“The Birthday Party” – Revival at Harold Pinter Theatre
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
Read MorePosted by Aleks Sierz | 31st Jan 2018 | London, Review, Theatre and Politics, United Kingdom
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
Read MorePosted by Trevor Boffone | 31st Jan 2018 | Festivals, Interview, Playwriting, United States of America
While native Texas playwright Mando Alvarado now lives in Los Angeles working in theatre,...
Read MorePosted by Michele Rolim | 31st Jan 2018 | Brazil, Festivals, Review, Theatre and Dance, Theatre and Gender
The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...
Read MorePosted by Aleks Sierz | 30th Jan 2018 | London, Review, Theatre and Gender, United Kingdom
Vicky Featherstone, the artistic director of this new writing venue, is riding high. Very high. A...
Read MorePosted by Colin Hambrook | 30th Jan 2018 | Review, Theatre and Disability, United Kingdom
What does it take to become a cloudspotter? It may sound a romantic idea, but is a term used by...
Read MorePosted by Jack Wernick | 29th Jan 2018 | New York, Review, Theatre and Dance, United States of America
New York-based experimental troupe Nature Theater of Oklahoma (NTO) teams up with Slovenia’s...
Read MorePosted by Jonathan Kalb | 29th Jan 2018 | New York, Playwriting, Review, United States of America
I want the experience for the audience to be a sort of speeding train that gets completely and...
Read MorePosted by Trevor Boffone | 28th Jan 2018 | Festivals, Interview, Playwriting, United States of America
Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...
Read MorePosted by Jane Baldwin | 28th Jan 2018 | Boston, Puppetry, Review, Theatre and Film
ArtsEmerson is dedicated to bringing compelling and experimental theatre from all parts of the...
Read MorePosted by Laurie Fyffe | 28th Jan 2018 | Canada, Playwriting, Review
Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...
Read MorePosted by Natasha Lomonossoff | 28th Jan 2018 | Canada, Directing, Review
The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...
Read MorePosted by Nick Harding | 28th Jan 2018 | Festivals, News, United Kingdom
“The Big Burns Supper aims to heal political rifts between the Scots and the English with 11...
Read MorePosted by Lauren Dubowski | 27th Jan 2018 | Divine Comedy Festival 2017, Festivals, Playwriting, Poland, Review
Traditionally, the veil of a Polish bride—removed at the end of the ceremony to mark her passage...
Read MorePosted by Jessica Hinds-Bond | 27th Jan 2018 | Review, Russia, Russian Theatre Abroad
Amid the deep velvety gloom that submerges the entire upstage in Rimas Tuminas’s Uncle Vanya, the...
Read MorePosted by T. Saravanan | 27th Jan 2018 | India, Review, Theatre and Politics
S. Murugabhoopathy’s Miruga Vidhushagam is a comment on civil society that stands mute spectators...
Read MorePosted by European Theatre Lab | 26th Jan 2018 | Germany, News, Transcultural Collaborations, Transmedia
2018 is the European Year of Cultural Heritage. To bring awareness to the wealth and contribution...
Read MorePosted by Diane de Beer | 26th Jan 2018 | Review, South Africa, Theatre and Politics
It’s the perfect storm when the playwright, director, and actor all come together this sweetly as...
Read MorePosted by Kee-Yoon Nahm | 26th Jan 2018 | Review, South Korea, Theatre and Politics
This is Part 2 of a two-part article. Read Part 1 here. From Caregiver to Citizen The Nurses, Who...
Read MorePosted by Pavel Rudnev | 25th Jan 2018 | Dramaturgy, Essay, Russia, Russian Theatre - Featured
The movement for the renewal of the repertoire and new playwriting in Russia is hardly more than...
Read MorePosted by Trevor Boffone | 25th Jan 2018 | Festivals, News, United States of America
Since moving to Houston, Texas, in 2012, I’ve been amazed at the abundance of theatre...
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