Interpreting “The Mahabharata” With Puppets
Anurupa Roy’s contemporary retelling of the epic uses a melange of cultural influences to focus on...
Read MorePosted by Vikram Phukan | 26th Nov 2017 | Festivals, India, Puppetry, Review
Anurupa Roy’s contemporary retelling of the epic uses a melange of cultural influences to focus on...
Read MorePosted by Khaleem Ali | 26th Nov 2017 | Boston, France, Review, Theatre and Politics, United States of America
“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...
Read MorePosted by James Rowson | 25th Nov 2017 | Review, Russia, Russian Theatre Abroad, Transcultural Collaborations, Translation, United Kingdom
This November, the Royal Court Theatre in London stages the global premiere of Ukrainian...
Read MorePosted by Aleks Sierz | 25th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...
Read MorePosted by Mara Valderrama | 24th Nov 2017 | Review, Spain
The Ambigú is a tiny space in the Pavón Kamikaze theatre in Madrid; a large hallway bar that often...
Read MorePosted by Duška Radosavljević | 24th Nov 2017 | London, Review, Theatre and Gender, United Kingdom
Lizzie Clachan’s set is a simple stone floor slanting downwards towards the audience in a warm...
Read MorePosted by Vikram Phukan | 23rd Nov 2017 | Festivals, India, Review
Far from the creaky floorboards and blazing arc lamps of the makeshift prosceniums of Faridabad,...
Read MorePosted by Aleks Sierz | 22nd Nov 2017 | London, Playwriting, Review, United Kingdom
Harry Potter has a lot to answer for. The phenomenal success of JK Rowling’s books, and of their...
Read MorePosted by Nobuko Tanaka | 21st Nov 2017 | Collaborating Across Cultures, Japan, Review, United Kingdom
One Green Bottle is a new-ish work co-written by the renowned Japanese dramatist Hideki Noda and...
Read MorePosted by Aleks Sierz | 21st Nov 2017 | Acting, London, Playwriting, Review, United Kingdom
Continental drama, in this era of Brexit negotiations, seems to be rarer and rarer on British...
Read MorePosted by Hayley Malouin | 21st Nov 2017 | Canada, Review, Theatre and Art, Theatre and Gender, Theatre and Politics
Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...
Read MorePosted by Gary Shipton | 20th Nov 2017 | Festivals, London, Playwriting, Review, United Kingdom
Life-changing wealth which is won in an instant then recklessly sacrificed a second later is the...
Read MorePosted by Aleks Sierz | 20th Nov 2017 | Adaptation, London, Review, United Kingdom
The Second World War is central to our national imagination, yet it has been oddly absent from our...
Read MorePosted by Aleks Sierz | 19th Nov 2017 | London, Playwriting, Review, United Kingdom
Is Buddhism a path to finding spiritual enlightenment — or just an excuse for not facing your...
Read MorePosted by Sebanti Sarkar | 19th Nov 2017 | India, Playwriting, Review, Theatre and Politics
Six decades of writing, acting and directing often inspired by the changing milieu — Bengali...
Read MorePosted by Jane Baldwin | 19th Nov 2017 | Adaptation, France, Review, Theatre and Politics
Albert Camus’ 1948 play The State of Siege (L’État de Siège) is presently touring the U.S. in a...
Read MorePosted by Elle Kwan | 18th Nov 2017 | China, Review, Theatre and Dance, Theatre and Gender
The Legend Of White Snake isn’t old–it’s ancient. One of China’s Four Great Folktales (the other...
Read MorePosted by Kristin Tomecek | 17th Nov 2017 | Boston, Festivals, Review, Theatre and Opera, United States of America
Delightfully thought-provoking and fun, the Boston Opera Collaborative’s third annual festival...
Read MorePosted by Sigríður Jónsdóttir | 16th Nov 2017 | Iceland, Musical Theatre, Review, Theatre and Politics
The economic crisis in Iceland was messy, merciless and brought an entire nation completely...
Read MorePosted by Jessica Rizzo | 16th Nov 2017 | LGBTQ+ Theatre, New York, Review, United States of America
In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...
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