“Top Girls” at The National Theatre
Written only as recently as 1981, Caryl Churchill’s modern classic Top Girls has already been on...
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“All My Sons” at The Old Vic: Tragedy at The Heart of the American Dream
Superstar Sally Field has come to town. With two academy awards and countless other accolades, the...
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Helen Edmundson’s “Small Island” At The National Theatre: Tribute To The Windrush Generation
Novelist Andrea Levy’s 2004 masterpiece, Small Island, is a tribute to the Windrush Generation,...
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A Triumph Of Performative Experimentation: BATS Theatre, Wellington Celebrates 30 Years
As New Zealand has lost two of its longest-running professional theatres in the last seven years,...
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Henrik Ibsen’s “Rosmersholm” At The Duke Of York’s Theatre: Vibrant Classic
Rosmersholm is considered a difficult and rarely performed play. But, judging from this...
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Comedy In The Time Of #LokSabhaElections2019
As political humor becomes more accessible, so do the repercussions of having an opinion in the...
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Performing Arts Festivals In France – Summer 2019
Summer returns with its numerous performing art festivals in France. From long-running and...
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“The Half God Of Rainfall” at The Kiln Theatre: A Galaxy-Hopping Mythological Mash-up
If British theatre often seems to lack ambition, the same cannot be said of The Half God Of...
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Children Bring The Mahabharata On Stage
For Athul Krishna, the summer vacation has been about polishing his acting skills. A budding...
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First Egyptian Integrated Dance Show Spotlights Dancing With Disability
When you have any sort of injury, you are forced to listen to your body, which is reflected in...
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Zoe Cooper’s “Out Of Water” At The Orange Tree Theatre: Feelgood Gender Issues
Most new writing for the British stage is timid in subject matter, predictable in plotting and...
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Passion Play: The Often Fraught History Of The Theatre And Christianity
During Holy Week – the run-up to Easter – theatrical versions of religious narratives abound....
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“The Pigeon King” At The NAC Is A Perfect Country Musical About Pigeon Scams, The Modern Family Farm, Hope, And Loss And That Reality Is Stranger Than Fiction
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
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Performatik 2019 – Towards Indisciplinarity
The politics of (dis)association The sixth edition of Performatik, the Brussels Biennale for “live...
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Video Games As Extensions Of Theatre
In Somewhere, players set out for Kayamgadh, a mythical city of storytellers in colonial India. In...
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“It Is All Very Satisfying”: Director Of India By The Nile, Ila Gupta On Her 25 Years In The Arts Field
Ila Gupta, the director, and producer of the annual festival dedicated to Indian arts is among the...
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The Structure Of The Arts And Culture Industry In Zimbabwe
In the last nine years, at various forums initiated either by government agents such as National...
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Lola Arias: “Minefield”
Argentina And England Meet Again, More Or Less Peacefully, on the NYU Skirball Stage: North...
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Intermediality In The Advanced Dramatic Readings In Belarusian Theatre
Belarusian theatre is not well-known abroad because of a certain cultural isolation. Several local...
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Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for “King Lear” at Quantum Theatre
Susan Tsu is an advocate for educating costume designers and devotes much of her time to her...
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