“Bedside Manner” Review: Milnerton Players
Opposite to “all good things come to an end” is “so do all bad things.” And while it’s...
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Review
Five Plays about Enslavement by Black British Women Playwrights
“There’s a sidestep that Europe does where it takes itself out of the triangle… I’m never quite...
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New Opera “Yuzuru” Cautions Against the Dangers of Capitalism
For his first foray into the realm of opera, dramatist Toshiki Okada is tackling Ikuma Dan’s...
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“Sessions,” Soho Theatre
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
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“Rare Earth Mettle,” Royal Court
Why are we indifferent to anti-Semitism? In the past few weeks the Royal Court, a proud citadel of...
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Nonverbal “King Lear” Review – Conflict in Visuals, Sounds, and Imaginations
What has been left after all well-written dialogues, which were once deemed to be the spirit of...
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Women in Science in Theater – Transforma Theatre Paves a New Crossroads with Stunning Insight
For anyone wondering if live theater offers nothing but escapism from our mini-plague—or worse—on...
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“Cruel Games”—A Soviet Play in Post-Soviet Realities
Cruel Games at the Mossovet Theater is not just the name of a forgotten play by Alexei Arbuzov,...
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“By Heart”: Can One Poem Save the World?
“I have an aversion to ‘immersive theater,’” Tiago Rodrigues says at the beginning of By Heart. He...
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“The Blue Piano/The Blue Guitar”: Review
THE BLUE PIANO/THE BLUE GUITAR. Director: Fred Abrahamse. Cast: Matthew Baldwin, Zoë McLaughlin...
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“Balkan Bordello” at Teatri Oda
Balkan Bordello: An Orgiastic Musical in the Aftermath of War Imagine yourself at a hedonistic...
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Re-Imagined Play Stirs Memories of “White Mischief” in Colonial Africa
Miss Julie’s Happy Valley is the most recent work by playwright Michael Omoke. The new play...
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A New Staging of Enesco’s “OEdipe” at Paris Opera by Wajdi Mouawad
It’s been nearly 100 years since George Enesco’s Œdipe (Oedipus) was created to much success on...
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Midwest Melancholy: “Girl From the North Country” at the Belasco Theatre
People say that trains often make interesting settings for drama since you have people from...
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The Normal Heart, National Theatre
Hypocrisy. Is this the right word? I don’t mean the play, but the audience. Of course, in the...
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Tonino Taiuti and Beckett: a Homage in the Foyer of the Mercadante Theatre in Naples
The actor Tonino Taiuti paid homage to Beckett in the Foyer of the Mercadante Theatre in Naples with Krapp’s Last Tape and an art exhibition.
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“Lockup/Lockdown” with PDU: Review
I’ve totally enjoyed the many faces of Pieter-Dirk Uys over the years – from his most famous...
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We Get There in the End: “Return to the Dirt” Pulls Back the Curtain on Life and Death in a Funeral Home
Review: Return to the Dirt, written by Steve Pirie and directed by Lee Lewis, Queensland Theatre I...
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“A Raisin in the Sun”: A Timeless Classic
Directed by South African theatre and film industry stalwart Dr. Jerry Mofokeng wa Makhetha, A...
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COVID—Brevis, Ars—Longa
It’s trite to write about how hard it is to live from lockdown to lockdown; from one mask...
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