Accessibility in the Time of Corona: An Overview
There’s no denying that COVID-19 has been a financial and connectivity nightmare for artists....
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Theatre and Politics
Uganda’s Creative Industry Under Siege Again
The entertainment or creative arts industry is as old as humanity. It is one of the ways through...
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Mister Twister (Marshak-Jazz Cabaret): Ladies & “Trump”
If the United States again accuses Russia of interfering in the election, it will almost certainly...
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“Wonnangatta” Review: Australian Theatre Writing At Its Provocative And Powerful Best
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
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“An Evening With an Immigrant” at The Bridge Theatre
When the history of British theatre’s response to COVID-19 comes to be written, the names of two...
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“Sweat” at Left Edge Theatre
Sweat, by Lynn Nottage, is a cautionary tale about how the effects of poverty, or the threat of...
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Fariña: Cocaine Coast Docks in Madrid
Madrid is the European capital worst hit by COVID-19. There nevertheless remains more theatrical...
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Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
My family is not Jewish and therefore I never celebrated Jewish holidays at home. However, I have...
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Self-Organizing Systems, Stickiness and Mental Resistance… An Interview with Mette Ingvartsen on Moving in Concert (2019)
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
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The Kupałaŭski’s Century
100 years ago the first-ever professional theatre in the modern history of Belarus opened its...
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The Story Behind “LILIAN”: Interview with Kasia Głowicka
LILIAN, the debut radio play from award-winning composer Kasia Głowicka, will premiere Friday,...
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Disrupting The Flow: Artist Mark Chung Reflects On An Ailing Hong Kong
When you step into Wheezing, Mark Chung’s new show at de Sarthe Gallery, the first thing you...
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#FreeSzFE: A Photo Journal By Gabriella Csoszó
I am a photographer, teacher, and activist with over twenty years of practice. I live in Budapest....
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“M(O)ther” – Boston Experimental Theatre
The Boston Experimental Theatre (BET) has created a production that manages to reflect our odd,...
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OYUB: Sounding Russian Docudrama
Documentary dramas engage the audience with social issues, and in Russia, documentary drama...
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Theatre in a COVID-19 World: The Rise of New Formats
As live play performances and readings crowd virtual platforms, theatre is going through a...
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Rock, Theatre and Human Rights Come Together at this Online Event
ArtAloneTogether is a mix of dance, theatre, magic and music performances, in addition to...
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Archive on Stage: Enacting Life, Performing Politics
Solomon Mikhoels, the beloved star of the Soviet Yiddish theater, was once asked how long he...
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‘Hamilton’ Ignores the Statesman’s Strategy to Fund Genocidal Warfare Against Indigenous Peoples
The recent release of the musical Hamilton by the Disney+ channel on July 3 received favorable...
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How “Hamilton” Got Chinese Thinking About Who Tells Their History
Viewers in the People’s Republic have embraced Lin-Manuel Miranda’s unconventional approach to...
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