“Minefield” Review: Stories From The Soldiers
Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...
Read MorePosted by Duška Radosavljević | 11th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...
Read MorePosted by Oltița Cîntec | 11th Nov 2017 | Acting, Directing, Essay, Romania
Each year, the Romanian higher education system supplies, through its art universities with their...
Read MorePosted by Holly Williams | 10th Nov 2017 | Adaptation, London, Review, United Kingdom
“Whenever I tell anybody I’m doing an adaptation of The Exorcist, the first question is: ‘Will the...
Read MorePosted by Diane de Beer | 10th Nov 2017 | Adaptation, Review, South Africa, Theatre and Politics
The audience members were vocal in their approval from start to finish with Es’kia...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
Read MorePosted by Julia Prest | 9th Nov 2017 | Essay, Theatre and Politics
When news of Rapture Theatre’s 2017 production of Tennessee Williams’ classic play A Streetcar...
Read MorePosted by Meredith Walker | 9th Nov 2017 | Australia, Musical Theatre, Review, Theatre and Gender, Transmedia
In true international award-winning Black Honey Company style, One The Bear bursts on the...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | Adaptation, Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Some site-specific theatre feels like a really good fit. You could say, in this case, that it...
Read MorePosted by Ken Cerniglia | 8th Nov 2017 | Dramaturgy, Essay, Musical Theatre, New York, Producing, United States of America
In an early scene of Rick Elice’s irreverent Peter Pan prequel, Peter And The Starcatcher, the...
Read MorePosted by Gemma Nash | 7th Nov 2017 | Interview, Theatre and Disability, Theatre and Politics, United Kingdom
Jackie Hagan: In Skem (Skelmersdale) there’s no class system, just people with slightly nicer...
Read MorePosted by Samah Hijawi | 7th Nov 2017 | Belgium, Palestine, Review, Theatre and Dance, Transcultural Collaborations
KVS Theater in Brussels I tend to shy away from western-Arab collaborations. I tend to be...
Read MorePosted by Megan McClain | 6th Nov 2017 | Interview, New York, Theatre and Disability, United States of America
On September 15, 2017, over 60 artists, administrators, educators, and other various stakeholders...
Read MorePosted by Zolima Citymag | 5th Nov 2017 | China, Hong Kong, News, Theatre and Dance
It isn’t often you find a Hong Kong resident unfamiliar with the pirate legend of Cheung Chau, but...
Read MorePosted by Zolima Citymag | 5th Nov 2017 | China, Hong Kong, Review, Switzerland, Theatre and Dance
This article is brought to you by the Hong Kong Arts Centre With its expansive alpine views, low...
Read MorePosted by Letizia Fusini | 5th Nov 2017 | China, Chinese Theatre Abroad, London, Review, Theatre and Opera, United Kingdom
Founded in 1955 by the renowned Chinese theatre star Mei Lanfang, the China National Peking Opera...
Read MorePosted by The Theatre Times | 4th Nov 2017 | Germany, Interview, Management, Transcultural Collaborations, Ukraine
Heidi Wiley: With the creation of ETC, its founders wanted to establish a new form for...
Read MorePosted by Jack Wernick | 4th Nov 2017 | New York, Review, Transcultural Collaborations, United States of America
The Mecca Tales is an essential new work of theatre by emerging Chicago-based playwright Rohina...
Read MorePosted by Anh Vo | 3rd Nov 2017 | Canada, Festivals, Review, Theatre and Dance
Illegibility, Identity, Blackness The lack of black choreographers/ black voices in Contemporary...
Read MorePosted by Sir Anril Pineda Tiatco | 3rd Nov 2017 | Festivals, Philippines, Review, Theatre and Politics
On September 21, 1972, then President Ferdinand Marcos declared Martial Law via Presidential...
Read MorePosted by Jessica Rizzo | 2nd Nov 2017 | Adaptation, New York, Review, United States of America
After his one visit to the country in 1909, Sigmund Freud reportedly remarked to a friend that...
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