“We are a Nation of Jailers”: “Jurrungu Ngan-ga” is a Whirlwind of Bodily Resistance
Review: Jurrungu Ngan-ga, directed by Dalisa Pigram and Rachael Swain for Marrugeku Jurrungu...
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Review
“The Museum of Modern Love” Reminds Us to Engage with Art – and Each Other
When was the last time you looked at a stranger in the eyes? Really looked, for an uncomfortably...
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“Peggy For You,” Hampstead Theatre
Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...
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“The Glow,” Royal Court
Bizarre. Breathtaking. Beautiful. I leave the Royal Court theatre with these Bs, as well as others...
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More Morisseau: “Skeleton Crew” by Dominique Morisseau
Skeleton Crew is Dominique Morisseau’s best play so far. It’s the most streamlined work in her...
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“The 4th Country,” Park Theatre
History is a prison. Often, you can’t escape. It imprints its mark on people, environments and...
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Surge Festival, A Reflection of Madrid’s Diverse Alternative Theater
October was the month of Surge Madrid festival. A collection of the alternative theater whose...
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“Fires” This Time
Long Wharf Theatre in New Haven Connecticut stages a revival of Anna Deavere Smith’s Fires in the...
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“Cinderella” At the Masque: Review
CINDERELLA. A two-act musical. Written and directed by Faeron Wheeler. Musical Director: Tersia...
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“Blood Knot,” A 60-Year-Old Message
Blood Knot, by legendary South African playwright Athol Fugard, which ran at the Market Theatre in...
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“Trouble In Mind,” National Theatre
The National Theatre has a good record in staging classic American drama by black playwrights....
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“The Red on the Rainbow,” A Brave and Important Play
In 2017, Coligny, a small dorpie in Bokone Bophirima (North West Province), was thrown into the...
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About “Fair Play”
It’s a sign of the times that one of my last trips of the year, to Ella Road’s Fair Play at the...
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“Best of Enemies,” Young Vic
At the end of the 1960s, American soul poet Gil Scott-Heron said that the revolution will not be...
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Kennedy Center Dramaturgy Intensive 2021 Retrospective
In the face of many challenges in Summer 2021, The John F. Kennedy Center for the Performing Arts...
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“As Soon As Impossible”: An Arab-American Comedy of Errors
Where and when: Harry J. Elam, Jr. Theater at Stanford University from November 11, 12, 13, 18,...
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Zadie Smith: How “The Wife of Willesden” Brings to Life Chaucer’s Tale of Sex and Power
It could be easy to assume that The Canterbury Tales, a collection of stories written in Middle...
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Realities Blend Together in Arlekin Players’ “Witness”
A daring and nuanced documentary virtual theatre piece about Jewish refugees fleeing Nazi Germany...
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“Dance Like a Man” Keeps Time to Inherent Family Tunes
The classic play ‘Dance Like a Man’ captures the subtle undertones found in familial...
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“Metsi”: A Tapestry of Creativity
Metsi, staged at the State Theatre is a daring and brave production in how it includes elements of...
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