Interview, Pittsburgh
Susan Tsu is an advocate for educating costume designers and devotes much of her time to her...
Read MorePosted by Ahram Online | 23rd Apr 2019 | Acting, Egypt, News
El-Fakharany will be accompanied by many famous actors at Cairo performance of King Lear,...
Read MorePosted by Michael Appler | 14th Apr 2019 | New York, Review, United States of America
Emily Sun begins her book Succeeding King Lear with words from the philosopher of...
Read MorePosted by Nobuko Tanaka | 25th Dec 2018 | Directing, Interview, Japan, Theatre and Politics
In one bound, the rising English director Jonathan Munby found himself in the spotlight of...
Read MorePosted by Corrie Tan | 20th Nov 2018 | Directing, Essay, Japan
Part of the Asian Theatremakers series I met the late Japanese director Yukio Ninagawa in 2013...
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 23rd Sep 2018 | News, Russia, Russian Theatre Abroad
The Stage Russia project continues to bring classic novels by leading theaters to big screens...
Read MorePosted by Patrick Langston | 11th Sep 2018 | Canada, Management
The Gladstone Theatre turns 10 years old this fall. That may make it a mere stripling in the art...
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