Review Archives - Page 41 of 143

Heaven Isn’t Too Far away; It’s in Downtown Houston at TUTS’ “Rock of Ages”

Posted by Trevor Boffone | 17th Oct 2021 | Musical Theatre, Review, United States of America

I have to confess something. I haven’t really missed theatre since the Covid-19 pandemic forced...

A Lady with a Machine Gun

Posted by Togtogan Engdongi | 15th Oct 2021 | Belarus, Review, Theatre and Gender

Belarusian theatre hibernated since the notorious events of 2020. The artistic quality of most of...

Met Opera Returns with History-making Debut by Terence Blanchard

Posted by French Press Agency (AFP) | 13th Oct 2021 | New York, Review, United States of America

The Metropolitan Opera, which was closed after the coronavirus broke out in New York in March...

“These Are Not My Shoes” is Powerful Social Commentary

Posted by Tonderai Chiyindiko | 11th Oct 2021 | Africa, Review, South Africa

These Are Not My Shoes is a story about absent fathers and what happens to young men when they...

Hilary Mantel and Ben Miles’s The Mirror and the Light at the Gielgud Theatre: Engaging, but Rather Low Key

Posted by Aleks Sierz | 10th Oct 2021 | Adaptation, London, Playwriting, Review, United Kingdom

This is a labor of love. Hilary Mantel has adapted The Mirror and the Light, the third novel of...

Tang Kwong-San’s Quest to Understand Hong Kong

Posted by Zolima Citymag | 9th Oct 2021 | Hong Kong, Review

When Tang Kwong-san and fellow Hong Kong artist Yuen Nga-chi first visited Tung Ping Chau a few...

A Memory Palace on Tauris: Reprise of Gluck’s Iphégenie en Tauride at the Paris Opera

Posted by Marisa C. Hayes | 6th Oct 2021 | Europe, France, Latest, Review, Theatre and Opera, Transcultural Collaborations

Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....

“The Last Trial” Musical: There Once Was a Wizard, a Servant of Night

Posted by Tanya Vasylkevych | 3rd Oct 2021 | Musical Theatre, Review, Russia

The poets say that Love will be the world’s great redeemer, But love is rarely quite as pure as...

“Text Me When You Arrive” is Witty, Punchy, and Hard-Hitting!

Posted by Tonderai Chiyindiko | 1st Oct 2021 | Review, South Africa, Theatre and Gender

In a normal country, plays like Text Me When You Arrive, which has just ended a short run at the...

Review: “UnTuned” (Golvareh)

Posted by Trevor Abes | 30th Sep 2021 | Canada, Festivals, Iran, Review

It’s hard to prepare for life’s high and lows when you think too highly of yourself to expect...

“The Time of Our Singing” Opera Tackles Racial Segregation

Posted by French Press Agency (AFP) | 29th Sep 2021 | Adaptation, Belgium, Review, Theatre and Opera

Based on an American novel detailing the country’s troubled 20th century, the new Belgian...

Bess Wohl’s “Camp Siegfried” at the Old Vic: Powerfully Chilling and Resonant

Posted by Aleks Sierz | 27th Sep 2021 | Playwriting, Review, Theatre and Politics, United Kingdom

Are we too obsessed with Nazism? Apart from countless television programs which revisit that grim...

Divas Are Forever: Marina Abramović’s “7 Deaths of Maria Callas”

Posted by Marisa C. Hayes | 20th Sep 2021 | Festivals, France, Review, Theatre and Opera, Transmedia

Does a diva ever really die? It’s a fitting question from the reigning queen of endurance art,...

Playing with “White is Purity” in Pirandello’s “Comme tu me veux”

Posted by Lara Cox | 19th Sep 2021 | France, Review, Theatre and Art

In 2017, the cosmetics company Nivea released an advert that was promptly pulled: a white woman’s...

Rockets and Blue Lights, National Theatre

Posted by Aleks Sierz | 17th Sep 2021 | London, Review, United Kingdom

For more than three decades, playwright Winsome Pinnock has been at the forefront of new writing,...

The Barber of Seville

Posted by Dvir Avnon-Klein | 11th Sep 2021 | Featured, New York, Review, Theatre and Opera, United States of America

The production of The Barber of Seville by Teatro Nuovo overcame the restrictions of the covid-era...

Subira, A New Musical: Under-promised, Over-delivered!

Posted by Tash Mitambo | 9th Sep 2021 | Kenya, Musical Theatre, Review

‘Time waits for no military man!’. Thus, on a punctual note, Subira, A New Musical opened on...

“RashDash: Look at Me, Don’t Look at Me,” Paines Plough Roundabout

Posted by Duška Radosavljević | 8th Sep 2021 | London, Review, United Kingdom

Imagine you suffered terrible injustices that in your day and age were just the norm, that your...

“An Odyssey” at Quantum Theatre, Pittsburgh, PA

Posted by Wendy Arons | 7th Sep 2021 | Adaptation, Review, United States of America

Imagine, if you will, one of those old-fashioned TV game shows with two doors. Behind Door Number...

“(It’s Been 76 Years and We’re) Still Waiting for Lefty” – Theatre Unleashed at Hollywood Fringe Festival

Posted by Christine Deitner | 5th Sep 2021 | Los Angeles, Review, United States of America

Seventy-six years after Clifford Odets’ Waiting for Lefty premiered in New York, Theatre Unleashed...

Review

Heaven Isn’t Too Far away; It’s in Downtown Houston at TUTS’ “Rock of Ages”

A Lady with a Machine Gun

Met Opera Returns with History-making Debut by Terence Blanchard

“These Are Not My Shoes” is Powerful Social Commentary

Hilary Mantel and Ben Miles’s The Mirror and the Light at the Gielgud Theatre: Engaging, but Rather Low Key

Tang Kwong-San’s Quest to Understand Hong Kong

A Memory Palace on Tauris: Reprise of Gluck’s Iphégenie en Tauride at the Paris Opera

“The Last Trial” Musical: There Once Was a Wizard, a Servant of Night

“Text Me When You Arrive” is Witty, Punchy, and Hard-Hitting!

Review: “UnTuned” (Golvareh)

“The Time of Our Singing” Opera Tackles Racial Segregation

Bess Wohl’s “Camp Siegfried” at the Old Vic: Powerfully Chilling and Resonant

Divas Are Forever: Marina Abramović’s “7 Deaths of Maria Callas”

Playing with “White is Purity” in Pirandello’s “Comme tu me veux”

Rockets and Blue Lights, National Theatre

The Barber of Seville

Subira, A New Musical: Under-promised, Over-delivered!

“RashDash: Look at Me, Don’t Look at Me,” Paines Plough Roundabout

“An Odyssey” at Quantum Theatre, Pittsburgh, PA

“(It’s Been 76 Years and We’re) Still Waiting for Lefty” – Theatre Unleashed at Hollywood Fringe Festival

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