“Drag Becomes Her” at The Soho Theatre
Drag auteur, Peaches Christ, has made their name as an adaptor of cult movies, directing the great...
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In “Cloudstreet,” Nostalgia All Too Easily Redeems Australia’s Colonial Past
Set in a rambling and ageing house haunted by a colonial past, Cloudstreet is a theatrical...
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Stories in Sandalwood: Mudrika Puppets
Three-time National Award-winning puppeteer Dattatreya Aralikatte, on the evolution of the mudrika...
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“White Pearl” at The Royal Court
Royal Court’s Artistic Director Vicky Featherstone’s commitment to staging a diversity of...
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Toronto Laboratory Theatre: “In Sundry Languages” – Creating New Identities Through Collaborative Devising In Many Languages!
Art Babayants is a performer and the Artistic Director of the Toronto Laboratory Theatre, working...
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“Salt” at The Royal Court
Most of the facts about the Atlantic slave trade are well known; what is less understood is how...
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“The Pigeon King” At The NAC Is A Perfect Country Musical About Pigeon Scams, The Modern Family Farm, Hope And Loss, And That Reality Is Stranger Than Fiction
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
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Theatre Nisha Revives “The Trojan Women”
The Chennai production promises a commentary on a war that is as relevant it was in 415 BC when...
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“We Live in Cairo:” Fully Committed, Still in Beta-Testing
We Live in Cairo, a new musical written by brothers Daniel Lazour & Patrick Lazour, directed...
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Review: “Scenes from 71* Years” by Hannah Khalil
Scenes from 71* Years is a play of remembrance showing a diasporic perspective on the Palestinian...
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“Gary” Isn’t Queer Enough
The critical responses to Taylor Mac’s debut, Gary: A Sequel to Titus Andronicus, have been...
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Ella Hickson’s “ANNA” at The National Theatre
Something is tantalizingly amiss at the National’s Dorfman Theatre. There is a headset attached to...
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“Happy Days” at the Mark Taper Forum – Sorrow Keeps Breaking In
“Begin your day, Winnie.” In Samuel Beckett’s Happy Days, Dianne Wiest’s enviable range and...
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Shakespeare and Asia
When a weary Egeon laments in the first scene of The Comedy of Errors that in quest of his lost...
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Herta Müller’s “Niederungen” and The Dramaturgy of The Body
The talented Romanian director Mihaela Panainte adapts Nobel laureate Herta Müller’s visceral...
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“The Modern on Stage / The Dream of the House”: An Interview with Jan Pappelbaum, Set Designer at the Schaubühne, Berlin
Jan Pappelbaum is one of the most inventive and internationally renowned set designers, from the...
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Interview with Saviana Stănescu: “One could say that I am a 17-year-old American playwright”
A well-known poet and journalist, Saviana Stănescu left Romania for the US thanks to a Fulbright...
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Chekhov’s “Three Sisters” at the Almeida Theatre
“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
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In Black Swan’s “Water” – Three Vignettes Explore the Politics of Immigration, Drought and Family Dynamics
Review: Water, Black Swan, Perth. Water, written by Jane Bodie and directed by Emily McLean, was...
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Russia Meets Iran: J’afari, Vișniec and Meyerhold, Partners of Ideology, Traversers of History
Read Farinaz Kavianifar’s interview with Rūhollah J’afari. On the evening of August 3, 2018,...
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