Vikram Phukan: Mapping Resilience And Vulnerability
In the midst of external turmoil, how does one battle with one’s inner demons? In a world where...
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Review
“Beware Of Pity” Is Beautiful To Watch, But Clashes With Modern Sensibilities
Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...
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“Churning Waters”—Muffled Voices Flow
A white, feathered string in hand, Sylvia Nulpinditj begins to explain each action in the...
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“The Tempest” At The Pittsburgh Public Theater In Pittsburgh, PA, USA
A couple of decades ago my then-colleague Jan Hagens introduced me to a genre categorization that...
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Truth And “True West”
Sam Shepard’s True West has always been a magnet for celebrity hamming, particularly in the role...
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Decoding The Music Masterpieces: Alban Berg’s “Wozzeck,” An Apocalyptic Descent Into Madness
Alban Berg’s Wozzeck is arguably the most important opera composed in the first half of the 20th...
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Two Bold Shows by Women of Color at Mabou Mines
When I entered the theater at Mabou Mines for Edisa Weeks’ performance of Three Rites: Liberty, my...
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Shakespeare’s “Othello” In The Trappings Of Twenty-First Century America
An updated version of Othello now playing at the American Repertory Theatre in Cambridge...
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“One Infinity” Explores Tension and Connection Between China and the West
In an age of growing mistrust, the Chinese-Australian artistic collaboration One...
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“Frankenstein” In The Age Of Artificial Intelligence
A futuristic freezing laboratory where naked human avatars hang for research purposes. Doctor...
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A New Eliza: Bedlam’s “Pygmalion” At The Central Square Theatre
After a critically acclaimed run in New York City, Bedlam Theatre Company has brought their...
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China, Liberia, America: A Suite Of Women’s Stories
In an intimate performance space in New York’s East Village, a quietly consequential experiment is...
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“Welcome To The U.K.” at The Bunker Theatre: Satire on Obstacles Facing Refugees
Refugees have an image problem—and it’s getting worse. But the widespread anger that their...
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“Ms. Smith Goes To Washington”-The Fountain Theatre At Los Angeles City Hall
On Thursday, January 24th a lucky group of citizens in Los Angeles was treated to a unique...
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Walking Alongside “Bitten: Return To Our Roots”
Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong...
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“Lungs” A Piece Of Stripped Down Theatre With A Fully Packed Message
What do you do when you’re rehearsing a show that has no set, no props, no costume changes, and no...
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Unfinished Business: “A Doll’s House, Part 2” at The Huntington Theatre Company
After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...
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Tarell Alvin McCraney’s “Choir Boy,” Fearless and Faithful, Makes Radiant Broadway Debut
“Choir Boy” is itself a spiritual whose song, sung triumphantly by the bountiful talent of its leading star, Jeremy Pope, rises from its stage with the same faith and fearlessness of a prayer sung only for the stars.
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“Small Mouth Sounds” And Not Much Dialogue Either
Small Mouth Sounds now playing at Boston’s SpeakEasy is influenced by the personal experience of...
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Creating a Space for Repeating a Domestic Nightmare: A Note on the Performance of “You Were Occupied with Your Dying”
The privatization of theatre in Iran has compelled many theatre directors and producers to become...
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