Little Things We Do Together—Marianne Elliott’s “Company”
As most people reading this will already know, Company was first reworked for a female Bobbie...
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United States of America
Five of Stephen Sondheim’s Best Shows
A musical theatre legend has died. Stephen Sondheim, the greatest composer-lyricist of his...
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The Music of Words: The Metropolitan Opera’s “Eurydice”
If you’ve never seen an opera before, start here. If you’ve seen a ton of opera before, re-start...
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Women in Science in Theater – Transforma Theatre Paves a New Crossroads with Stunning Insight
For anyone wondering if live theater offers nothing but escapism from our mini-plague—or worse—on...
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Ecologies of Media, Ecologies of Mind: Toward a Dialectics of Embodiment
Despite being heavily indebted to electronic mediation, the dramatic situation created in...
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“By Heart”: Can One Poem Save the World?
“I have an aversion to ‘immersive theater,’” Tiago Rodrigues says at the beginning of By Heart. He...
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RE: Encuentro: Interview with “Paletas de Coco” Playwright Franky D. Gonzalez
In 2014, the Latino Theater Company (LTC) re-ignited the Latinx theatre festival tradition, a...
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Whole New World: Indian-American Actors Proud in “Aladdin” Play
Diversity in film is important, but in animation, it carries an even heavier, different message....
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Midwest Melancholy: “Girl From the North Country” at the Belasco Theatre
People say that trains often make interesting settings for drama since you have people from...
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Tony Awards Return: “Moulin Rouge!”, “The Inheritance” Win Big
Recognizing excellence in live Broadway theater, the Tony Awards bestowed the jukebox adaptation...
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One Actor, One Audience Member: Innovations in the Time of COVID
There are some lyrics in Simon & Garfunkel’s The Dangling Conversation that really get to me:...
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Theatre for One: A New Kind of Theatre Experience
Theatre is coming back slowly but surely. Though a difficult medium to translate online, it has...
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Sensation and Documentation: Jody Christopherson’s “Tussaud/Antoinette”
The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...
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Heaven Isn’t Too Far away; It’s in Downtown Houston at TUTS’ “Rock of Ages”
I have to confess something. I haven’t really missed theatre since the Covid-19 pandemic forced...
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Met Opera Returns with History-making Debut by Terence Blanchard
The Metropolitan Opera, which was closed after the coronavirus broke out in New York in March...
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Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”
A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...
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New Deal for Broadway: NYC Theater Luminaries Agree on Reforms
Following a summit of industry leaders organized by Black Theatre United earlier this year, a...
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The Barber of Seville
The production of The Barber of Seville by Teatro Nuovo overcame the restrictions of the covid-era...
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“An Odyssey” at Quantum Theatre, Pittsburgh, PA
Imagine, if you will, one of those old-fashioned TV game shows with two doors. Behind Door Number...
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“(It’s Been 76 Years and We’re) Still Waiting for Lefty” – Theatre Unleashed at Hollywood Fringe Festival
Seventy-six years after Clifford Odets’ Waiting for Lefty premiered in New York, Theatre Unleashed...
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