“The State Of Siege” (L’état De Siège): A Political Warning
Albert Camus’ 1948 play The State of Siege (L’État de Siège) is presently touring the U.S. in a...
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Review
Life Is Love In A Modern Take On An Ancient Chinese Folktale
The Legend Of White Snake isn’t old–it’s ancient. One of China’s Four Great Folktales (the other...
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Boston Opera Collaborative’s “Opera Bites” Is A Moveable Feast
Delightfully thought-provoking and fun, the Boston Opera Collaborative’s third annual festival...
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Cleansed Through Chaos: “God Bless Iceland” at The Reykjavik City Theatre
The economic crisis in Iceland was messy, merciless and brought an entire nation completely...
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A Living Mockery: The Ridiculous Theatrical Company At Fifty
In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...
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For The Love Of The Game: “Peh LO Tah” at BAM
Beginning with the soccer ball, Marc Bamuthi Joseph moves to the left and to the right, shifting a...
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Tale Of A Wounded Soul
This year’s winner at Mohan Rakesh Samman Evam Natya Samaroh, Ghanshyam Kumar Devansh’s Hastinapur...
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“A Doll’s House” at Circa One
POTENTLY RELEVANT Warning: I’m about to give the (well-known) ending away because the play can’t...
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The “Motherline” Project Honors The Stories Of Women With Depth And Diversity
After starting in New York, the storytelling performance made its international debut in Cairo,...
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“Tiny Beautiful Things” at The Public Theatre
Dear Dust Man, I’m an avid theatergoer who missed seeing Nia Vardalos’s stage adaptation of Cheryl...
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“The Revolutionists”: How Far Have We Come?
The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...
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“Minefield” Review: Stories From The Soldiers
Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...
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“The Exorcist” On Stage: ‘I Don’t Think Our Vomit Is Going To Be Green’
“Whenever I tell anybody I’m doing an adaptation of The Exorcist, the first question is: ‘Will the...
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A Suitcase Packed With Stories: James Ngcobo’s New Play
The audience members were vocal in their approval from start to finish with Es’kia...
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“Young Marx” at Bridge Theatre
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
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“One The Bear” (La Boite) New Transmedia Storytelling
In true international award-winning Black Honey Company style, One The Bear bursts on the...
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“Witness For The Prosecution” at London County Hall
Some site-specific theatre feels like a really good fit. You could say, in this case, that it...
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Experiencing “Badke”
KVS Theater in Brussels I tend to shy away from western-Arab collaborations. I tend to be...
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The Swiss Are Shaking Up Hong Kong’s Dance Scene
This article is brought to you by the Hong Kong Arts Centre With its expansive alpine views, low...
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“A River All Red” And “The Phoenix Returns Home” By The China National Peking Opera Company At London’s Sadler’s Wells
Founded in 1955 by the renowned Chinese theatre star Mei Lanfang, the China National Peking Opera...
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