“The Complexity Of Belonging” At The Melbourne Festival–Reviewed
I’ve often lamented that choosing to study the most complex organisms on Earth was the dumbest...
Read MorePosted by Jay Brinker | 9th Oct 2014 | Australia, Festivals, Review
I’ve often lamented that choosing to study the most complex organisms on Earth was the dumbest...
Read MorePosted by Sandra Phillips | 28th Sep 2014 | Australia, Review, Theatre and Politics
The performance space in which Wesley Enoch‘s play Black Diggers is being performed at the...
Read MorePosted by Rossiyskaya Gazeta and Svetlana Mazúrova | 26th Sep 2014 | Management, Review, Russia
The illustrious theater’s New Stage will present its season opener on September 26. The...
Read MorePosted by Raphael Schklowsky | 25th Sep 2014 | New York, Review, Russia, United States of America
Raphael Schklowsky writes about Nicole Kontolefa, an American actress trained in Russia, who is...
Read MorePosted by Alastair Blanshard | 15th Sep 2014 | Australia, Review, Theatre and Dance
Traditionally soap is made by rendering down lard. But in this tight show, Soap, playing at the...
Read MorePosted by Ilana Walder-Biesanz | 7th Sep 2014 | Festivals, Germany, Iran, Review, Russian Theatre Abroad, Transcultural Collaborations
“Alienation” drones Ivanov’s English-learning tape in the second act of the production. The...
Read MorePosted by Ruari Shaw Sutherland | 14th Aug 2014 | Festivals, Review, Scotland
The Edinburgh Festival Fringe has, over the years, developed a reputation as a hotbed for...
Read MorePosted by Mark Steven | 31st Jul 2014 | Australia, Review, Theatre and Politics
“I’m a poet. That’s what makes me interesting.” So begins the autobiography of Vladimir...
Read MorePosted by Claire Hansen | 29th Jul 2014 | Adaptation, Australia, Review
Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...
Read MorePosted by Robin Ashenden | 25th Jun 2014 | Review, Russian Theatre Abroad, United Kingdom
David Schneider is probably most recognizable as BBC commissioning editor Tony Hayers in I’m Alan...
Read MorePosted by Claire Hansen | 16th Jun 2014 | Australia, Review, Theatre and Politics
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
Read MorePosted by Robin Ashenden | 11th Jun 2014 | Review, Ukraine
In Warwickshire a year ago, a fish-farmer was reported in the newspapers as putting a sign up by...
Read MorePosted by Molly Flynn | 27th May 2014 | Documentary Theatre, Review, Theatre and Politics, Ukraine
Natalya Vorozhbit is Ukraine’s leading playwright and co-author of Maidan: Voices from the...
Read MorePosted by Robin Ashenden | 15th May 2014 | Hungary, Review
Ignition Stage, a small professional theatre company from Manchester, have taken upon themselves...
Read MorePosted by Iryna Chuzhynova | 20th Apr 2014 | Review, Theatre and Politics, Ukraine
During the several months of protests in Kyiv Maidan a group of young dramatists who call...
Read MorePosted by Claire Hansen | 31st Mar 2014 | Australia, Directing, Review
Love is a battlefield. While Pat Benatar might have made this line her own in the 1980s,...
Read MorePosted by Anna Teresa Scheer | 11th Mar 2014 | Australia, Review, Sydney, Theatre and Disability
This week, Back to Back Theatre‘s 2012 production Ganesh Versus The Third Reich will open at...
Read MorePosted by Christine Judith Nicholls | 10th Mar 2014 | Adaptation, Festivals, Immersive Theatre, Netherlands, Review, Theatre and Politics, Transmedia
Over six hours, three Shakespearean tragedies – Coriolanus, Julius Caesar, and Antony And...
Read MorePosted by Stuart Richards | 16th Feb 2014 | Australia, LGBTQ+ Theatre, Review
British playwright Mike Bartlett’s contemporary comedy of manners Cock opened on the Melbourne...
Read MorePosted by Harry Ricketts | 12th Feb 2014 | New Zealand, Review
Historically, geographically, culturally – there are many points of comparison between Australia...
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