Featured Archives - Page 39 of 258

Interview: The “Best Time to Be Alive” and The Reclamation of Identity

Posted by Melissa Denzer | 20th Mar 2023 | Interview, Musical Theatre, New York, United States of America

On March 17, 2023, New York City’s Bedlam hosted the first industry reading of Best Time to Be...

Touching the Azerbaijani Theatre: From Ritual to Spontaneity

Posted by Tarlan Rasulov | 18th Mar 2023 | Azerbaijan, Directing, Dramaturgy, Essay

The term of ritual has always been an object for endless discussions amongst theologians, cultural...

“Theatre Is King”: The 2023 Kenya Theatre Awards

Posted by Alexander Nderitu | 17th Mar 2023 | Acting, Kenya, News

The second edition of the Kenya Theatre Awards took place on 23rd February 2023 at the Kenya...

Broadway Bodies: An Interview with Ryan Donovan

Posted by Trevor Boffone | 15th Mar 2023 | Interview, Musical Theatre, United States of America

Productions of Broadway musicals have body issues. Full stop. From casting norms for Broadway...

You Came to See the Obscene?—”2020: Obscene”

Posted by Lisa Moravec | 13th Mar 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender

Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...

Bjørg Vik’s “The Journey To Venice” At the Finborough Theatre: Norwegian Memory Play Is Tender If Slight

Posted by Aleks Sierz | 13th Mar 2023 | London, Norway, Playwriting, Review, Translation, United Kingdom

Bjørg Vik’s The Journey to Venice at the Finborough Theatre: Norwegian memory play is tender if slight

Art and Tech Imaginings of Kat Mustatea

Posted by Alexander Fatouros | 10th Mar 2023 | Interview, New York, Theatre and AI, Theatre and Art, Transmedia, United States of America

Creating art that reflects our time, Kat Mustatea is a playwright and technologist whose...

Remembering A Silenced Teacher: Xavier Bobés And Alberto Conejero’s “El Mar. Visión De Unos Niños Que No Lo Han Visto Nunca”/”The Sea. Vision Of Some Children Who Have Never Seen It”

Posted by Maria Delgado | 8th Mar 2023 | Education, Review, Spain, Theatre and Politics

Xavier Bobés is one of those remarkable artists able to conjure a world through a few objects that...

Speaking from Outside: Interview with Olga Voronkova

Posted by Allison Newey and Kasia Lech | 7th Mar 2023 | Belarus, Festivals, Interview, London, Theatre and Politics, United Kingdom

Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...

Matilda Feyiṣayọ Ibini’s “Sleepova” at the Bush Theatre: Rather Predictable, but Fun Show about Coming of Age

Posted by Aleks Sierz | 6th Mar 2023 | London, Playwriting, Review, United Kingdom

Is anyone still nostalgic about their teen years? The coming-of-age drama is a staple of...

Breaking Down Barriers through Cultural Policies: A Conversation with Artistic Director and Producer Jesús Cimarro

Posted by Natalia García-Casarrubios | 5th Mar 2023 | Festivals, Interview, Producing, Spain

Jesús Cimarro is the current President of the Spanish Academy of Performing Arts (Academia de las...

“Woman, Life, Freedom: Theatre and Protest in Iran”: A Virtual Roundtable in Honor of World Theatre Day

Posted by The Theatre Times | 5th Mar 2023 | Education, News, Theatre and Gender, Theatre and Politics

Dear Friends, Roshan Institute for Persian Studies, The Theatre Times, and the University of...

Prototype Festival: “Mary Motorhead/Trade” and “In Our Daughter’s Eyes”

Posted by Clare Cioffero | 2nd Mar 2023 | Festivals, New York, Review, Theatre and Opera, United States of America

It has been so challenging to write these reviews of three recent works presented as part of the...

“Trouble In Butetown” at the Donmar Warehouse

Posted by Aleks Sierz | 1st Mar 2023 | Review, Theatre and Politics, United Kingdom

With the fast-approaching anniversary of the latest war in Europe, our culture’s continued...

Friendship And Its Discontents: Juan Mayorga’s “Amistad”

Posted by Maria Delgado | 1st Mar 2023 | Playwriting, Review, Spain

Juan Mayorga, one of Spain’s most decorated dramatists — a member of Spain’s Spanish Royal Academy...

Sitting Down with Emerging Artist Thalia Ranjbar

Posted by Morgan Skolnik | 27th Feb 2023 | Directing, Interview, New York, United States of America

The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...

“Much Ado About Nothing:” National Youth Theatre Gives Shakespeare the Love Island Treatment

Posted by Penelope Woods | 23rd Feb 2023 | Adaptation, London, Review, Theatre and Film, United Kingdom

“What’s your type on paper?” is frequently asked by contestants on the popular reality dating...

Brecht, Kabarett, and Pussy Riot: The Impact of AnomalousCo’s “(beyond) Doomsday Scrolling”

Posted by Rhiannon Ling | 22nd Feb 2023 | Devised Theatre, New York, Review, Theatre and Politics, United States of America

Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...

More Than 2,000 People from Wittenoom Died of Asbestos-Related Diseases. A Powerful and Compelling Requiem Brings Their Story to the Stage

Posted by Kate Hunter | 17th Feb 2023 | Australia, Melbourne, Review, Theatre and Science

Deep in the remote Pilbara region of Western Australia, the town of Wittenoom lies empty,...

The Digital Spectator. Romanian Experiences During the Pandemic

Posted by Călin Ciobotari | 17th Feb 2023 | Covid-19, Essay, Festivals, Romania, Transmedia

The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...

Featured

Interview: The “Best Time to Be Alive” and The Reclamation of Identity

Touching the Azerbaijani Theatre: From Ritual to Spontaneity

“Theatre Is King”: The 2023 Kenya Theatre Awards

Broadway Bodies: An Interview with Ryan Donovan

You Came to See the Obscene?—”2020: Obscene”

Bjørg Vik’s “The Journey To Venice” At the Finborough Theatre: Norwegian Memory Play Is Tender If Slight

Art and Tech Imaginings of Kat Mustatea

Remembering A Silenced Teacher: Xavier Bobés And Alberto Conejero’s “El Mar. Visión De Unos Niños Que No Lo Han Visto Nunca”/”The Sea. Vision Of Some Children Who Have Never Seen It”

Speaking from Outside: Interview with Olga Voronkova

Matilda Feyiṣayọ Ibini’s “Sleepova” at the Bush Theatre: Rather Predictable, but Fun Show about Coming of Age

Breaking Down Barriers through Cultural Policies: A Conversation with Artistic Director and Producer Jesús Cimarro

“Woman, Life, Freedom: Theatre and Protest in Iran”: A Virtual Roundtable in Honor of World Theatre Day

Prototype Festival: “Mary Motorhead/Trade” and “In Our Daughter’s Eyes”

“Trouble In Butetown” at the Donmar Warehouse

Friendship And Its Discontents: Juan Mayorga’s “Amistad”

Sitting Down with Emerging Artist Thalia Ranjbar

“Much Ado About Nothing:” National Youth Theatre Gives Shakespeare the Love Island Treatment

Brecht, Kabarett, and Pussy Riot: The Impact of AnomalousCo’s “(beyond) Doomsday Scrolling”

More Than 2,000 People from Wittenoom Died of Asbestos-Related Diseases. A Powerful and Compelling Requiem Brings Their Story to the Stage

The Digital Spectator. Romanian Experiences During the Pandemic

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