Review Archives - Page 80 of 138

“El Coronel No Tiene Quien Le Escriba” At Harlem Stage

Posted by Abigail Weil | 30th Mar 2019 | Adaptation, New York, Review, United States of America

Creating riveting theater out of the problem of a bureaucratic oversight is no easy feat. Luckily...

Homegrown: Occupy Festival

Posted by Duška Radosavljević | 30th Mar 2019 | Festivals, Participatory Theatre, Review, United Kingdom

Homegrown: Occupy Festival Battersea Arts Centre March 18 – April 12 When it comes to arts venues,...

Sasha Velour’s “Smoke & Mirrors”: Long Live The Queen

Posted by Abigail Weil | 29th Mar 2019 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America

Is Sasha Velour a drag queen? It’s debatable. She’s certainly a drag royalty, having won the ninth...

At the Barrow Group, “Perp” Is An Intimate, Challenging Look at Disability That Must Be Seen

Posted by Michael Appler | 29th Mar 2019 | New York, Review, Theatre and Disability, United States of America

We tend to think of disability as unlike other monuments of cultural identity, like race or...

“Love And Human Remains”: Excellent Production Explores Loneliness In The Modern World

Posted by Rajka Stefanovska | 29th Mar 2019 | Canada, Review

Love And Human Remains explores the everlasting questions of human existence–who we are, what we...

“La Reprise”: Startling Theatre And A Call To The Dead To Speak

Posted by Julian Meyrick | 29th Mar 2019 | Australia, Festivals, LGBTQ+ Theatre, Review, Switzerland

Review: La Reprise: Histoire(s) du théâtre, Adelaide Festival By chance, I happened to overhear a...

“Circa” at The Old Red Lion Theatre

Posted by Aleks Sierz | 28th Mar 2019 | LGBTQ+ Theatre, London, Review, United Kingdom

There is a classic conflict in many gay plays: between characters who identify as gay (in the...

“Alys, Always” at The Bridge Theatre

Posted by Aleks Sierz | 26th Mar 2019 | London, Review, United Kingdom

Okay, so this is the play that will be remembered for the character names that have unusual...

“Behaviour” Is Essential And Traumatic-Socially Conscious Theatre At Its Peak!

Posted by Ryan Pepper | 26th Mar 2019 | Canada, Review

It isn’t easy to review a play like Behaviour, written by Ottawa playwright Darrah Teitel and...

A Feminist Documentary Play From Toronto: “Grace”

Posted by Berna Ataoğlu | 25th Mar 2019 | Canada, Review, Theatre and Gender

Grace is one of two daughters in an educated family living in Canada. She loves her parents and...

“Secondhand” at the Örkény István Theater: Soviet Nostalgia

Posted by Judit Csáki | 25th Mar 2019 | Hungary, Review, Theatre and Politics

Every episode of the show called Secondhand is about the ingloriously deceased (?) Soviet Union,...

“The Bourgeois Gentlemen” at the City Garage Theatre, Santa Monica CA

Posted by Christine Deitner | 24th Mar 2019 | Los Angeles, Review, United States of America

The City Garage once again shows its audiences in Santa Monica, CA how much Moliere’s work is both relevant and necessary with their revival of “The Bourgeois Gentleman”. Originally produced by the company in 2008 with a new English translation from the show’s director Frédérique Michel and the producer/production designer Charles A. Duncombe, the play centers on a wealthy merchant with dreams of becoming a member of the aristocracy.