Self-Censorship Is a Castration of Ideas: A Conversation with Ruhollah J’afari, Dramaturg and Director of the Play Richard III Will Not Take Place
Also, about this production, read “Russia Meets Iran: J’afari, Vișniec, and Meyerhold,...
Read MorePosted by Reza Ashofteh | 23rd May 2019 | Interview, Iran, Theatre and Politics
Also, about this production, read “Russia Meets Iran: J’afari, Vișniec, and Meyerhold,...
Read MorePosted by Romy König | 22nd May 2019 | Germany, Interview, Playwriting
When asked about her background, she tends to respond, “I come from the theatre:” playwright and...
Read MorePosted by John Smythe | 22nd May 2019 | Ireland, New Zealand, Review
Vladimir and Estragon, who nickname each other Didi and Gogo, languish nowhere in particular and...
Read MorePosted by A Sangameswaran | 22nd May 2019 | Acting, Essay, India, Theatre and Religion
Thespian Ammannur Kuttan Chakyar gave a scholastic presentation of Melpathur Narayana...
Read MorePosted by Vikram Phukan | 22nd May 2019 | Acting, Immersive Theatre, India, Review
Playing at the ongoing Damu Kenkre Smriti Mahotsav tonight is a fairly new production directed by...
Read MorePosted by Ryan Pepper | 21st May 2019 | Canada, Review
The NAC’s Between Breaths from St. John’s Artistic Fraud of Newfoundland theatre captures the life...
Read MorePosted by Billy Potts | 21st May 2019 | Australia, China, Chinese Theatre Abroad, Essay, Transcultural Collaborations
Back home in Australia, the world’s largest imperial dragon joins his predecessors – and so...
Read MorePosted by Gowri S | 21st May 2019 | India, Interview, Transcultural Collaborations
International movement artist Jayachandran Palazhy feels that despite their so-called abstract...
Read MorePosted by Alvina Ruprecht | 21st May 2019 | Canada, Review
A two-hander by Rose Napoli that has been given a fine production at the GCTC thanks to director...
Read MorePosted by Marcina Zaccaria | 20th May 2019 | Festivals, Italy, New York, News
The In Scena Festival is an ambitious undertaking. Presenting work each year by Italian artists,...
Read MorePosted by Wendy Arons | 20th May 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Quantum’s marketing slogan for this season is “theater that moves you,” and its production of...
Read MorePosted by Vikram Phukan | 20th May 2019 | Acting, India, Review, Translation
Writer-director, Mahesh Ruprao Ghodeswar’s Hero Alom pays homage to the mainstream cinema even...
Read MorePosted by Alvina Ruprecht | 20th May 2019 | Canada, Review
Indecent, written by Paula Vogel, was first produced at the Yale repertory theatre in 2015. This...
Read MorePosted by Jane Baldwin | 20th May 2019 | Boston, Review, United States of America
Boston is privileged to welcome Indecent, Paula Vogel’s and Rebecca Taichman’s adaptation of...
Read MorePosted by Maria Delgado | 19th May 2019 | Review, Spain
La Cubana—one of Spain’s most important theatre companies—are back. They may have intimated back...
Read MorePosted by Rathsaran Sireekan | 19th May 2019 | Belgium, Essay, Theatre and Dance, Theatre and Decolonization
Author: Rathsaran Sireekan Contemporary art’s desire to be “contemporary”, for many practitioners,...
Read MorePosted by Daniel Schenker | 19th May 2019 | Brazil, Festivals, News, Portugal, Theatre and Dance, Theatre and Politics
FITEI – International Festival of Iberian Expression Theater, taking place in Porto, Portugal,...
Read MorePosted by Tom Billinge | 18th May 2019 | Festivals, Hong Kong, News
Tam Kung is an enigmatic figure with little really known about his origins. The sea deity is...
Read MorePosted by Maria Pia Pagani | 18th May 2019 | Italy, News
Ghislieri College in Pavia is one of the oldest and most prestigious university colleges in Italy,...
Read MorePosted by Fabián Barba | 17th May 2019 | Belgium, Essay, Theatre and Dance
Fabián Barba studied dance in Quito, the capital of Ecuador, as well as at P.A.R.T.S. in...
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