“The Smallest Stage” is an Intricately-Crafted Play for Families about Incarceration – And The Power of Stories
Review: The Smallest Stage, by Kim Crotty for Perth Festival A small, white rectangle taped onto...
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Review
“The Forest,” Hampstead Theatre
Let’s start with stereotypes: British theater is naturalistic, down-to-earth and explains...
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“Shirley Valentine” Review: TOTB
SHIRLEY VALENTINE. Director: Gina Shmukler. Cast: Natasha Sutherland. Theatre on the Bay. Astute...
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“Fever,” Mladinsko Theatre
Mladinsko Theatre, premiered on 12th October 2021 At the beginning of the second decade of the...
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“Clouds Like Waves” Review
CLOUDS LIKE WAVES. Written by Megan Choritz. Directed by Megan Choritz and Rudy Nadler-Nir. With...
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Medical Science and the Irony of Sex Education
The Amazing Flabby-Breasted Virgin shows the poor light in which women’s bodies are seen in the...
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“One Arm” Review: Artscape
ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...
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Still a Bitter Pill: An Involving Play of Love and Loss
At TheaterWorks Hartford, Connecticut, This Bitter Earth, Harrison David Rivers’ drama of love,...
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“The Double Life”
Teatri Oda, Prishtina (part of the Kosovo Theatre Showcase) There are more people in the world who...
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“The Chairs” at The Almeida Theatre
Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...
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“Uncanny Valley” at The Battersea Arts Centre
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
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Dmitry Krymov Plumbs the Depths of Memory (part 2)
This is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...
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Dmitry Krymov Plumbs the Depths of Memory (part 1)
There is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
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No Longer Silent: How a Bosnian Theatre Festival Became a Focal Point for The MeToo Movement
Across the western Balkans women are raising their voices against violence following a series of...
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“Alles Unter Kontrolle”
Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...
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A New Musical, “Panawathi Girl,” is a Fantasy of Australia’s Past — and a Critique of Australia’s Present
Aboriginal and Torres Strait Islander readers are advised this article contains names of people...
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A Celebration of Wondering: “The Hang” is a Party You Won’t Want to Miss
Vibrant, thought-provoking, invigorating, and brimming with talent, “The Hang,” with book and...
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“I Thought I Could Read God’s Mind”: Katrin Arefy’s “The Portrait of An Angel, A Lion, A Monster”
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
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Passing a Relighted Torch. “Angry, Raucous & Shamelessly Gorgeous”
Hartford Stage in Hartford, Connecticut, has a stable tradition of offering literate plays...
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“Theatre of the Real”: How Artists at Perth Fringe World are Stripping Down to Reveal Their Vulnerabilities
At this year’s Fringe World Festival in Perth, the “theatre of the real” is everywhere: theatre,...
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