Adaptation Archives - Page 4 of 7

Mozart by Way of Cape Town

Posted by James Montaño | 9th Nov 2019 | Adaptation, Boston, Review, South Africa, Theatre and Opera, United States of America

The Magic Flute by the Isango Ensemble at ArtsEmerson When the Isango Ensemble plays—on only eight...

Between the Virtual and Real

Posted by Renu Ramanath | 4th Nov 2019 | Adaptation, Immersive Theatre, India, Review

Four strangers, a car and a video call make the play Bhranthu an unconventional visual experience....

“Oscar Wao” at Repertorio Español

Posted by Jack Wernick | 2nd Nov 2019 | Adaptation, New York, Theatre and Politics, United States of America

Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...

“The Eighth Life (for Brilka)”: Dark Chocolate

Posted by Emiliia Dementsova | 31st Oct 2019 | Festivals, Germany, Review, Russia, Theatre Olympics 2019

The Eighth Life (for Brilka) or Das achte Leben (Für Brilka). Adapted by Julia Lochte and Emilia...

Maxim Gorky’s “Vassa” at the Almeida Theatre

Posted by Mert Dilek | 25th Oct 2019 | Adaptation, London, Review, United Kingdom

“Our family doesn’t get on,” sneers the eponymous matriarch of Maxim Gorky’s Vassa, now playing at...

Samuel Gallet’s “Mephisto [A Rhapsody]” at The Gate Theatre

Posted by Aleks Sierz | 25th Oct 2019 | Adaptation, London, Review, Theatre and Politics, United Kingdom

Adaptation is too banal a word to describe the cross-fertilization of theatre and other art forms....

David Greig’s “Solaris” at the Lyric Hammersmith Theatre

Posted by Mert Dilek | 17th Oct 2019 | Adaptation, London, Review, United Kingdom

Far away from Earth, there is a planet called Solaris. It is covered by an ocean and orbits two...

An Original Tokyo Musical Destined For Bigger Things

Posted by Michael Walker | 1st Oct 2019 | Interview, Japan, Musical Theatre

Disturbance is an original musical, making its world premiere in Tokyo this month. We spoke with...

Poetic Political Theatre: A Review of “The Secret River” by Kate Grenville, Adapted by Andrew Bovell

Posted by Katalin Trencsényi | 28th Sep 2019 | Australia, London, Review, United Kingdom

The Sydney Theatre Company’s 2013 landmark staging of The Secret River to the United Kingdom was...

“For Me, The Script Is Not God”: Interview With Sunil Shanbag, Director Of “Words Have Been Uttered”

Posted by Sania Lekshmi and Nidhi Panicker | 23rd Sep 2019 | Directing, India, Interview

“While being respectful, I am not reverential,” says he, an Indian theatre director, screenwriter,...

Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2

Posted by Kee-Yoon Nahm | 15th Sep 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation

To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...

Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1

Posted by Kee-Yoon Nahm | 15th Sep 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation

Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...

Robert Icke’s “The Doctor” at the Almeida Theatre

Posted by Mert Dilek | 5th Sep 2019 | Adaptation, London, Review, United Kingdom

“Crystal clear.” The adjective, repeated like a mantra in Robert Icke’s The Doctor, is charged...

On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski

Posted by Ivanka Apostolova Baskar | 17th Aug 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations

Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...

Inheriting This Earth: “Mojada” at the Public Theater

Posted by James Montaño | 16th Aug 2019 | Review, Theatre and Politics, United States of America

For many who live in the US border states, the peril of crossing the US-Mexico border is a tale as...

Soyinka Meets Shakespeare

Posted by Franklin Ugobude | 28th Jul 2019 | Adaptation, Festivals, Lagos Theatre Festival 2019, Nigeria, Review

One of the only three curated shows showcased at the 2019 edition of the Lagos Theatre Festival...

A Radical New Adaptation Eviscerates the Dominance of Male Voices in Wake in Fright

Posted by Denise Varney | 18th Jul 2019 | Adaptation, Australia, Melbourne, Review

Australian literary classics are currently enjoying a comeback at our major theatre companies....

Theatre of Inquiry: Matei Vișniec’s “Richard III” Takes Place in Tehran – Interview With Rūhollah J’afarī

Posted by Farinaz Kavianifar | 14th Jul 2019 | Interview, Iran, Transcultural Collaborations

About this performance and its director also read Self-Censorship Is a Castration of Ideas: A...

“Garry” at The White Bear Theatre

Posted by Laura Kressly | 3rd Jul 2019 | The Play's The Thing UK

In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...

“The Damned”: La Comédie Française On the Barbican Stage.

Posted by Duška Radosavljević | 29th Jun 2019 | Adaptation, France, Review, United Kingdom

Ivo Van Hove directed the theatrical adaptation of Luchino Visconti’s 1969 Nazi-era film The...

Tag: Adaptation

Mozart by Way of Cape Town

Between the Virtual and Real

“Oscar Wao” at Repertorio Español

“The Eighth Life (for Brilka)”: Dark Chocolate

Maxim Gorky’s “Vassa” at the Almeida Theatre

Samuel Gallet’s “Mephisto [A Rhapsody]” at The Gate Theatre

David Greig’s “Solaris” at the Lyric Hammersmith Theatre

An Original Tokyo Musical Destined For Bigger Things

Poetic Political Theatre: A Review of “The Secret River” by Kate Grenville, Adapted by Andrew Bovell

“For Me, The Script Is Not God”: Interview With Sunil Shanbag, Director Of “Words Have Been Uttered”

Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2

Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1

Robert Icke’s “The Doctor” at the Almeida Theatre

On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski

Inheriting This Earth: “Mojada” at the Public Theater

Soyinka Meets Shakespeare

A Radical New Adaptation Eviscerates the Dominance of Male Voices in Wake in Fright

Theatre of Inquiry: Matei Vișniec’s “Richard III” Takes Place in Tehran – Interview With Rūhollah J’afarī

“The Damned”: La Comédie Française On the Barbican Stage.

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