“Fortune” Updates Faust’s Devilish Deal
Japanese theater gets off to a flying start in 2020 with a collaboration between leading British...
Read MorePosted by Nobuko Tanaka | 25th Jan 2020 | Collaborating Across Cultures, Japan, Review
Japanese theater gets off to a flying start in 2020 with a collaboration between leading British...
Read MorePosted by Bronwyn Carlson | 25th Jan 2020 | Australia, Festivals, Review
Seven senior lawmen discuss what to do about approaching ships in Frederick Copperwaite’s...
Read MorePosted by Aleks Sierz | 24th Jan 2020 | London, Review, United Kingdom
The prolific Mike Bartlett — from whose pen have leaped television series such as Doctor...
Read MorePosted by Aleks Sierz | 23rd Jan 2020 | London, Review, United Kingdom
The 1990s were a great decade for new writing, but although the story of those years is often told...
Read MorePosted by Jonathan Kalb | 23rd Jan 2020 | LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
An oddity of this theatrical season to ponder as we bid farewell to 2019: In two current New York...
Read MorePosted by Aleks Sierz | 22nd Jan 2020 | London, Review, United Kingdom
Turn on the news. Go on. No? Okay, switch on the radio. Why not? Oh, I see, because the news is...
Read MorePosted by Wendy Arons | 22nd Jan 2020 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
In Jungian psychology, the house symbolizes the mind, with the basement representing the deepest...
Read MorePosted by Akarsh Khurana | 22nd Jan 2020 | India, Review, Theatre and Art
It makes sense and feels good that two of the top 5 plays deal with mental health issues....
Read MorePosted by Vikram Phukan | 20th Jan 2020 | India, News, Review
This year the stage threw up apostles of hope aplenty, whose quiet energy and presence allowed us...
Read MorePosted by Anadolu Agency | 20th Jan 2020 | Musical Theatre, Review, Turkey
The world premiere of the Gangster musical, which will be staged by the Ankara State Opera and...
Read MorePosted by Julian De Medeiros | 17th Jan 2020 | Adaptation, London, Review, Theatre and Gender, United Kingdom
In her contemporary re-working of Sophocles’ tragedy, Lulu Raczka has chosen to...
Read MorePosted by Aleks Sierz | 16th Jan 2020 | Acting, Playwriting, Review, Theatre and Gender, United Kingdom
What has Saint Augustine of Hippo got to do with new writing? At first sight, not very much. That...
Read MorePosted by Abigail Weil | 16th Jan 2020 | Dramaturgy, New York, Prototype 2020, Review, Theatre and Gender, Theatre and Opera, Theatre and Religion, United States of America
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
Read MorePosted by Aleks Sierz | 14th Jan 2020 | London, Review, United Kingdom
Actor James McAvoy is much in demand: in the BBC’s His Dark Materials he is busy saving a parallel...
Read MorePosted by Aisling Murphy | 14th Jan 2020 | Canada, Design, Review
The split is clear upon first glance. He wears muddy jeans and rain boots, while she dons...
Read MorePosted by Lorena Meeser | 13th Jan 2020 | Mexico, Musical Theatre, Review, Theatre and Dance
Chicago combines passion, adultery, crime, murder, greed, corruption, violence, exploitation and...
Read MorePosted by Alvina Ruprecht | 13th Jan 2020 | Canada, Festivals, Review
Under the direction of Kevin Loring in collaboration with artistic associate Lindsay Lachance, the...
Read MorePosted by Aleks Sierz | 12th Jan 2020 | London, Review, United Kingdom
Theatre can touch thousands of lives. But can it compete with the success of a bestselling book?...
Read MorePosted by Maggie Ivanova | 12th Jan 2020 | Australia, Festivals, Japan, Review
Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
Read MorePosted by Aleks Sierz | 11th Jan 2020 | London, Review, United Kingdom
The trouble with prejudice is that you can’t control how other people see you. At the start of her...
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