Trilogy “Distrito de Molo” Tackles The Myth of The Once-Glorious City
Quite possibly, for the inveterate theater-goer, what immediately comes to mind as one sits down...
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Featured
Refuge and Refusal: Why Theatre About Asylum Seekers Matters
When, some eight or nine years ago, I began researching the responses of Australian and refugee...
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Actor Om Puri Will Introduce Bahuroopi National Theatre Festival In January
Rangayana Mysuru is dedicating the 13th edition of Bahuroopi National Festival – 2016 from January...
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Hawaii Theatre Guide
Popular images of Hawai’i are those of dancing women in provocative grass skirts adorned with...
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“The Babylon Line,” Richard Greenberg’s New Play at the Mitzi Newhouse Theatre
Anyone so inclined could find plenty of reasons to carp about The Babylon Line, Richard...
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Chekhov Resonates: “The Hummm” at Dixon Place
Chekhov’s Three Sisters is distilled into vibration and iteration in The Hummm, a radical...
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Laudation Delivered on the Occasion of Forced Entertainment’s Acceptance of the International Ibsen Award
In September 2016 the British experimental theatre company Forced Entertainment were the winners...
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Ntsoana: Changing the Perceptions and B(l)ending the Conventions of Art
The Ntsoana Contemporary Dance Theatre celebrated its tenth anniversary, during the first weekend...
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Play the Game on the Stage! Conversation with machina eX, One of The Most Immersive Theatre Companies in Germany
machina eX is one of the most immersive theatre company in Germany. They constantly recreate...
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Lynn Nottage’s “Sweat” at The Public Theatre
What a journey Lynn Nottage’s Sweat has had. When this gorgeously incisive play about heartbreak...
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Between Masculinity and Modernity: “Best Of (His Story)”
In 2013, award-winning actress Siti Khalijah Zainal brought Singapore’s company, The...
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Chekhov’s “The Cherry Orchard” to Be Screened in London
Stage Russia brings Russian theatre to a global audience by filming live productions performed by...
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Heterosexual Dystopia in “The Love That Dare Not Speak Its Name”
Bold and provocative, directed by Sarah Vickery.Thomas Ian Doyle’s latest work – The Upstairs...
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“The Tempest Reimagined” at The Philippine Educational Theater Association (PETA)
The Philippine Educational Theater Association (PETA) lives up to its vision of “mounting...
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Between the Niche and Disneyland: Interactive Performance Design for Virtual Theatre & Games
Evert Hoogendoorn is a strategist and game designer at IJsfontein Interactive Media. He also has a...
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Unbounded Soliloquy: Wajdi Mouawad’s “Seuls”
Seuls Written, Directed, and Performed by Wajdi Mouawad The Wilma Theater, Philadelphia Nov....
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Microtheater in Words Without Borders: A Genre for Uncertain Times
More than ten years after Words without Borders presented its first issue of theater in...
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South Sudan Artists Protest Civil War With Street Performances And Other Art
Musicians played lively tunes in South Sudan’s capital, and pedestrians and market shoppers...
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James Graham On How His 2012 Political Hit “This House” Will Go Down in 2016
The danger of writing political plays is that reality, of course, has a habit of overtaking you....
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Uruguay Feminist Drama: Marianella Morena’s “I Will Bear No Child, I Will Bear Verses”
Delmira Agustini (1886–1914), one of the most important Uruguayan poets, was assassinated by...
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