Digital Play Dissecting Consumerism Culture, A Review of “Rich Kids: A History of Shopping Malls in Tehran”
The play Rich Kids: A History of Shopping Malls in Tehran, authentically narrates the story of a...
Read MorePosted by Niloofar Mohtadi | 3rd Nov 2021 | Iran, Review, Transmedia, United Kingdom
The play Rich Kids: A History of Shopping Malls in Tehran, authentically narrates the story of a...
Read MorePosted by Aleks Sierz | 2nd Nov 2021 | Adaptation, Review, United Kingdom
Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening...
Read MorePosted by Maria Pia Pagani | 29th Oct 2021 | Adaptation, Italy, Review
The special project “Viviani on the Road” at the Trianon Viviani Theatre offers an historical travel into the main streets of Naples.
Read MorePosted by Mert Dilek | 28th Oct 2021 | Adaptation, London, Review, United Kingdom
What does it take to stretch Shakespeare’s shortest tragedy to a runtime of over three hours? Not,...
Read MorePosted by Megan Choritz | 26th Oct 2021 | Review, South Africa, Theatre and Politics
I don’t know how to write this. I am on the verge of tears again, the morning after...
Read MorePosted by Aleks Sierz | 25th Oct 2021 | London, Playwriting, Review, Theatre and Religion, United Kingdom
Since 9/11 there has been considerable interest in staging stories about British Muslims, and the...
Read MorePosted by Shiya Lu | 24th Oct 2021 | Germany, Review, Transmedia
Tanz mit dem Tiger (in English: Dance with the Tiger) is a forty-minute hybrid dance performance...
Read MorePosted by Sakina Mirichii | 23rd Oct 2021 | Kenya, Review, Transcultural Collaborations, United States of America
Theatre is coming back slowly but surely. Though a difficult medium to translate online, it has...
Read MorePosted by Emily Cordes | 22nd Oct 2021 | Directing, New York, Review, United States of America
The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...
Read MorePosted by Helen Trenos | 20th Oct 2021 | Adaptation, Australia, Review, Theatre and Politics
In 1937, George Orwell witnessed a boy whipping a horse. This was a catalyst for his novel Animal...
Read MorePosted by Trevor Boffone | 17th Oct 2021 | Musical Theatre, Review, United States of America
I have to confess something. I haven’t really missed theatre since the Covid-19 pandemic forced...
Read MorePosted by Togtogan Engdongi | 15th Oct 2021 | Belarus, Review, Theatre and Gender
Belarusian theatre hibernated since the notorious events of 2020. The artistic quality of most of...
Read MorePosted by French Press Agency (AFP) | 13th Oct 2021 | New York, Review, United States of America
The Metropolitan Opera, which was closed after the coronavirus broke out in New York in March...
Read MorePosted by Tonderai Chiyindiko | 11th Oct 2021 | Africa, Review, South Africa
These Are Not My Shoes is a story about absent fathers and what happens to young men when they...
Read MorePosted by Aleks Sierz | 10th Oct 2021 | Adaptation, London, Playwriting, Review, United Kingdom
This is a labor of love. Hilary Mantel has adapted The Mirror and the Light, the third novel of...
Read MorePosted by Zolima Citymag | 9th Oct 2021 | Hong Kong, Review
When Tang Kwong-san and fellow Hong Kong artist Yuen Nga-chi first visited Tung Ping Chau a few...
Read MorePosted by Marisa C. Hayes | 6th Oct 2021 | Europe, France, Latest, Review, Theatre and Opera, Transcultural Collaborations
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
Read MorePosted by Tanya Vasylkevych | 3rd Oct 2021 | Musical Theatre, Review, Russia
The poets say that Love will be the world’s great redeemer, But love is rarely quite as pure as...
Read MorePosted by Tonderai Chiyindiko | 1st Oct 2021 | Review, South Africa, Theatre and Gender
In a normal country, plays like Text Me When You Arrive, which has just ended a short run at the...
Read MorePosted by Trevor Abes | 30th Sep 2021 | Canada, Festivals, Iran, Review
It’s hard to prepare for life’s high and lows when you think too highly of yourself to expect...
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