“Churning Waters”—Muffled Voices Flow
A white, feathered string in hand, Sylvia Nulpinditj begins to explain each action in the...
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Theatre and Dance
Post-Apocalyptic Ambiguity Of The Inner Light: A Conversation With The Creators Of “When Angels Fall”
ArtsEmerson is honored to host the New England premiere of When Angels Fall, a riveting tale of...
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“One Infinity” Explores Tension and Connection Between China and the West
In an age of growing mistrust, the Chinese-Australian artistic collaboration One...
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Cally Spooner: Between Language And Body
Black box and white cube From February 3 till March 18, the Centre d’Art Contemporain in Geneva...
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Care To Dance Dramaturg? The Invention Of A New Craft
A Foreword by the Editor Thirty years ago an essay was published in the Canadian journal Theatrum...
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My Life In Russia: Life Of Ballet Dancer Xander Parish
Meet Xander Parish, the principal dancer of the famous Mariinsky Theater in St. Petersburg. He...
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Dance Of The Arts
The Folkwang University of the Arts in Essen has just turned ninety. A look back at its creation...
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Alonzo King Lines Ballet “Sutra” Unites The World
What we grasp from this hypnotic evening presented by the Alonzo King Lines Ballet performing a...
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Hong Kong Ballet’s “Giselle” at Hong Kong Cultural Centre
With a new artistic director leading a traditional art form to the frontier, Hong Kong Ballet...
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“OnlyHuman” At Danspace Project
In the celebratory cookbook Cake, Maira Kalman writes: “When we lived in Rome we had a party...
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Invertigo Dance Theatre Company: A Conversation With Laura Karlin And Sofia Klass
Invertigo Dance Theatre is a provocative and passionate dance company based in Los Angeles. Laura...
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Ecce Homo: “The Great Tamer,” By Dimitris Papaioannou. Dance Umbrella Festival 2018, London, Sadler’s Wells
A curved, declivitous, dark-grey hill, built from large, rectangular vinyl blocks–reminiscent of...
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Telling A Thai Tale: A Dance Dramaturg’s Take
“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer,...
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“Artificial Things”: An Introduction
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
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An Intricate Rumination On The Partnership Between Music And Dance
Concert, By Colin Dunne, Dance Umbrella Festival 2018, London, Barbican The important thing about...
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Léon Bakst, The Eclectic Genius Of The Ballets Russes: A Documentary Exhibition In Venice
The documentary exhibition Léon Bakst: Symbol Of The Ballets Russes is a unique occasion to admire...
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Oscar Wilde’s “Salome” At Irondale
M-34 Productions and FringeNYC present a dazzling new production of Salome at the Irondale Center...
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Footwork Against Corruption: Via Katlehong And Gregory Maqoma’s “Via Kanana,” Dance Umbrella Festival, London
The platform stage erected in Shoreditch Town Hall’s grand Victorian assembly room is receiving a...
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“En Masse” Is An Arresting Fusion Of Circus, Dance, And Classical Music
According to their artistic director, Yaron Lifschitz, Circa’s En Masse “speaks of fresh starts...
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Jasmin Vardimon: Adapting “Medusa” Myth In The Liquid Modernity Age
Choreographer Jasmin Vardimon’s new show, Medusa, is a multiple and composite piece of art that is...
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