“The Way Of The World” at The Donmar Warehouse
Let us have a quick moan about repertoire. You know, the types of plays that most of our theatres...
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The Perks Of Bringing In New People In The Theatre Repertory
Casting actors from outside the repertory means new energy and new audiences. Last week, I watched...
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Bronze Statues And Memories: Returning Home In “The Musician And The Girl”
Busan. Once a small, quiet town and the Joseon Kingdom’s first open port, it changed completely in...
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Experimentalism, Politics, And Utopia: Portuguese Theatre At The Beginning Of The 20th Century And On The Threshold Of The New Millennium
This article was originally published as ‘Introduction’ to the edited collection...
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“Mr. Half Dwells…” Journeys Through the “Normal” City of Hong Kong in the Most Abnormal Theatrical Display
It is always an excitement to anticipate a show if one sees the name Ming-hang...
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Secret Cinema’s Most Recent Production: A Recreated World Of Ridley Scott’s Classic Film “Blade Runner: The Final Cut”
Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music,...
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Alexei Malobrodsky: The Strong Link
Note from TTT: Alexei Malobrodsky, former director of Moscow’s Gogol Center, has been in pretrial...
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“Ballyturk” Delivers A Surreal Yet Exciting Challenge
When Akira Shirai first read the script for Ballyturk, he quickly understood why its creator,...
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Chinese Vagina Monologues And Beyond
On March 20 2018, VaChina, a London-based Chinese feminist network, staged its first full drama...
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Reinventing Shakespeare In Chinese And Sinophone Theatres
Along with a number of Japanese and Western canonical poets and writers, Shakespeare and his works...
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Thou Art Translated! How Shakespeare Went Viral
In A Midsummer Night’s Dream, when Peter Quince sees Bottom turned into an ass-headed figure, he...
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The Theatre Form, Yakshagana, Involves All-Night Plays As Offerings To A Deity
For six straight months every year, a tiny village comes alive with all-night Yakshagana. A...
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“Plastic” at the Old Red Lion Theatre: On Teenage Love and Tragedy
Many years ago, your time at school might even have been some of the happiest days of your...
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Labour Politics In Audrey Dwyer’s “Calpurnia” Problematize Allyship
Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...
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“Without Damage” Gets A Ground-Breaking Debut At Egypt’s D-CAF
People may or may not be familiar with contemporary art, but it involves no damage to the audience...
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King’s Head Theatre’s “Victim”: One-Woman Show About Life in Prison
Last night, I went to the King’s Head Theatre to see Martin Murphy’s hugely enjoyable Victim, a...
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Towards An Inclusive Stage…
Starting today, the 13th edition of META Festival brings to theatre lovers diverse plays from all...
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Boheme and Beer: an Unconventional Production by Boston Opera Collaborative
Audiences found themselves amidst fermentation vessels and set dressings alike this past Thursday...
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Field Guide To Estonian Theatre Audiences
Estonians are among the least religious people in Europe, however, one can assert without a shadow...
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“Dark Dunedin: Heaven Looks On” Excavating Layers Of The Real And The Imagined
An audience assembles on the grassy margins of Prospect Park in Ōtepoti/Dunedin, New Zealand, on a...
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