Transcending Michael Chekhov From the Classroom to the Stage
Of the many precepts in developing a work for the stage, commonly method acting can be of the...
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It’s Shakespeare’s “Hamlet,” But Not As You Know It
With praise for his Hamlet with the Royal Shakespeare Company in 2016 still ringing in his ears —...
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Retro Productions’ “Mary, Mary”
The makeover story arc is a time-honored Hollywood tradition. Audrey Hepburn made several (Funny...
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Sue Smith’s “Hydra:” How Love, Pain, and Sacrifice Produced an Australian Classic
Running through Hydra, the new play by Australian playwright Sue Smith, is the myth of Icarus, the...
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Wounds Of Tradition In Huntington’s “Indecent”
The Huntington Theatre Company has given the city of Boston a priceless gift by remounting the...
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Stage Space of Contemporary Belarusian Scenography
Russian theatre historian Viktor Beryozkin said that while painter deals with canvas, paints, and...
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Why Hong Kong Is Surprisingly Fertile Ground For Western Opera
Being one of China’s Three Tenors meant that Easter was no holiday for Warren Mok. The opera giant...
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“black odyssey:” An Intimate Epic
The poetic epic by Marcus Gardley, black odyssey, presented at the Central Square Theater in a...
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AVLAIA: Dropping and Opening the Curtain to the Future of Europe
In the theatre, the front curtain is drawn open from both sides of the proscenium to reveal a...
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“Three Sisters” at The Almeida Theatre
About a year ago, director Rebecca Frecknall electrified this venue with an award-winning revival...
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Hidden Women Of History: Eliza Winstanley, Colonial Stage Star And Our First Female Richard III
In this series, we look at under-acknowledged women through the ages. In December 1882, Eliza...
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Mass Opera’s Production Of “Die Fledermaus” Is The Life Of The Party
Hilarious, energetic, and engaging, Mass Opera’s Die Fledermaus was pure joy from start to...
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Stories From The Soul: “Topi Ki Dastaan”, A Play Based On The Popular Hindi nNovel Topi Shukla
Director Tarique Hameed on why Dastaan Narration Form is the best way to narrate the story of Topi...
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“Jude” at The Hampstead Theatre: Adaptation of Thomas Hardy’s 1895 Tragic Novel, “Jude The Obscure”
Edward Hall bids farewell to this venue, where he has been artistic director since 2010, with this...
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“There Is More Future Than Past” And “A Room of One’s Own”: Documentary Play About Latin American Women Artists
In the early twentieth century, Virginia Woolf published the essay Room of One’s Own, based...
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The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre
Belarusian stage director Yura Divakov is well-known in the region for his highly visual stagings....
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Prague Quadrennial 2019: Imagination, Transformation, Memory
This summer, a wonderful artistic tradition will return to the city of Prague, as the Czech...
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Lesbian Pirates! A Historical Look At Disability And Queerness
Lesbian Pirates! is a musical based on the untold true story of the ruthless, maverick and lesbian...
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En-route To Constructing Translation For The Stage: The UCL Theatre Translation Futures Forum
In March 2019, translators, directors, performers and researchers gathered at University College...
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What Schreck’s Endings Mean To Me
Lately, whenever people ask for advice on what theater to see in New York, the show I’ve mentioned...
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