“Every dollar is a soldier/With money you’re a dragon”: A Virtual Promenade between Two Migrant Fates
Running Aug 24-29 at the 2021 Edinburgh Fringe, Every dollar is a soldier/With money you’re a...
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Review
“Youth Everlasting and Life Without Death”: Performing Folk-tale and “Centriphery”
A Theoretical and Organizational Premise “Centriphery” is an on-going large-scale...
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Andrei Kureichik’s “Insulted. Belarus”: One Year On
Alexei Nesterov, an actor in my wife Oksana Mysina’s film, Insulted. Belarus(sia), sent her a...
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“The Princesses of Askies Shem Street” – Not a Story about Dirty Laundry Only!
The Princesses of Askies Shem Street written and directed by Khutjo Green is one of four...
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“WET: A DACAmented Journey” – Powerful Virtual Theatre from The Center Theatre Group
With so many screens in our lives it continues to be a struggle to find the inner strength to...
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The Song Project, Royal Court
As its name suggests, The Song Project is more a collaborative experiment than a conventional...
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Be Gone! Or, Clear Away, Chop Chop: Dziady at 34/36 Mickiewicza Street in Warsaw
Adam Mickiewicz’s Dziady (Forefathers’ Eve), written between 1820 and 1832, is considered sacred...
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“Chalk Lines” by Chalk Repertory Theatre – An Immersive, Virtual, Audio Play Tour
Since January 2009, Chalk Repertory Theatre has been crafting site-specific theatre in Los...
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Beckett 2020
Have the worlds of Samuel Beckett’s plays become our reality? The creators of Beckett Planet seem...
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“Braids on Fire”: Anna Witt’s Video Installation and Performances in Naples
The Museum Complex of Santa Maria delle Anime del Purgatorio ad Arco, in the ancient center of...
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A Gathering of Absence: The Multimedia Performance of “Abandoned Shores / Negative Photographs”
Abandoned Shores / Negative Photographs (Turkish: Terk Edilmiş Kıyılar // Negatif Fotoğraflar) by...
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“Chilahaeboalae” Showcases the Richness of African Folklore
Described as a “musical satire” and with its tongue-in-cheek title, which evokes a...
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“Oleanna,” Arts Theatre
Before seeing this play, I decided to eat a steak. I thought I needed some extra strength. And it...
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“The Addams Family” Musical: To Know What’s Real
The Addams Family is a musical comedy, with music and lyrics by Andrew Lippa and a book by...
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The Universal Immigrant: “Ellis Island” by James Clements and Doireann Mac Mahon
The last several years in our shared history, particularly the rise of discriminatory legislation,...
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Lucy McCormick’s “Life: LIVE!” at Battersea Arts Centre
I cannot imagine a better way to end one’s Covid-19 lockdown than to head to a Lucy McCormick show...
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“Divina invención” Love by Lope de Vega and by Sergio Blanco
The Compañía Nacional de Teatro Clásico (CNTC) in Spain is asking different contemporary...
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“Hamlet”: A Play That Speaks to Pandemics Past and Present
I went to the theatre for the first time in 15 months to see the Theatre Royal Windsor’s new...
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Immersion and Spectator Self-Reckoning: “Boxing Shadows” at the Avignon Theatre Festival
One of the highlights of this year’s Avignon Festival was Boxing Shadows, written especially by...
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Very Genki, Slightly Kitsch, Occasionally Compelling: The Olympic Opening Ceremony Put Humanity in Centre Frame
The rising of the Japanese flag and the singing of the national anthem is the first moment of...
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