Spring Roundup 2026
Once again, the forsythias are in bloom, and that means new openings are arriving way too fast for...
Read MorePosted by Jonathan Kalb | 16th Jul 2026 | Musical Theatre, Producing, Review, United States of America
Once again, the forsythias are in bloom, and that means new openings are arriving way too fast for...
Read MorePosted by Marcina Zaccaria | 19th Mar 2025 | Dramaturgy, Interview, Producing, United States of America
Getting to the truth – the emotional truth and understanding. I think emotion more than ideology. It resonates with us is how we feel. I can understand that we can be in conflict, I have an emotional connection to both sides of an emotional argument. I not only resonate and feel seen, then I have a better understanding of the person whose thought was in opposition of me.
Read MorePosted by Ina Doublekova | 26th Jan 2025 | Interview, Producing, Theatre and Politics
For 15 years now, Heidi Wiley has been Executive Director of the largest and most influential...
Read MorePosted by Jeune Théâtre Européen Jeunes Publics | 29th Feb 2024 | Essay, France, Germany, Greece, Ireland, Producing, Serbia, Tunisia
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
Read MorePosted by Miriam Haughton and Patricia O’Beirne | 27th Jan 2024 | Design, Essay, Ireland, Producing
Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
Read MorePosted by Kasia Lech | 16th Jun 2023 | Interview, Producing, Transmedia
European Theatre Convention published a new study, Digital Theatre – Strategies and Business...
Read MorePosted by Natalia García-Casarrubios | 5th Mar 2023 | Festivals, Interview, Producing, Spain
Jesús Cimarro is the current President of the Spanish Academy of Performing Arts (Academia de las...
Read MorePosted by Lisa Monde | 17th Feb 2023 | Interview, Musical Theatre, New York, Producing, United States of America
Dedicated to the 35th anniversary of the Broadway musical “The Phantom of the Opera.” It is known...
Read MoreWhen I thought about why I wanted to write this article, a simple, almost childlike thought came...
Read MorePosted by Todd Sullivan | 6th Jan 2023 | Nigeria, Producing, Taiwan, Theatre and Decolonization, Transcultural Collaborations
It began as a direct message conversation between two black creatives: Ghanniy Oyedele from...
Read MorePosted by Oliver Giles Zolima CityMag | 2nd Jan 2023 | China, Hong Kong, Producing, Theatre and Art
Para Site, one of Hong Kong’s leading contemporary art spaces, is famous for its sprawling,...
Read MorePosted by The Theatre Times | 16th Nov 2022 | Education, Management, News, Producing, Worldwide
The International Association of Theatre Leaders (IATL) would like to invite you to The...
Read MorePosted by Mona Chu Zolima CityMag | 15th Nov 2022 | China, Hong Kong, News, Producing, Theatre and Art
It was well past midnight on October 2, 2021. Current Plans—at the time known as Present...
Read MorePosted by Lara Cox | 15th Sep 2022 | Interview, Oceania, Producing, Theatre and Decolonization
On June 13, 2022, I spoke with Guillaume Gay, who is operational and artistic director of the...
Read MorePosted by Ivanka Apostolova Baskar | 26th Jul 2022 | Education, Interview, Macedonia, Producing
Ana Stojanoska (1977, Prilep) is theatrologist, writer, and full professor at the Faculty of...
Read MorePosted by Molly Grogan Zolima CityMag | 10th Jul 2022 | China, Hong Kong, News, Producing, Theatre and Politics
Hong Kong’s branding campaign as “Asia’s World City” sings the praises of its liveability,...
Read MorePosted by Nemanja Stanojevic | 27th Apr 2022 | Design, Immersive Theatre, Interview, Producing, Serbia
Belgrade and Serbia have a three-century-long history of theatre. Along with the development of...
Read MorePosted by Emily Cordes | 21st Apr 2022 | Producing, Review, Theatre and Gender, United States of America
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
Read MorePosted by Stephen Langston | 14th Mar 2022 | Covid-19, Essay, Producing, United Kingdom
When the UK went into lockdown in 2020, its multibillion-pound theatre industry could have ceased...
Read MorePosted by European Theater Convention Board | 2nd May 2021 | Covid-19, Europe, News, Producing
Leading theatre directors in Europe are warning that the pandemic shutdowns are not only...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026 
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026 

“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026 