United States of America Archives - Page 16 of 58

RE: Encuentro: Interview with “Paletas de Coco” Playwright Franky D. Gonzalez

Posted by Trevor Boffone | 26th Nov 2021 | Festivals, Interview, Playwriting, United States of America

In 2014, the Latino Theater Company (LTC) re-ignited the Latinx theatre festival tradition, a...

Whole New World: Indian-American Actors Proud in “Aladdin” Play

Posted by Associated Press | 22nd Nov 2021 | Musical Theatre, New York, News, United States of America

Diversity in film is important, but in animation, it carries an even heavier, different message....

Midwest Melancholy: “Girl From the North Country” at the Belasco Theatre

Posted by Andrew Agress | 17th Nov 2021 | Musical Theatre, New York, Review, United States of America

People say that trains often make interesting settings for drama since you have people from...

Tony Awards Return: “Moulin Rouge!”, “The Inheritance” Win Big

Posted by Associated Press | 15th Nov 2021 | New York, News, United States of America

Recognizing excellence in live Broadway theater, the Tony Awards bestowed the jukebox adaptation...

One Actor, One Audience Member: Innovations in the Time of COVID

Posted by Alexander Nderitu | 12th Nov 2021 | Interview, Kenya, Management, Transcultural Collaborations, United States of America

There are some lyrics in Simon & Garfunkel’s The Dangling Conversation that really get to me:...

Theatre for One: A New Kind of Theatre Experience

Posted by Sakina Mirichii | 23rd Oct 2021 | Kenya, Review, Transcultural Collaborations, United States of America

Theatre is coming back slowly but surely. Though a difficult medium to translate online, it has...

Sensation and Documentation: Jody Christopherson’s “Tussaud/Antoinette”

Posted by Emily Cordes | 22nd Oct 2021 | Directing, New York, Review, United States of America

The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...

Heaven Isn’t Too Far away; It’s in Downtown Houston at TUTS’ “Rock of Ages”

Posted by Trevor Boffone | 17th Oct 2021 | Musical Theatre, Review, United States of America

I have to confess something. I haven’t really missed theatre since the Covid-19 pandemic forced...

Met Opera Returns with History-making Debut by Terence Blanchard

Posted by French Press Agency (AFP) | 13th Oct 2021 | New York, Review, United States of America

The Metropolitan Opera, which was closed after the coronavirus broke out in New York in March...

Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”

Posted by Alexander Fatouros | 8th Oct 2021 | Interview, New York, Theatre and AI, Theatre and Film, Transmedia, United States of America

A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...

New Deal for Broadway: NYC Theater Luminaries Agree on Reforms

Posted by Associated Press | 23rd Sep 2021 | New York, News, Theatre and Politics, United States of America

Following a summit of industry leaders organized by Black Theatre United earlier this year, a...

The Barber of Seville

Posted by Dvir Avnon-Klein | 11th Sep 2021 | Featured, New York, Review, Theatre and Opera, United States of America

The production of The Barber of Seville by Teatro Nuovo overcame the restrictions of the covid-era...

“An Odyssey” at Quantum Theatre, Pittsburgh, PA

Posted by Wendy Arons | 7th Sep 2021 | Adaptation, Review, United States of America

Imagine, if you will, one of those old-fashioned TV game shows with two doors. Behind Door Number...

“(It’s Been 76 Years and We’re) Still Waiting for Lefty” – Theatre Unleashed at Hollywood Fringe Festival

Posted by Christine Deitner | 5th Sep 2021 | Los Angeles, Review, United States of America

Seventy-six years after Clifford Odets’ Waiting for Lefty premiered in New York, Theatre Unleashed...

“WET: A DACAmented Journey” – Powerful Virtual Theatre from The Center Theatre Group

Posted by Christine Deitner | 30th Aug 2021 | Los Angeles, Review, United States of America

With so many screens in our lives it continues to be a struggle to find the inner strength to...

“Chalk Lines” by Chalk Repertory Theatre – An Immersive, Virtual, Audio Play Tour

Posted by Christine Deitner | 27th Aug 2021 | Immersive Theatre, Los Angeles, Review, Transmedia, United States of America

Since January 2009, Chalk Repertory Theatre has been crafting site-specific theatre in Los...

Cry Havoc Theater Company Lets Slip the Dogs of War

Posted by Rhiannon Ling | 19th Aug 2021 | Devised Theatre, Interview, Theatre and Politics, United States of America

In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...

Designing for Tuacahn Amphitheater (A Three Part Series): Part Three – An Interview With Lighting Designer Cory Pattak

Posted by Colden Lamb | 17th Aug 2021 | Design, Interview, United States of America

This is PART 3 of the series. To read PART 1 and PART 2, click the links. I complete my three-part...

The Universal Immigrant: “Ellis Island” by James Clements and Doireann Mac Mahon

Posted by Emily Cordes | 8th Aug 2021 | New York, Review, United States of America

The last several years in our shared history, particularly the rise of discriminatory legislation,...

Designing for Tuacahn Amphitheater (A Three Part Series): Part Two – An Interview With Projection Designer Steven Royal

Posted by Colden Lamb | 1st Aug 2021 | Design, Interview, United States of America

For Part 1 see here. “I think that’s sort of the line I’m always hovering around; Does it feel...

United States of America

RE: Encuentro: Interview with “Paletas de Coco” Playwright Franky D. Gonzalez

Whole New World: Indian-American Actors Proud in “Aladdin” Play

Midwest Melancholy: “Girl From the North Country” at the Belasco Theatre

Tony Awards Return: “Moulin Rouge!”, “The Inheritance” Win Big

One Actor, One Audience Member: Innovations in the Time of COVID

Theatre for One: A New Kind of Theatre Experience

Sensation and Documentation: Jody Christopherson’s “Tussaud/Antoinette”

Heaven Isn’t Too Far away; It’s in Downtown Houston at TUTS’ “Rock of Ages”

Met Opera Returns with History-making Debut by Terence Blanchard

Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”

New Deal for Broadway: NYC Theater Luminaries Agree on Reforms

The Barber of Seville

“An Odyssey” at Quantum Theatre, Pittsburgh, PA

“(It’s Been 76 Years and We’re) Still Waiting for Lefty” – Theatre Unleashed at Hollywood Fringe Festival

“WET: A DACAmented Journey” – Powerful Virtual Theatre from The Center Theatre Group

“Chalk Lines” by Chalk Repertory Theatre – An Immersive, Virtual, Audio Play Tour

Cry Havoc Theater Company Lets Slip the Dogs of War

Designing for Tuacahn Amphitheater (A Three Part Series): Part Three – An Interview With Lighting Designer Cory Pattak

The Universal Immigrant: “Ellis Island” by James Clements and Doireann Mac Mahon

Designing for Tuacahn Amphitheater (A Three Part Series): Part Two – An Interview With Projection Designer Steven Royal

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