Performing in Winter: Creating COVID-safe Super Venues and Sharing the Stage
You pass through a wide doorway to a large space with good air circulation. Inside, an usher...
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Producing
Paid-For Digital Streaming Has A Place In Theatre’s Return
From classic Andrew Lloyd Webber plays to the release of a recording of the original cast of...
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Coronavirus: Theatres Are Already Closing – The UK Government Needs To Act Now
The executive director of Manchester’s Royal Exchange Theatre, Steve Freeman, could have been...
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Inside David Winitsky: Thoughts On Theatre, The Upcoming Fall Season At Kitchen, And Beyond
The world has changed significantly not only in the last four months but more largely since the...
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Coronavirus has Dimmed the Lights on Live Entertainment. What Now for Event Managers?
COVID-19’s impacts on society are unprecedented and nobody can say precisely when we will return...
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Perspectives of Hungarian Creative Producer – Sylvia Huszár
The Perspectives of a Creative Producer Today An interview with Sylvia Huszár – creative producer...
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Australia Council and Arts Funding
Today, the Daily Review published an open letter with more than 700 signatures addressing the...
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“Genocide 25”: A Rwandan Generation Learning About 94
The year 1994 In 1994, Nelson Mandela had been free since 1990, but a candidate in the upcoming...
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Anirudh Nair’s Exploratory Theatrical Style
One of India’s emergent theatre-makers, and also a young veteran when it comes to acting legs, the...
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Why Revive A Forgotten Australian Classic? Oriel Gray’s “The Torrents” Remains Relevant Today
Set in a regional Australian newsroom in the 1890s, Oriel Gray’s The Torrents is a play about...
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Obtaining Theatrical Rights in India
The elections are done. The results are out. Everyone has an opinion. Social media is buzzing with...
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Theatrekaran’s Tamil Tales
No one is ever too old for stories. City-based theatre group, Theatrekaran, is counting on this,...
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ETC and Ukrainian Theatre: A Dialogue of Art, Change, and Support
As a mid-December snow fell over the city of Kyiv, Ukraine, the European Theatre Convention...
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“Sycorax, Cyber Queen of Qamara”: A Conversation with Joan Kane and Sandra Bargman
By Playwright Fengar Gael, Sycorax is a character referred to, yet never seen, in Shakespeare’s “The Tempest.” But, in Fengar Gael’s story, Sycorax has been alive and waiting for 500 years to tell her side of the story.
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Artistic Collaborations In Southeast Asia–Current Gaps And What’s Next For Producers
Intercultural Interlocutors: Tay Tong and Faith Tan, Part III *This is part 3 of a 3 part...
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Pushing Early Regional Exchanges And Responding To Artists’ Needs
Intercultural Interlocutors: Tay Tong and Faith Tan, Part II *This is part 2 of a 3 part article. ...
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A Producer’s Life–Catalysing Exchanges And Supporting Art-Making In Southeast Asia
Intercultural Interlocutors: Tay Tong and Faith Tan, Part I *This is part 1 of a 3 part article. ...
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Berlin: Governing A “Creative” City
Advocacy for the arts has been one of the central topics of the meetings and research activities...
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Belonging In A “Creative” City
Advocacy for the arts has been one of the central topics of the meetings and research activities...
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Kyoto As A Stage For World Theatre – An Interview With Kyoto Experiment Program Director Yusuke Hashimoto
Kyoto Experiment is one of Japan’s major international theatre festivals, along with...
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