The End of An Era: Goodbye and Thank-you to the Pavón Teatro Kamikaze
It’s December 22nd, not quite the night before Christmas but not far off, and the news has just...
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The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
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On Contemporary Art as Part of Culture’s DNA: Interview with Mira Todorova
Five years ago in November, a new space for contemporary dance and performance opened its doors in...
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Review of Kwasha! Theatre Company’s “Peeling Shadows”
Kwasha! Theatre Company’s Peeling Shadows, which has just ended a limited run at the Market...
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Theatre and Politics: Robert Serumaga – The Pantheon of Uganda’s Theatre in the ’70s
When Abafumi went on what would be their last tour, Robert Serumaga, who had not gone with his...
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“In Their Words” Is A Harbinger Of Things To Come
In Their Words, a staged reading which recently took place at the Tin Town Theatre in Johannesburg...
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Radio-Drama Vibe of Resounding’s “Treasure Island: LIVE” Captivates
Based on Orson Welles’ 1938 radio play and adapted by Creative Director Steve Wargo,...
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“Imagining Marvin”: A Tribute to How Far (and Not Far) We’ve Come
An interview with Ryan Shaw In our new digital era, it was an honor to have a Zoom sit-down with...
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“A Christmas Carol”at The Bridge Theatre
A Christmas Carol is a seasonal standard. In a normal year, there are a couple of versions to be...
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Embrace The Chaos: “Readymade Cabaret 2.0”
Given the year’s unsettling mixed-bag of a global pandemic, racial reckoning, political strife,...
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Alexandra Theatre Academy Hosts Inaugural Current Affairs Theatre Festival
The sprawling township of Alexandra came alive from Friday 23 – Sunday 25 October when the...
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Youth Theatre: A Theatre School for Those Interested in Exploring a Career in Arts
The six-month mentorship program by the Indianostrum Open Theatre School is open to anyone...
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“The Red Femicycle”: Gender Based Violence in Sharp Focus
The Red Femicycle brings into sharp focus Gender-Based Violence in a gut-wrenching and...
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“Death of England: Delroy”, National Theatre
Okay, COVID-19 really sucks. This play opened and closed on the same night, 4 November, as the...
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Afro-Latinidad And The Greater Good Of The Latinx Playwrights Circle
In October 2017, a group of Latinx playwrights came together in New York City to share space,...
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“Knife” Critiques Human Nature Through Mime And Dance
Sometimes a gesture of gratitude comes in the form of a carte blanche. Akira Shirai, the departing...
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A Marriage of Art and Cultures: Leung Ming-kai and Kate Reilly
Sitting in a decidedly Hong Kong-flavoured café in Prince Edward, Leung Ming-kai and Kate Reilly...
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“What a Carve Up!”, Barn Theatre
Classical murder mysteries end with a neat solution — and with the arrest of the perpetrator....
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A Son, His Father, and Steampunk: Reliving Days of Future Past
Filmmaker Sun Yang discusses his recent documentary about visual artist Ma Liang, also known as...
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How Theatre Can Help Young Nigerians Who Are Living With HIV
Nasarawa state in the north-central region of Nigeria is known for agriculture, salt mining, and...
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