Featured Archives - Page 254 of 258

Interview with Catalina Martín: Chilean Playwright and Actress

Posted by The Theatre Times | 24th Mar 2014 | Chile, Interview, Playwriting

The interview is part of the series, Spotlight on Chile, which features articles, interviews, and...

Interview with Sandra Burmeister

Posted by The Theatre Times | 17th Mar 2014 | Chile, Interview

Sandra Burmeister is a storyteller and theatre maker from Chile. She majored in Theatre Pedagogy...

“Ganesh Versus The Third Reich” And Actors With Disabilities

Posted by Anna Teresa Scheer | 11th Mar 2014 | Australia, Review, Sydney, Theatre and Disability

This week, Back to Back Theatre‘s 2012 production Ganesh Versus The Third Reich will open at...

Connecting Shakespearean “Roman Tragedies”

Posted by Christine Judith Nicholls | 10th Mar 2014 | Adaptation, Festivals, Immersive Theatre, Netherlands, Review, Theatre and Politics, Transmedia

Over six hours, three Shakespearean tragedies – Coriolanus, Julius Caesar, and Antony And...

Theatre for Dialogue Confront the Unrest in Ukraine

Posted by The Theatre Times | 22nd Feb 2014 | Essay, Participatory Theatre, Theatre and Politics, Ukraine

Between 11-18 February 2014, seven International Theatre of the Oppressed practitioners were...

Review: “Cock”

Posted by Stuart Richards | 16th Feb 2014 | Australia, LGBTQ+ Theatre, Review

British playwright Mike Bartlett’s contemporary comedy of manners Cock opened on the Melbourne...

The “Masking” of Immigrant New Zealanders

Posted by Harry Ricketts | 12th Feb 2014 | New Zealand, Review

Historically, geographically, culturally – there are many points of comparison between Australia...

Russian Drama Performed On Intimate London Stages

Posted by Phoebe Taplin | 9th Feb 2014 | News, Russia, Transcultural Collaborations

Chekhov’s Cherry Orchard blooms in a Camden pub while his Three Sisters take the stage in Euston....

The Experimental “Cadavre Exquis” At Sydney Festival

Posted by Ian Maxwell | 30th Jan 2014 | Australia, Devised Theatre, Festivals, Review, Sydney

The rules of Cadavre Exquis are basic. Four directors, each responsible for 15 minutes of...

Magda Romanska on Dramaturgy and Opera

Posted by Magda Romanska | 28th Jan 2014 | Dramaturgy, Interview, Theatre and Opera, United States of America

BLO: What is a dramaturg? MR: In its broadest and earliest definition, dramaturgy means a...

Poland’s Teatr “Cinema”: Over 20 Years of Surrealist Collage

Posted by Dara Weinberg | 28th Jan 2014 | Essay, Poland, Review

The group of visual artists and actors who comprise the surrealist dance-theater Teatr...

“Black Diggers” Memorializes Indigenous WWI Soldiers

Posted by David Williams | 25th Jan 2014 | Australia, Festivals, Review, Sydney

In August 2012, I was invited by the Sydney Festival to work with Wesley Enoch, Artistic Director...

Intercultural Exchanges In “Chi Udaka” At Sydney Festival

Posted by Amanda Card | 20th Jan 2014 | Festivals, Review, Sydney, Transcultural Collaborations

There is speculation that the taiko drum was first used by soldiers in battle. At its best, Chi...

Workcenter of Grotowski and Richards’ Open Program in NYC

Posted by The Theatre Times | 18th Jan 2014 | News, United States of America

This winter, the Open Program team of the legendary Workcenter of Jerzy Grotowski and Thomas...

Cocteau’s “La Voix Humaine” Telephone Melodrama

Posted by Julian Murphet | 15th Jan 2014 | Australia, Festivals, Netherlands, Review, Sydney

An unnamed woman alone in an apartment conducts an increasingly panicked conversation on the...

Olivier Frljić and The Cancellation of His “Un-Divine Comedy”

Posted by Pawel Soszynski | 11th Dec 2013 | Collaborating Across Cultures, Interview, Poland, Theatre and Politics

Divine Kraków, Un-Divine Comedy: A talk with Croatian Director Oliver Frljić of Un-Divine Comedy...

Madrid’s Microtheatre Revitalizes Local Scene

Posted by Beatriz Cabur | 10th Dec 2013 | Immersive Theatre, News, Spain

On a Saturday night, Madrid’s Microtheatre performs 54 mini-shows back to back in the...

Review: “Super Discount” By Back To Back Theatre

Posted by Helena Grehan and Peter Eckersall | 20th Nov 2013 | Australia, Review, Theatre and Disability

Super Discount – currently playing at Melbourne’s Malthouse Theatre – is the latest work by...

Tchaikovsky’s “Nutcracker” Cutting Edge On London Ice

Posted by Tatiana Rubleva | 2nd Nov 2013 | Review, Russia, Theatre and Dance

Anglo-Russian dance sensation marries ice-skating and theater in their production of Nutcracker on...

“Black Monk” Talks In Tongues

Posted by John Freedman | 30th Oct 2013 | Directing, Kama Ginkas Black Monk, Review, Russia

Of all the theatrical languages that coexist in Moscow, director Kama Ginkas is an intonation unto himself. You can hear it in his actors’ speech. “They often speak not as they do in life or even on stage for another...

Featured

Interview with Catalina Martín: Chilean Playwright and Actress

Interview with Sandra Burmeister

Connecting Shakespearean “Roman Tragedies”

Theatre for Dialogue Confront the Unrest in Ukraine

Review: “Cock”

The “Masking” of Immigrant New Zealanders

Russian Drama Performed On Intimate London Stages

The Experimental “Cadavre Exquis” At Sydney Festival

Magda Romanska on Dramaturgy and Opera

Poland’s Teatr “Cinema”: Over 20 Years of Surrealist Collage

“Black Diggers” Memorializes Indigenous WWI Soldiers

Intercultural Exchanges In “Chi Udaka” At Sydney Festival

Workcenter of Grotowski and Richards’ Open Program in NYC

Cocteau’s “La Voix Humaine” Telephone Melodrama

Olivier Frljić and The Cancellation of His “Un-Divine Comedy”

Madrid’s Microtheatre Revitalizes Local Scene

Review: “Super Discount” By Back To Back Theatre

Tchaikovsky’s “Nutcracker” Cutting Edge On London Ice

“Black Monk” Talks In Tongues

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