Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
Read MorePosted by Gabrielle Edelstein | 3rd Apr 2022 | Adaptation, Australia, Directing, Review
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
Read MorePosted by Aleks Sierz | 2nd Apr 2022 | Adaptation, Directing, London, Review, United Kingdom
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...
Read MorePosted by Aleks Sierz | 1st Apr 2022 | Playwriting, Review, Theatre and Gender, United Kingdom
Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of...
Read MorePosted by Aleks Sierz | 30th Mar 2022 | London, Review, Theatre and Gender, United Kingdom
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has...
Read MorePosted by William Peterson | 26th Mar 2022 | Australia, Review, Theatre and Age, Transmedia
Review: Sex and Death_ and the Internet, directed by Samara Hersch My last experience as an...
Read MorePosted by Donald Brown | 24th Mar 2022 | Playwriting, Review, Theatre and Politics, United States of America
Review of Eliana Pipes’ Dream Hou$e, Long Wharf Theatre The question of heritage gets...
Read MorePosted by Aleks Sierz | 23rd Mar 2022 | Directing, London, Review, Theatre and Politics, United Kingdom
Football stories are never just about a game — they are also about life and how to live it. In...
Read MorePosted by Irem Yasar | 22nd Mar 2022 | Musical Theatre, Review, Turkey
Adapted from Hugo’s popular novel, the musical presents sections from the post-revolutionary dark...
Read MorePosted by Leah Mercer | 20th Mar 2022 | Australia, Devised Theatre, Festivals, Review
Review: The Smallest Stage, by Kim Crotty for Perth Festival A small, white rectangle taped onto...
Read MorePosted by Aleks Sierz | 18th Mar 2022 | Acting, Directing, London, Review, United Kingdom
Let’s start with stereotypes: British theater is naturalistic, down-to-earth and explains...
Read MorePosted by Beverley Brommert | 17th Mar 2022 | Review, South Africa, Theatre and Gender
SHIRLEY VALENTINE. Director: Gina Shmukler. Cast: Natasha Sutherland. Theatre on the Bay. Astute...
Read MorePosted by Evelin Bizjak | 15th Mar 2022 | Review, Slovenia, Theatre and Politics
Mladinsko Theatre, premiered on 12th October 2021 At the beginning of the second decade of the...
Read MorePosted by Karen Rutter | 12th Mar 2022 | Devised Theatre, Review, South Africa
CLOUDS LIKE WAVES. Written by Megan Choritz. Directed by Megan Choritz and Rudy Nadler-Nir. With...
Read MorePosted by Sindhu Nagaraj | 10th Mar 2022 | India, Review, Theatre and Gender, Theatre and Science
The Amazing Flabby-Breasted Virgin shows the poor light in which women’s bodies are seen in the...
Read MorePosted by Beverley Brommert | 9th Mar 2022 | Adaptation, Review, South Africa
ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...
Read MorePosted by Donald Brown | 8th Mar 2022 | LGBTQ+ Theatre, Review, United States of America
At TheaterWorks Hartford, Connecticut, This Bitter Earth, Harrison David Rivers’ drama of love,...
Read MorePosted by Natasha Tripney | 5th Mar 2022 | Kosovo, Review, Transcultural Collaborations
Teatri Oda, Prishtina (part of the Kosovo Theatre Showcase) There are more people in the world who...
Read MorePosted by Duška Radosavljević | 3rd Mar 2022 | Acting, London, Review, Translation, United Kingdom
Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...
Read MorePosted by Duška Radosavljević | 2nd Mar 2022 | Germany, London, Review, Theatre and Science, Transmedia, United Kingdom
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
Read MorePosted by Alexander Barkar | 26th Feb 2022 | Design, Directing, Review, Russia
This is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 