The Tragedy of Macbeth, Almeida Theatre
Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening...
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Review
“Viviani on the Road”: a Special Project of the Trianon Viviani Theatre in Naples.
The special project “Viviani on the Road” at the Trianon Viviani Theatre offers an historical travel into the main streets of Naples.
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“The Tragedy of Macbeth” at the Almeida Theatre
What does it take to stretch Shakespeare’s shortest tragedy to a runtime of over three hours? Not,...
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“Snapped”: An Ode to Unresolved Grief
I don’t know how to write this. I am on the verge of tears again, the morning after...
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Shahid Iqbal Khan’s “10 Nights” at the Bush Theatre: Moving Insight into Ritual and Belief
Since 9/11 there has been considerable interest in staging stories about British Muslims, and the...
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“Tanz mit dem Tiger”: A Boundary-breaking Digital Hybrid Dance
Tanz mit dem Tiger (in English: Dance with the Tiger) is a forty-minute hybrid dance performance...
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Theatre for One: A New Kind of Theatre Experience
Theatre is coming back slowly but surely. Though a difficult medium to translate online, it has...
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Sensation and Documentation: Jody Christopherson’s “Tussaud/Antoinette”
The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...
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Fake News and Propaganda Machines: New Theatre Production Pulls “Animal Farm” into the Now
In 1937, George Orwell witnessed a boy whipping a horse. This was a catalyst for his novel Animal...
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Heaven Isn’t Too Far away; It’s in Downtown Houston at TUTS’ “Rock of Ages”
I have to confess something. I haven’t really missed theatre since the Covid-19 pandemic forced...
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A Lady with a Machine Gun
Belarusian theatre hibernated since the notorious events of 2020. The artistic quality of most of...
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Met Opera Returns with History-making Debut by Terence Blanchard
The Metropolitan Opera, which was closed after the coronavirus broke out in New York in March...
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“These Are Not My Shoes” is Powerful Social Commentary
These Are Not My Shoes is a story about absent fathers and what happens to young men when they...
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Hilary Mantel and Ben Miles’s The Mirror and the Light at the Gielgud Theatre: Engaging, but Rather Low Key
This is a labor of love. Hilary Mantel has adapted The Mirror and the Light, the third novel of...
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Tang Kwong-San’s Quest to Understand Hong Kong
When Tang Kwong-san and fellow Hong Kong artist Yuen Nga-chi first visited Tung Ping Chau a few...
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A Memory Palace on Tauris: Reprise of Gluck’s Iphégenie en Tauride at the Paris Opera
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
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“The Last Trial” Musical: There Once Was a Wizard, a Servant of Night
The poets say that Love will be the world’s great redeemer, But love is rarely quite as pure as...
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“Text Me When You Arrive” is Witty, Punchy, and Hard-Hitting!
In a normal country, plays like Text Me When You Arrive, which has just ended a short run at the...
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Review: “UnTuned” (Golvareh)
It’s hard to prepare for life’s high and lows when you think too highly of yourself to expect...
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“The Time of Our Singing” Opera Tackles Racial Segregation
Based on an American novel detailing the country’s troubled 20th century, the new Belgian...
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