Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Alvina Ruprecht | 17th Aug 2019 | Adaptation, Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Edinburgh 2019, Festivals, Review, Theatre for Young Audiences, United Kingdom
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
Read MorePosted by James Montaño | 16th Aug 2019 | Review, Theatre and Politics, United States of America
For many who live in the US border states, the peril of crossing the US-Mexico border is a tale as...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Belgium, Edinburgh 2019, Festivals, Immersive Theatre, Review, United Kingdom
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
Read MorePosted by Síofra Ní Shluaghadháin | 15th Aug 2019 | Ireland, New Zealand, Review
Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
Read MorePosted by Christine Deitner | 15th Aug 2019 | Los Angeles, Review, United States of America
“Yes, my hometown is so dear to me that I would rather ruin it than see it flourishing upon a...
Read MorePosted by Iga Szczodrowska | 11th Aug 2019 | Festivals, London, Poland, Polish Theatre Abroad, Review
The Shakespeare and Poland Festival at the Globe – a two-week exploration of the relationship...
Read MorePosted by Yana Meerzon | 11th Aug 2019 | Avignon 2019, Festivals, France, Review, Theatre and Dance, United Kingdom
Outwitting the Devil, Akram Khan’s latest work, truly stood out within the line up of very...
Read MorePosted by Yana Meerzon | 10th Aug 2019 | Avignon 2019, Festivals, France, Review, Theatre and Politics
Mahmoud & Nini is an unusual show –not only it does not look like your typical proscenium...
Read MorePosted by Yana Meerzon | 8th Aug 2019 | Avignon 2019, Festivals, France, Review, Russia, Theatre and Politics
Provocation – artistic, political, personal – is the signature style of the Russian theatre...
Read MorePosted by Lungile Sojini | 7th Aug 2019 | Adaptation, Review, South Africa
It’s natural to see apes living in the wild and climbing trees and other things. Unfathomable,...
Read MorePosted by Yana Meerzon | 6th Aug 2019 | Avignon 2019, Festivals, France, Review, United Kingdom
Le reste vous le connaissez par le cinéma written by Martin Crimp, translated by Philippe Djian...
Read MorePosted by Vikram Phukan | 5th Aug 2019 | India, LGBTQ+ Theatre, Review
Hidden within the body of work playwright Mahesh Dattani is usually cited for, is an underrated...
Read MorePosted by Akhila Krishnamurthy Krishnamurthy | 5th Aug 2019 | Festivals, India, Review
Under the umbrella of The Hindu Theatre Fest that has become synonymous with August in Chennai, a...
Read MorePosted by Yana Meerzon | 4th Aug 2019 | Avignon 2019, Festivals, France, Review
Let me tell you a secret- I love the old good comedy, its extensive gestures, inappropriate jokes,...
Read MorePosted by Kaggwa Andrew Mayiga | 3rd Aug 2019 | Review, Transmedia, Uganda
Silent Voices Uganda has for many years now outdone themselves while producing theatre. From a set...
Read MorePosted by Rathsaran Sireekan | 2nd Aug 2019 | Adaptation, Belgium, Essay, Review, Theatre and Dance, Theatre and Politics
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
Read MorePosted by Yana Meerzon | 31st Jul 2019 | Avignon 2019, Festivals, France, Review, Theatre for Young Audiences
What a delight, a relief and a sheer pleasure to sit through Olivier Py’s operetta for children...
Read MorePosted by Christine Deitner | 30th Jul 2019 | Los Angeles, Review, Theatre and Gender, United States of America
Son of Semele Ensemble brings Jaclyn Backhaus’ Men on Boats to Los Angeles audiences with a highly...
Read MorePosted by Yana Meerzon | 29th Jul 2019 | Avignon 2019, Festivals, France, Review, Theatre and Politics
Moving along with the themes of history, memory and forgetting – the focus of Paul Ricœur’s famous...
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