Danny Robins’s “2:22 A Ghost Story” at The Apollo Theatre: Populist Shocker Is Pretty Chill Free
Can you enjoy a ghost story during summer? Usually the idea of a haunted house suggests images of...
Read MorePosted by Aleks Sierz | 6th Jun 2023 | London, Review, United Kingdom
Can you enjoy a ghost story during summer? Usually the idea of a haunted house suggests images of...
Read MorePosted by Brian Valente-Quinn | 5th Jun 2023 | Essay, France, Theatre and Decolonization
The stage adaptation of Léonora Miano’s Ce qu’il faut dire (or “What Must be Said”) addresses a...
Read MorePosted by Walter Byongsok Chon | 4th Jun 2023 | Musical Theatre, New York, Review, South Korea, Transcultural Collaborations
KPOP is a new musical, with a book by Jason Kim and music by Helen Park and Max Vernon. It...
Read MorePosted by Aleks Sierz | 3rd Jun 2023 | London, Review, Theatre and Dance, United Kingdom
Last Saturday, I went to the Excelsior Studios in Park Royal to see a performance of the Russell...
Read MoreThe second Novi Sad Theater Festival again provided an exciting seven-day festival repertoire for...
Read MoreGillo Repertory Theatre presented the play, Rangchor, Ek Rakshas Ki Anokhi Kahani (The Colour...
Read MorePosted by Rhiannon Ling | 30th May 2023 | New York, Review, Theatre and Gender, United States of America
Empty Gregory’s coffee cups and PureLeaf bottles reside on a table, Trader Joe’s bags are against...
Read MorePosted by Anasuya Menon | 21st May 2023 | Documentary Theatre, India, Interview, Theatre and Disability
Sylvia, a play scripted and directed by Athira Nikathil, is an intimate portrayal of the life of...
Read MorePosted by Magie Dominic | 19th May 2023 | New York, News, Playwriting, United States of America
Robert Patrick, playwright, passed away on April 23, 2023, at his home in Los Angeles. He was 85....
Read MorePosted by Kuan-Ting Lin | 12th May 2023 | Directing, Review, Taiwan, Theatre and Politics, Transcultural Collaborations
Originally a collection of West Asian folktales, The Arabian Nights may be the series of...
Read MorePosted by Lisa Monde | 8th May 2023 | Essay, Interview, LGBTQ+ Theatre, Musical Theatre, New York, United States of America
Dedicated to the 40th anniversary of the first publication of the play by Jean Poiret La Cage Aux...
Read MorePosted by Meg Hands | 7th May 2023 | Belgium, Essay, Theatre and Dance
What is the transformative potential of party performances? Since venues reopened after the –...
Read MorePosted by Timmy De Laet | 7th May 2023 | Belgium, Documentary Theatre, Review, Theatre and Dance, Worldwide
An imaginary trip with the god of dance While he was often called le dieu de la danse, Vaslav...
Read MorePosted by Emma Smith | 5th May 2023 | Dramaturgy, Essay, United Kingdom
It has been 400 years since the publication of the first collected edition of Shakespeare’s plays,...
Read MorePosted by Aleks Sierz | 3rd May 2023 | Adaptation, London, Review, United Kingdom
Imagine yourself in a remote place: it could be a mountaintop, or a lost village, or the Amazon....
Read MorePosted by Aleks Sierz | 1st May 2023 | London, Review, Theatre and Gender, United Kingdom
We are watching history being made: after decades of being in the shadows, queer drama is now...
Read MorePosted by Emiliia Dementsova | 1st May 2023 | Hungary, Musical Theatre, Review, Theatre and Politics, Theatre Olympics 2023
Young Barbarians – director: Attila Vidnyánszky Jr. They say the best way to get to know each...
Read MorePosted by Camilla Nelson | 29th Apr 2023 | Australia, Review, Sydney, Theatre and Gender, Theatre and Politics
Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives...
Read MorePosted by Aleks Sierz | 28th Apr 2023 | Review, Theatre and Gender, United Kingdom
Is it possible to successfully challenge naturalism in British theatre today? At a time when...
Read MorePosted by Christine Brubaker, Taiwo Afolabi, Yvette Nolan, Jessica Thornton, and Heather Russek | 28th Apr 2023 | Canada, News, Theatre and Decolonization, Theatre and Politics
Does it seem far-fetched to imagine a future where the government subsidizes theatres and theatre...
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