Free Performance: A Response to metaLAB’s futureStage Manifesto
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
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United States of America
Bonnie Marranca: “The Divisiveness of Contemporary American Society Impacts All Aspects of Theatre”
Cristina Modreanu: Your new book, Timelines. writings and conversations, maps out recent...
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“Moving Beyond the Box”: A Triumph Of Dance And Togetherness In An Era Of Isolation
In March 2020, when we were all quarantined at home, director/choreographer Christie Kerr looked...
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From Hand to Screen: The Performance of Joan Jonas
For more than four decades the visual artist Joan Jonas, representing the U.S. in the 2015 Venice...
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Sin Muros: Interview with Lupe Mendez
Sin Muros: A Borderless Teatro Festival returns to Stages in Houston February 17-20, 2022. Now in...
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“Final Curtain Call:” Theatre, Home, and Determination
These past two years have proven how much of a home the theatre is, something many only realized...
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Sin Muros: Interview with Playwright Adrienne Dawes
Sin Muros: A Borderless Teatro Festival is back at Stages in Houston. Now in its fifth year, the...
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“This Mortal Life Also:” A Conversation with Playwright Nancy Shank
Dietrich Bonhoeffer is not a name typically associated with the theatre. Though the Bonhoeffer...
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A Celebration of Wondering: “The Hang” is a Party You Won’t Want to Miss
Vibrant, thought-provoking, invigorating, and brimming with talent, “The Hang,” with book and...
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“I Thought I Could Read God’s Mind”: Katrin Arefy’s “The Portrait of An Angel, A Lion, A Monster”
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
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Passing a Relighted Torch. “Angry, Raucous & Shamelessly Gorgeous”
Hartford Stage in Hartford, Connecticut, has a stable tradition of offering literate plays...
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More Morisseau: “Skeleton Crew” by Dominique Morisseau
Skeleton Crew is Dominique Morisseau’s best play so far. It’s the most streamlined work in her...
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“Fires” This Time
Long Wharf Theatre in New Haven Connecticut stages a revival of Anna Deavere Smith’s Fires in the...
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Artist Entrance: Kelly Copper
Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...
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Kennedy Center Dramaturgy Intensive 2021 Retrospective
In the face of many challenges in Summer 2021, The John F. Kennedy Center for the Performing Arts...
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“As Soon As Impossible”: An Arab-American Comedy of Errors
Where and when: Harry J. Elam, Jr. Theater at Stanford University from November 11, 12, 13, 18,...
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Here’s to the Ladies who Lunch: One of Sondheim’s Greatest Achievements was Writing Complex Women
The most eclectic of music theatre composers was not only a gifted wordsmith and lyricist, but...
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Hollywood Has Got Method Acting All Wrong, Here’s What the Process is Really About
So-called method acting seems to be having a moment. Benedict Cumberbatch and Kirsten...
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Stephen Sondheim Showed Me the Beauty, Terror and Exquisite Pain of Being Alive
What did Stephen Sondheim mean to me? This is an attempt to bring order to the chaos. My first...
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Realities Blend Together in Arlekin Players’ “Witness”
A daring and nuanced documentary virtual theatre piece about Jewish refugees fleeing Nazi Germany...
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