China’s “Cherry Orchard”
“Medicine is my lawful wife and literature is my mistress,” said Anton Chekhov (1860-1904), “when...
Read More
Review
Can Keene/Taylor’s New Play “Dreamers” Keep Us From Despair?
More than ten years after the last production by the Keene/Taylor Theatre Project (KTTP),...
Read More
Unifying Shakespeare: Globe Theatre’s Russian Tour Ends On Thrilling Note
Visit closes with Moscow performances of A Midsummer Night’s Dream. London’s Globe...
Read More
The Mariinsky Dramatizes Difference With A Wry Look At The “Two Camps”
St. Petersburg company returns to the UK with classic works contrasting Russian characters with...
Read More
Striking, Original Theatre: Heiner Goebbels At The Melbourne Festival
When the Mountain Changed its Clothing, the Heiner Goebbels-directed show currently on at the...
Read More
Big hART’s “Hipbone Sticking Out”: Truthful And Ambitious Theatre
Hipbone Sticking Out, the Big hART production now playing at the Melbourne Festival, begins in...
Read More
Vladimir Sorokin Takes The Stage
The premier of Telluria caused little controversy when it opened in St. Petersburg. Maybe Russian...
Read More
“The Complexity Of Belonging” At The Melbourne Festival–Reviewed
I’ve often lamented that choosing to study the most complex organisms on Earth was the dumbest...
Read More
“Black Diggers”: Out Of The Trenches At The Brisbane Festival
The performance space in which Wesley Enoch‘s play Black Diggers is being performed at the...
Read More
St. Petersburg’s Alexandrinsky Theater Opens New Stage With Production Of “Telluria”
The illustrious theater’s New Stage will present its season opener on September 26. The...
Read More
“I Am Me” Returns to Brooklyn After Russia
Raphael Schklowsky writes about Nicole Kontolefa, an American actress trained in Russia, who is...
Read More
“Soap”: A Sexy Night On The Tiles At The Brisbane Festival
Traditionally soap is made by rendering down lard. But in this tight show, Soap, playing at the...
Read More
A Static “Ivanov” At Theaterfestival Basel
“Alienation” drones Ivanov’s English-learning tape in the second act of the production. The...
Read More
Blood Orange Overplays Scottish Far Right At The Fringe
The Edinburgh Festival Fringe has, over the years, developed a reputation as a hotbed for...
Read More
Mayakovsky At Carriageworks: A Telegram From An Alien Future
“I’m a poet. That’s what makes me interesting.” So begins the autobiography of Vladimir...
Read More
Hugo Weaving Reveals Macbeth’s Weakness–And His Unhappiness
Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...
Read More
Cath Day Reviews David Schneider’s “Making Stalin Laugh”: At JW3
David Schneider is probably most recognizable as BBC commissioning editor Tony Hayers in I’m Alan...
Read More
“Henry V” Meets The London Blitz And Brings The House Down
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
Read More
Robin Ashenden Reviews “Bloody East Europeans” By Uilleam Blacker And Molodyi Teatr
In Warwickshire a year ago, a fish-farmer was reported in the newspapers as putting a sign up by...
Read More
Natalya Vorozhbit Writes Verbatim “Maidan” Play
Natalya Vorozhbit is Ukraine’s leading playwright and co-author of Maidan: Voices from the...
Read MoreLike Us On Facebook
Most Popular Posts
Chess The Musical: About Human Nature, Not Politics.… 20th May 2026 - The Precipitation Of Performance: Braddy And Burns… 6th June 2026
- A Theatre Like Society In The Fundamentalist… 23rd May 2026
- “Today, Krleža Would Go Straight For The… 5th June 2026
- Waking Up in the Spotlight with “The Unusual… 24th March 2026
- David Yazbek: The Master of Adapting Films into… 2nd April 2026
- Historical Memory On the Stage: Juan Mayorga’s… 11th June 2026
