Adaptation Archives - Page 6 of 7

Meshuggah, Nein? “Fiddler” In Yiddish

Posted by Abigail Weil | 24th Feb 2019 | Musical Theatre, New York, Review, United States of America

In 2004, Gwen Stefani, lately of the band No Doubt, released a song called Rich Girl which sampled...

“All About Eve” at Noel Coward Theatre

Posted by Duška Radosavljević | 21st Feb 2019 | London, Review, United Kingdom

Some seventy-odd years ago, New Yorker Mary Orr wrote a short story for the Cosmopolitan magazine...

“Orpheus” at The Battersea Arts Centre

Posted by Aleks Sierz | 15th Jan 2019 | London, Review, United Kingdom

Superlative. It might seem odd that it is this show, a retelling of a Greek myth, and not a piece...

Theatre Review: Xameleon Theatre Presents “A Dog’s Heart”–”A Brilliantly Clever Production”

Posted by Juno Schwarz | 17th Dec 2018 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom

In a memorable production, Xameleon Theatre recently brought Mikhail Bulgakov’s complex novel A...

Adaptation, Participation, Risk-taking: Creative Interventions In Contemporary Performance

Posted by William Gregory | 26th May 2018 | Adaptation, Brazil, Dramaturgy, Immersive Theatre, News, United Kingdom

Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...

“The Actor’s Life for Me:” A Conversation With David Greenspan

Posted by Jessica Rizzo | 17th Mar 2018 | Acting, Interview, Playwriting, United States of America

David Greenspan keeps busy. Just two weeks after closing his monumental solo rendition of Eugene...

“The Lorax” An Exciting And Transformative Experience For The Whole Family

Posted by Alvina Ruprecht | 21st Dec 2017 | Canada, Review, Theatre for Young Audiences

The story by Theodor Seuss Geisel (Dr. Seuss) that has made its way through various forms of...

“The Knowledge” at Charing Cross Theatre

Posted by Aleks Sierz | 2nd Oct 2017 | Adaptation, London, Review, United Kingdom

The black cab is such an iconic symbol of London that it’s easy to forget that inside every taxi...

“Faithful Ruslan ” Flying After an Ideal: Interview with Helena Kaut-Howson

Posted by Borimir Totev | 27th Aug 2017 | Adaptation, Directing, Interview, United Kingdom

This powerful new stage adaptation of Georgi Vladimov’s cult novel that marks the centenary of the...

Tom Hiddleston is the Obvious Choice to Play Hamlet

Posted by Alice Jones | 9th Aug 2017 | London, Review, United Kingdom

It was only a matter of time before Tom Hiddleston tackled the most famous role in all of theatre....

Lina Tur Bonet On Creativity, Collaboration and Taking the Corset out of the Classics

Posted by Aida Rocci | 14th Jul 2017 | Interview, London, Spain, Transcultural Collaborations, Transmedia, United Kingdom

As a storyteller and music performer, Lina Tur Bonet is wary of fusions. Last May, she was part of the presentation Made In Murcia that took place at the Cervantes Theatre in London.

“Ram ki Shakti Puja:” The Drama of Devotion and Justice

Posted by Namrata Chaturvedi | 8th Jul 2017 | Adaptation, India

Recently, Delhi hosted the dramatic production Ram ki Shakti Puja, by the Banaras-based theatre...

Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format

Posted by Aida Rocci | 7th Jul 2017 | Immersive Theatre, London, Review, Transmedia, United Kingdom

At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...

Stage Adaptation of West African Novel Thrills Nairobi Audiences

Posted by Alexander Nderitu | 6th Jul 2017 | Adaptation, Kenya, Theatre and Gender

‘I am wife Number One…I am gold. And then silver, bronze, even charcoal came along!’ This lament...

“Don Juan in Soho” Featuring David Tennant

Posted by Aleks Sierz | 15th Apr 2017 | Adaptation, London, Review, United Kingdom

Updating the classics is not without its pitfalls. How can a modern audience, which has a...

“Oh Boy!”: From Champigny to Broadway

Posted by Laurent Carpentier | 11th Feb 2017 | Collaborating Across Cultures, France, New York, United States of America

Following the U.S. premiere of Oh Boy! on Broadway, at the Duke on 42nd Street presented by the...

“Hedda Gabbler” Adaptation Has Too Much Direction

Posted by Aleks Sierz | 27th Jan 2017 | Adaptation, Review, United Kingdom

Theatre conventions are a funny thing. Nowadays, it’s actually quite difficult to see a modern...

“The Rime of the Modern Mariner” by The Playground Collective

Posted by John Smythe | 7th Nov 2016 | Devised Theatre, New Zealand, Review

Adapted by The Playground Collective From the graphic novel by Nick Hayes Based on the epic poem...

A Contemporary Korean Play Meets A New York Audience

Posted by Walter Byongsok Chon | 28th Oct 2016 | News, South Korea, Translation

The article below is one I wrote for the E-Newsletter Hamilton Dramaturgy’s ScriptForward! back in...

Interview: Rachel Valentine Smith Of The Faction On Gorky’s “Vassa Zheleznova,” Gender Equality And Contemporary Theatre

Posted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender

Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...

Tag: Adaptation

Meshuggah, Nein? “Fiddler” In Yiddish

“All About Eve” at Noel Coward Theatre

“Orpheus” at The Battersea Arts Centre

Theatre Review: Xameleon Theatre Presents “A Dog’s Heart”–”A Brilliantly Clever Production”

Adaptation, Participation, Risk-taking: Creative Interventions In Contemporary Performance

“The Actor’s Life for Me:” A Conversation With David Greenspan

“The Lorax” An Exciting And Transformative Experience For The Whole Family

“The Knowledge” at Charing Cross Theatre

“Faithful Ruslan ” Flying After an Ideal: Interview with Helena Kaut-Howson

Tom Hiddleston is the Obvious Choice to Play Hamlet

Lina Tur Bonet On Creativity, Collaboration and Taking the Corset out of the Classics

“Ram ki Shakti Puja:” The Drama of Devotion and Justice

Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format

Stage Adaptation of West African Novel Thrills Nairobi Audiences

“Don Juan in Soho” Featuring David Tennant

“Oh Boy!”: From Champigny to Broadway

“Hedda Gabbler” Adaptation Has Too Much Direction

“The Rime of the Modern Mariner” by The Playground Collective

A Contemporary Korean Play Meets A New York Audience

Interview: Rachel Valentine Smith Of The Faction On Gorky’s “Vassa Zheleznova,” Gender Equality And Contemporary Theatre

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