Family, Latinidad, and Queerness Coalesce In Marga Gomez’s “Latin Standards”
Marga Gomez began her career in San Francisco’s gay comedy clubs in the mid-1980s, including the...
Read MorePosted by Trevor Boffone | 2nd Nov 2017 | LGBTQ+ Theatre, Playwriting, Review, United States of America
Marga Gomez began her career in San Francisco’s gay comedy clubs in the mid-1980s, including the...
Read MorePosted by Carrie Klewin Lawrence | 2nd Nov 2017 | Acting, Interview, Spain
Fanny Gautier, star of stage, television, and film, gives some insight into succeeding as a...
Read MorePosted by Jamie Portman | 1st Nov 2017 | Canada, LGBTQ+ Theatre, Review, Theatre and Politics
There are moments in TotoToo’s production of Bent that are as good as anything that this...
Read MorePosted by Kama Ginkas and John Freedman | 1st Nov 2017 | Books, Directing, Essay, Kama Ginkas Black Monk, Russia
Excerpted and adapted from the book Provoking Theater: Kama Ginkas Directs by Kama Ginkas and John...
Read MorePosted by Jana Perkovic | 1st Nov 2017 | Australia, Festivals, Melbourne, Playwriting, Review
In theatre-making, we often talk about world creation. “What is the world of the play?” teachers...
Read MorePosted by Aleks Sierz | 1st Nov 2017 | London, Playwriting, Review, United Kingdom
In Bertolt Brecht’s Life of Galileo (1943), there’s a typically didactic exchange: Andrea, the...
Read MorePosted by Diwan Singh Bajeli | 31st Oct 2017 | Adaptation, India, Review
Chandradasan’s adaptation of Shakuntalam, staged at the National School of Drama, had a...
Read MorePosted by Aleks Sierz | 31st Oct 2017 | London, Playwriting, Review, United Kingdom
Prolific writer Mike Bartlett is the most impressive penman to have emerged in British theatre in...
Read MorePosted by Evgeny Kazachkov and Sasha Sharova | 31st Oct 2017 | Interview, Playwriting, Russia
On October 6 and 7, 2017, The Lark hosted The Russia/U.S. Playwright Exchange, in partnership with...
Read MorePosted by Jonathan Kalb | 30th Oct 2017 | Acting, Review, United States of America
The most interesting question about David Greenspan’s one-man, 6-hour performance of Eugene...
Read MorePosted by Iain Hollingshead | 30th Oct 2017 | London, Musical Theatre, Review, Theatre and Politics, United Kingdom
Last month, 1,601 people were left disappointed by the news that Hamilton, the American musical...
Read MorePosted by S. Ravi | 30th Oct 2017 | Adaptation, India, Review, Theatre and Politics
Based on a short story of Khwaja Ahmad Abbas, Lokesh Jain’s Kala Sooraj Safed Sayee brings the...
Read MorePosted by Donald Brown | 29th Oct 2017 | Adaptation, Review, Theatre and Age, United States of America
The kitchen of an aging spinster in a small town in Texas may be an unlikely place to find...
Read MorePosted by Aleks Sierz | 29th Oct 2017 | LGBTQ+ Theatre, London, Review, United Kingdom
A new baby is like an alien invasion: it blows your mind and it colonizes your world. For any...
Read MorePosted by Vikram Phukan | 29th Oct 2017 | India, Review, Theatre and Film
CRD, the recently released film directed by Kranti Kanadé, starts right off the bat with auditions...
Read MorePosted by Daily Sabah | 29th Oct 2017 | Lebanon, Review, Syria, Theatre and Politics
A play about Syria’s war, told through one family’s tragedy, made its Lebanon debut on...
Read MorePosted by Oxana Bondarenko and Emiliia Dementsova | 29th Oct 2017 | Essay, Russia, Russian Theatre - Featured
In the last 20 years theatre has kept pace with changes in civil society in Russia. Society has...
Read MorePosted by Tracey Saunders | 29th Oct 2017 | Adaptation, Review, South Africa, Theatre and Politics
We are surrounded by violence and our country is beset by an ongoing cycle with little ebb and...
Read MorePosted by Donald Brown | 28th Oct 2017 | New York, Review, Theatre and Gender, Translation, United States of America
Elfriede Jelinek’s Shadow. Eurydice Says is not much of a drama, if by that is meant a...
Read MorePosted by Christine Deitner | 28th Oct 2017 | Los Angeles, Musical Theatre, Review, United States of America
With the opening of Bright Star at The Ahmanson Theatre at The Music Center in Downtown Los...
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