Missing Mason Jars —”Take Me Out,” Second Stage
Walking out of the spiffy new production of Richard Greenberg’s Take Me Out, my canny friend Tom,...
Read MorePosted by Jonathan Kalb | 2nd Jun 2022 | LGBTQ+ Theatre, Playwriting, Review, United States of America
Walking out of the spiffy new production of Richard Greenberg’s Take Me Out, my canny friend Tom,...
Read MorePosted by Philippa Wehle | 1st Jun 2022 | Musical Theatre, New York, Review, South Korea, Theatre and Politics, United States of America
The Legend of The Waitress & The Robber, a new musical theater piece by Renee Philippi, a...
Read MorePosted by Vassili Schedrin | 31st May 2022 | Directing, News, Playwriting, Russia, United States of America
Why do we still remember theater that became history many decades ago? How do we remember plays...
Read MorePosted by Jonathan Kalb | 29th May 2022 | Review, Theatre and Gender, United States of America
Paula Vogel’s How I Learned to Drive is, famously, the play that blew the lid off the subject of...
Read MorePosted by Jenna Lourenco | 28th May 2022 | Education, Musical Theatre, New York, News, Theatre and Disability, United States of America
Autistic adults in the United States are unemployed at estimated rates of more than 80%. Those who...
Read MorePosted by Walter Byongsok Chon | 21st May 2022 | Interview, New York, South Korea, Transcultural Collaborations, United States of America
The Legend of The Waitress & The Robber is a collaboration between the Korean theatre...
Read MorePosted by The Theatre Times | 14th May 2022 | Festivals, Interview, New York, Theatre and Disability, United States of America
Actor Gregg Mozgala describes himself as a “Triple Threat: “Actor, Writer, Cripple.” The...
Read MorePosted by Ágnes Bakk | 30th Apr 2022 | Immersive Theatre, Interview, Transmedia, United States of America
Deirdre V. Lyons is currently living in Los Angeles and has been in over 75 Film and Theatrical...
Read MorePosted by Emily Cordes | 21st Apr 2022 | Producing, Review, Theatre and Gender, United States of America
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
Read MorePosted by Alexander Fatouros | 17th Apr 2022 | Immersive Theatre, New York, Review, Theatre and Art, United States of America
Utilizing downtown Manhattan’s East Village and NoHo as a set, Bated Breath Theatre Company’s...
Read MorePosted by Daily Sabah | 16th Apr 2022 | New York, Theatre and Art, Theatre and Opera, United States of America
It is “Don Carlos” season at the Metropolitan Opera in New York City, with the final...
Read MorePosted by Donald Brown | 24th Mar 2022 | Playwriting, Review, Theatre and Politics, United States of America
Review of Eliana Pipes’ Dream Hou$e, Long Wharf Theatre The question of heritage gets...
Read MorePosted by Tony Valdovinos | 16th Mar 2022 | Musical Theatre, New York, Theatre and Politics, United States of America
Sadly, social justice for DREAMers <DREAMers are undocumented individuals who were brought into...
Read MorePosted by Donald Brown | 8th Mar 2022 | LGBTQ+ Theatre, Review, United States of America
At TheaterWorks Hartford, Connecticut, This Bitter Earth, Harrison David Rivers’ drama of love,...
Read MorePosted by Ilinca Todoruţ | 4th Mar 2022 | Essay, Germany, Theatre and Science, Transmedia, United States of America
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
Read MorePosted by Cristina Modreanu | 1st Mar 2022 | Interview, Theatre and Politics, United States of America
Cristina Modreanu: Your new book, Timelines. writings and conversations, maps out recent...
Read MorePosted by Michael Schweikardt | 23rd Feb 2022 | Education, Interview, Theatre and Dance, United States of America
In March 2020, when we were all quarantined at home, director/choreographer Christie Kerr looked...
Read MorePosted by Bonnie Marranca | 20th Feb 2022 | Essay, Transmedia, United States of America
For more than four decades the visual artist Joan Jonas, representing the U.S. in the 2015 Venice...
Read MorePosted by Trevor Boffone | 17th Feb 2022 | Festivals, Interview, United States of America
Sin Muros: A Borderless Teatro Festival returns to Stages in Houston February 17-20, 2022. Now in...
Read MorePosted by Rhiannon Ling | 16th Feb 2022 | Interview, Theatre and Film, United States of America
These past two years have proven how much of a home the theatre is, something many only realized...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
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