Sensation and Documentation: Jody Christopherson’s “Tussaud/Antoinette”
The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...
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United States of America
Heaven Isn’t Too Far away; It’s in Downtown Houston at TUTS’ “Rock of Ages”
I have to confess something. I haven’t really missed theatre since the Covid-19 pandemic forced...
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Met Opera Returns with History-making Debut by Terence Blanchard
The Metropolitan Opera, which was closed after the coronavirus broke out in New York in March...
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Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”
A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...
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New Deal for Broadway: NYC Theater Luminaries Agree on Reforms
Following a summit of industry leaders organized by Black Theatre United earlier this year, a...
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The Barber of Seville
The production of The Barber of Seville by Teatro Nuovo overcame the restrictions of the covid-era...
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“An Odyssey” at Quantum Theatre, Pittsburgh, PA
Imagine, if you will, one of those old-fashioned TV game shows with two doors. Behind Door Number...
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“(It’s Been 76 Years and We’re) Still Waiting for Lefty” – Theatre Unleashed at Hollywood Fringe Festival
Seventy-six years after Clifford Odets’ Waiting for Lefty premiered in New York, Theatre Unleashed...
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“WET: A DACAmented Journey” – Powerful Virtual Theatre from The Center Theatre Group
With so many screens in our lives it continues to be a struggle to find the inner strength to...
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“Chalk Lines” by Chalk Repertory Theatre – An Immersive, Virtual, Audio Play Tour
Since January 2009, Chalk Repertory Theatre has been crafting site-specific theatre in Los...
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Cry Havoc Theater Company Lets Slip the Dogs of War
In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part Three – An Interview With Lighting Designer Cory Pattak
This is PART 3 of the series. To read PART 1 and PART 2, click the links. I complete my three-part...
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The Universal Immigrant: “Ellis Island” by James Clements and Doireann Mac Mahon
The last several years in our shared history, particularly the rise of discriminatory legislation,...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part Two – An Interview With Projection Designer Steven Royal
For Part 1 see here. “I think that’s sort of the line I’m always hovering around; Does it feel...
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All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch
For Part 2 see here. Located in Southern Utah, the majestic Tuacahn Amphitheater has been the...
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Art Scene: “Archive: This Was The End” Taps Extrasensory Senses
Speaking to humanity across time and space, Archive: This Was the End is an interactive sculpture...
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Digital Sci-fi Opera “Red Giant”: An Opera Of Our Times
Red Giant, commissioned by Baltimore-based Indie Opera company, Rhymes with Opera, is a live,...
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Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit”
The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...
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“The Brooklyn Job” Stole My Heart
With a themed cocktail box, a program that doubled as a coloring book, and incredibly performed...
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