The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic
Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...
Read MorePosted by Mahsa Foroughi | 1st May 2021 | Adaptation, Australia, Review, Theatre and Film
Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...
Read MorePosted by Michael Schweikardt | 18th Apr 2021 | Devised Theatre, Education, Review, United States of America
How many young-people-of-the pandemic-does it take to screw in a light bulb? Early in the...
Read MorePosted by Leah Mercer | 9th Mar 2021 | Adaptation, Australia, Review, Russian Theatre Abroad
Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...
Read MorePosted by Aleks Sierz | 18th Dec 2020 | London, Review, United Kingdom
A Christmas Carol is a seasonal standard. In a normal year, there are a couple of versions to be...
Read MorePosted by Armando Rotondi | 30th Oct 2020 | Adaptation, Devised Theatre, Interview, Italy
Gianni Rodari is a cult writer and, probably, one of the most influential in the Italian...
Read MorePosted by Aleks Sierz | 1st May 2020 | Review, Theatre and Age, Theatre and Film, United Kingdom
Reviewing theatre now means reviewing the film. Knowing that Emma Rice’s Old Vic 2018 production...
Read MorePosted by Aleks Sierz | 23rd Apr 2020 | Adaptation, Directing, Germany, Review, Theatre and Film, Theatre and Gender, Transmedia
Virginia Woolf’s reputation has closely followed British cultural trends: in the interwar years...
Read MorePosted by Maria Jovita Zárate | 10th Mar 2020 | Adaptation, Philippines, Review, Theatre and Politics
In Orteza’s and director Sigion-Reyna’s Katsuri, representations of sacada (sugar farmers in the island of Negros) veer away from the typical, almost iconic, images of the sacadas as rendered by the social realist painters of the 70s— hoodied heads, a pair of eyes peering from layers of cloth wrapped around their faces, and hunched bodies. Katsuri’s stage harbored a diverse group of farmworkers housed in a kuwartel (quarter, usually of horses), carrying their own physicalized expressions of angas (spunk), a thin cache of spunk that fizzles out when the hacienda foreman and his overbearing son swing by to make routine inspections.
Read MorePosted by Mert Dilek | 20th Feb 2020 | Adaptation, London, Review, United Kingdom
Now that’s what I call a star turn. Hitting the brakes on an express train, Lesley Manville lands...
Read MorePosted by Borisav Matić | 17th Feb 2020 | LGBTQ+ Theatre, News, Serbia
“The Queer Café: Hear Our Voices from the Balkans, the project I’ve been working on as a dramaturg and translator, with the US playwright, director and activist Joan Lipkin, has been a precious experience. It has also energized the local community that’s gathered around the Pride Info Center in Belgrade, where the show premiered.” – Borisav Matić
Read MorePosted by Mert Dilek | 16th Feb 2020 | Adaptation, London, Review, United Kingdom
A woman walks into her home. Then does another. And another. Stef Smith’s Nora: A Doll’s House is...
Read MorePosted by Mert Dilek | 7th Feb 2020 | Adaptation, London, Review, United Kingdom
Could diabolical interference be the only way for a woman in 17th-century London to advance in...
Read MorePosted by Mert Dilek | 1st Feb 2020 | Adaptation, London, Review, United Kingdom
The wilting characters of Uncle Vanya would like us to believe that their scenes from country life...
Read MorePosted by Irina Yakubovskaya | 24th Jan 2020 | Boston, Immersive Theatre, Interview, Participatory Theatre, United States of America
This native Bostonian theatre production is listed in the Guinness Book of World Records as the...
Read MorePosted by Aleks Sierz | 14th Jan 2020 | London, Review, United Kingdom
Actor James McAvoy is much in demand: in the BBC’s His Dark Materials he is busy saving a parallel...
Read MorePosted by James Montaño | 8th Jan 2020 | Adaptation, Boston, Review, United States of America
Moby-Dick at the American Repertory Theater in Cambridge, MA For those who are not familiar with...
Read MorePosted by David O'Donnell | 3rd Jan 2020 | Adaptation, LGBTQ+ Theatre, New Zealand, Review
Uma Lava by Victor Rodger, Circa Theatre, Wellington. 23 November – 7 December 2019. Directed by...
Read MorePosted by James Montaño | 28th Dec 2019 | Boston, Musical Theatre, Review, United States of America
When the full company of the touring cast of Irving Berlin’s White Christmas bursts into the...
Read MorePosted by Mert Dilek | 12th Dec 2019 | Adaptation, London, Review, United Kingdom
“You into words?” Jamie Lloyd’s magnificent treatment of Cyrano de Bergerac very much...
Read MorePosted by Mert Dilek | 29th Nov 2019 | Adaptation, Italy, London, Review, United Kingdom
Adapting novels for the stage is a tricky business. When the novel in question happens to be...
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