Dmitry Krymov Plumbs the Depths of Memory (part 1)
There is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
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Review
No Longer Silent: How a Bosnian Theatre Festival Became a Focal Point for The MeToo Movement
Across the western Balkans women are raising their voices against violence following a series of...
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“Alles Unter Kontrolle”
Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...
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A New Musical, “Panawathi Girl,” is a Fantasy of Australia’s Past — and a Critique of Australia’s Present
Aboriginal and Torres Strait Islander readers are advised this article contains names of people...
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A Celebration of Wondering: “The Hang” is a Party You Won’t Want to Miss
Vibrant, thought-provoking, invigorating, and brimming with talent, “The Hang,” with book and...
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“I Thought I Could Read God’s Mind”: Katrin Arefy’s “The Portrait of An Angel, A Lion, A Monster”
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
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Passing a Relighted Torch. “Angry, Raucous & Shamelessly Gorgeous”
Hartford Stage in Hartford, Connecticut, has a stable tradition of offering literate plays...
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“Theatre of the Real”: How Artists at Perth Fringe World are Stripping Down to Reveal Their Vulnerabilities
At this year’s Fringe World Festival in Perth, the “theatre of the real” is everywhere: theatre,...
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“We are a Nation of Jailers”: “Jurrungu Ngan-ga” is a Whirlwind of Bodily Resistance
Review: Jurrungu Ngan-ga, directed by Dalisa Pigram and Rachael Swain for Marrugeku Jurrungu...
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“The Museum of Modern Love” Reminds Us to Engage with Art – and Each Other
When was the last time you looked at a stranger in the eyes? Really looked, for an uncomfortably...
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“Peggy For You,” Hampstead Theatre
Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...
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“The Glow,” Royal Court
Bizarre. Breathtaking. Beautiful. I leave the Royal Court theatre with these Bs, as well as others...
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More Morisseau: “Skeleton Crew” by Dominique Morisseau
Skeleton Crew is Dominique Morisseau’s best play so far. It’s the most streamlined work in her...
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“The 4th Country,” Park Theatre
History is a prison. Often, you can’t escape. It imprints its mark on people, environments and...
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Surge Festival, A Reflection of Madrid’s Diverse Alternative Theater
October was the month of Surge Madrid festival. A collection of the alternative theater whose...
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“Fires” This Time
Long Wharf Theatre in New Haven Connecticut stages a revival of Anna Deavere Smith’s Fires in the...
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“Cinderella” At the Masque: Review
CINDERELLA. A two-act musical. Written and directed by Faeron Wheeler. Musical Director: Tersia...
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“Blood Knot,” A 60-Year-Old Message
Blood Knot, by legendary South African playwright Athol Fugard, which ran at the Market Theatre in...
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“Trouble In Mind,” National Theatre
The National Theatre has a good record in staging classic American drama by black playwrights....
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“The Red on the Rainbow,” A Brave and Important Play
In 2017, Coligny, a small dorpie in Bokone Bophirima (North West Province), was thrown into the...
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