The Magic is in the Miniature: Toy Theatre Thrives Online During Quarantine
In its simplest form, the proscenium is constructed of little more than cardboard. Small paper...
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Review
“It’s True, It’s True, It’s True” at The Breach Theatre
Artemisia Gentileschi definitely had a hard time. Although she was an outstanding Renaissance...
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“Herrin Made” Used Theatre to Reflect Community History in Southern Illinois
Herrin Made was a play written and performed in the United States’ deeply rural area of Southern...
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Alice Birch and Katie Mitchell’s “Orlando” at the Schaubühne Theatre: Queer Desire on the Big Screen
Virginia Woolf’s reputation has closely followed British cultural trends: in the interwar years...
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“A Little Life”: Adaptation and Mixed Reality
There’s a colloquialism within the theatre community that ‘you know lighting design is good when...
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A Celebration of Love, Nature, and German Lied with 92Y
On February 13th, 2020, 92Y celebrated German Lied with Beethoven and Schumann song cycles...
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La Vie Sanatorienne: Cezary Tomaszewski’s “My Stay Is Almost Done and I Don’t Belong to Anyone”
My Stay Is Almost Done and I Don’t Belong to Anyone is the story of a desperate search for love...
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“Dance Nation” Review: An Outrageous Depiction of Girls Grasping their Emerging Sexuality and Power
Review: Dance Nation, directed by Imara Savage. State Theatre Company South Australia and Belvoir...
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“Bubble” is Digital Performance for the Political Viewer
It’s only been a week since London’s West End went dark and theatres closed all over the UK, but...
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“Play In Your Bathtub” and “Life on Earth:” The Immersive and Digital Theatre in the Time of Social Distancing.
Like many of us during the COVID-19 quarantine, I am nostalgic for the times when we could go to...
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Family and Community and Isolation in “The Croft”
With everyone in lockdown, observing physical if not social distancing, a story about isolation...
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“The Claim” at The Shoreditch Town Hall
Your story. Our story. Their story. Just imagine: you’re a political refugee, and, having...
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“Launcher 5,” or a Recipe to Make Young Men Monsters
Launcher 5’s honest rendition of narrative and characters is its winning card, which drew an...
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Paranoia at the Fore in Steppenwolf’s Revival of Tracy Letts’s “Bug”
Tracy Letts’s Bug may be fourteen years old, but this tale of a couple convinced that they are...
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Simon Stephens’ “Maria:” Aggressive Optimism is Saving the World
“The theatre is a device for empathy – its job is to create better people.” Those are the words of...
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Review of Porte Parole’s “The Assembly – Montreal”
No longer is there a “safe place” on the Canadian political spectrum; to be moderate is to be a...
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Flawless Live Stream of Award-winning New Zealand Solo Show Celebrates Transgender Tdentity
Princess Boy Wonder, performed by George Fowler (aka Hugo Grrrl), Directed by Lori Leigh, BATS...
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Shakespearean Tragedy Unfolds Wave of Populism on Tehran Stage
A Review on Iranian Adaptation of Coriolanus in Tehran A free adaptation of William Shakespeare’s...
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undercurrents 2020: “Crippled”– A Necessary Intersect Between Grief and Hope
undercurrents Festival Director Patrick Gauthier and Associate Director Brit Johnston have...
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“Hair:” The American Tribal Love-Rock Musical
Hair the first Rock Musical opened in 1967 for six weeks at the New York Shakespeare Festival...
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