Dmitry Krymov Plumbs the Depths of Memory (part 2)
This is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...
Read MorePosted by Alexander Barkar | 26th Feb 2022 | Design, Directing, Review, Russia
This is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...
Read MorePosted by Alexander Barkar | 25th Feb 2022 | Design, Directing, Review, Russia
There is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 