We Need More Racial Diversity On The Stage, Both Sides Of The Pond
In 1825 the African-American actor Ira Aldridge came to London in The Slave’s Revenge. Before...
Read MorePosted by Tony Howard | 24th Mar 2014 | Acting, Essay, United Kingdom
In 1825 the African-American actor Ira Aldridge came to London in The Slave’s Revenge. Before...
Read MorePosted by Beatriz Cabur | 24th Mar 2014 | Chile, Interview
This original content is exclusive to TheTheatreTimes.com. The interview is part of the series,...
Read MorePosted by The Theatre Times | 24th Mar 2014 | Chile, Interview, Playwriting
The interview is part of the series, ‘potlight on Chile’ which features articles, interviews, and...
Read MorePosted by The Theatre Times | 24th Mar 2014 | Chile, Interview, Playwriting
The interview is part of the series, Spotlight on Chile,’which features articles, interviews, and...
Read MorePosted by The Theatre Times | 24th Mar 2014 | Chile, Interview, Playwriting
The interview is part of the series, Spotlight on Chile, which features articles, interviews, and...
Read MorePosted by The Theatre Times | 17th Mar 2014 | Chile, Interview
Sandra Burmeister is a storyteller and theatre maker from Chile. She majored in Theatre Pedagogy...
Read MorePosted by Anna Teresa Scheer | 11th Mar 2014 | Australia, Review, Sydney, Theatre and Disability
This week, Back to Back Theatre‘s 2012 production Ganesh Versus The Third Reich will open at...
Read MorePosted by Christine Judith Nicholls | 10th Mar 2014 | Adaptation, Festivals, Immersive Theatre, Netherlands, Review, Theatre and Politics, Transmedia
Over six hours, three Shakespearean tragedies – Coriolanus, Julius Caesar, and Antony And...
Read MorePosted by The Theatre Times | 22nd Feb 2014 | Essay, Participatory Theatre, Theatre and Politics, Ukraine
Between 11-18 February 2014, seven International Theatre of the Oppressed practitioners were...
Read MorePosted by Stuart Richards | 16th Feb 2014 | Australia, LGBTQ+ Theatre, Review
British playwright Mike Bartlett’s contemporary comedy of manners Cock opened on the Melbourne...
Read MorePosted by Harry Ricketts | 12th Feb 2014 | New Zealand, Review
Historically, geographically, culturally – there are many points of comparison between Australia...
Read MorePosted by Phoebe Taplin | 9th Feb 2014 | News, Russia, Transcultural Collaborations
Chekhov’s Cherry Orchard blooms in a Camden pub while his Three Sisters take the stage in Euston....
Read MorePosted by Ian Maxwell | 30th Jan 2014 | Australia, Devised Theatre, Festivals, Review, Sydney
The rules of Cadavre Exquis are basic. Four directors, each responsible for 15 minutes of...
Read MorePosted by Magda Romanska | 28th Jan 2014 | Dramaturgy, Interview, Theatre and Opera, United States of America
BLO: What is a dramaturg? MR: In its broadest and earliest definition, dramaturgy means a...
Read MorePosted by Dara Weinberg | 28th Jan 2014 | Essay, Poland, Review
The group of visual artists and actors who comprise the surrealist dance-theater Teatr...
Read MorePosted by David Williams | 25th Jan 2014 | Australia, Festivals, Review, Sydney
In August 2012, I was invited by the Sydney Festival to work with Wesley Enoch, Artistic Director...
Read MorePosted by Amanda Card | 20th Jan 2014 | Festivals, Review, Sydney, Transcultural Collaborations
There is speculation that the taiko drum was first used by soldiers in battle. At its best, Chi...
Read MorePosted by The Theatre Times | 18th Jan 2014 | News, United States of America
This winter, the Open Program team of the legendary Workcenter of Jerzy Grotowski and Thomas...
Read MorePosted by Julian Murphet | 15th Jan 2014 | Australia, Festivals, Netherlands, Review, Sydney
An unnamed woman alone in an apartment conducts an increasingly panicked conversation on the...
Read MorePosted by Pawel Soszynski | 11th Dec 2013 | Collaborating Across Cultures, Interview, Poland, Theatre and Politics
Divine Kraków, Un-Divine Comedy: A talk with Croatian Director Oliver Frljić of Un-Divine Comedy...
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