Mikhoels by Freud: “The Singing Windmills” by Roman Freud and the PM Theater Company
Why do we still remember theater that became history many decades ago? How do we remember plays...
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United States of America
Learning Curve—”How I Learned to Drive,” Manhattan Theatre Club
Paula Vogel’s How I Learned to Drive is, famously, the play that blew the lid off the subject of...
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EPIC Players Creates Employment and Training Opportunities for Autistic & Neurodivergent Theatre Makers
Autistic adults in the United States are unemployed at estimated rates of more than 80%. Those who...
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“The Legend of the Waitress & the Robber”: World Premiere of NYC-Seoul Collaboration Inspired by Schiller and Hong Gildong
The Legend of The Waitress & The Robber is a collaboration between the Korean theatre...
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Gregg Mozgala, Broadway Actor Organizes Festival Celebrating Deaf/Disabled Artists
Actor Gregg Mozgala describes himself as a “Triple Threat: “Actor, Writer, Cripple.” The...
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Honesty and Experience: Interview with Deirdre V. Lyons, Actress, VR-Actress and Producer
Deirdre V. Lyons is currently living in Los Angeles and has been in over 75 Film and Theatrical...
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Embrace All of Me: Jocelyn Kuritsky’s “A Simple Herstory”
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
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Oracle of Pop Art Affirmed in “Chasing Andy Warhol”
Utilizing downtown Manhattan’s East Village and NoHo as a set, Bated Breath Theatre Company’s...
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Met Opera Actors Wink at Velazquez’s Well-known Painting
It is “Don Carlos” season at the Metropolitan Opera in New York City, with the final...
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“Dream Hou$e”—The Costs of Home
Review of Eliana Pipes’ Dream Hou$e, Long Wharf Theatre The question of heritage gets...
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The Plight of DREAMers Moves To A National Stage; Maybe This Will Truly Help
Sadly, social justice for DREAMers <DREAMers are undocumented individuals who were brought into...
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Still a Bitter Pill: An Involving Play of Love and Loss
At TheaterWorks Hartford, Connecticut, This Bitter Earth, Harrison David Rivers’ drama of love,...
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Free Performance: A Response to metaLAB’s futureStage Manifesto
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
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Bonnie Marranca: “The Divisiveness of Contemporary American Society Impacts All Aspects of Theatre”
Cristina Modreanu: Your new book, Timelines. writings and conversations, maps out recent...
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“Moving Beyond the Box”: A Triumph Of Dance And Togetherness In An Era Of Isolation
In March 2020, when we were all quarantined at home, director/choreographer Christie Kerr looked...
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From Hand to Screen: The Performance of Joan Jonas
For more than four decades the visual artist Joan Jonas, representing the U.S. in the 2015 Venice...
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Sin Muros: Interview with Lupe Mendez
Sin Muros: A Borderless Teatro Festival returns to Stages in Houston February 17-20, 2022. Now in...
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“Final Curtain Call:” Theatre, Home, and Determination
These past two years have proven how much of a home the theatre is, something many only realized...
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Sin Muros: Interview with Playwright Adrienne Dawes
Sin Muros: A Borderless Teatro Festival is back at Stages in Houston. Now in its fifth year, the...
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“This Mortal Life Also:” A Conversation with Playwright Nancy Shank
Dietrich Bonhoeffer is not a name typically associated with the theatre. Though the Bonhoeffer...
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