Actor Sello Maake kaNcube’s Can Themba Speaks His Truth In Mahala’s “The House Of Truth”
It’s the perfect storm when the playwright, director, and actor all come together this sweetly as...
Read MorePosted by Diane de Beer | 26th Jan 2018 | Review, South Africa, Theatre and Politics
It’s the perfect storm when the playwright, director, and actor all come together this sweetly as...
Read MorePosted by Kee-Yoon Nahm | 26th Jan 2018 | Review, South Korea, Theatre and Politics
This is Part 2 of a two-part article. Read Part 1 here. From Caregiver to Citizen The Nurses, Who...
Read MorePosted by Pavel Rudnev | 25th Jan 2018 | Dramaturgy, Essay, Russia, Russian Theatre - Featured
The movement for the renewal of the repertoire and new playwriting in Russia is hardly more than...
Read MorePosted by Trevor Boffone | 25th Jan 2018 | Festivals, News, United States of America
Since moving to Houston, Texas, in 2012, I’ve been amazed at the abundance of theatre...
Read MorePosted by The Theatre Times | 25th Jan 2018 | Festivals, New York, Prototype 2018, Review, Theatre and Opera, Theatre and Politics, United States of America
As the theatre world pushes boundaries and redefines genres, it has become exceedingly rare to...
Read MorePosted by Aleks Sierz | 25th Jan 2018 | London, Review, United Kingdom
The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...
Read MorePosted by Asen Terziev | 24th Jan 2018 | Bulgaria, Review
Delhi Dance by Ivan Vyrypaev; directed by Galin Stoev; set design by Nikola Toromanov; costumes by...
Read MorePosted by Nobuko Tanaka | 24th Jan 2018 | Interview, Japan, Management
Travel around 150 km northwest from the hustle and bustle of Kyoto, and another, far more peaceful...
Read MorePosted by Pelle Nordhøj Kann | 23rd Jan 2018 | Denmark, Essay, Management
Actor and artistic director of the Danish theatre company Det Flydende Teater (literally...
Read MorePosted by Lola Proaño Gomez | 23rd Jan 2018 | Argentina, LGBTQ+ Theatre, Review
The desired body vis a vis tradition, and institutional normative sedimentation. ...
Read MorePosted by Jonas McLean | 23rd Jan 2018 | Canada, Review, Theatre and Opera
Jonas McLean reviews Mr. Shi and His Lover, Wong Teng Chi and Njo Kong Kie’s contemporary Mandarin...
Read MorePosted by Davide Cioffrese | 22nd Jan 2018 | Adaptation, Italy, Review
American Buffalo is the story of a failure. A foretold, almost desired conclusion, an inescapable...
Read MorePosted by Patrick Langston | 22nd Jan 2018 | Canada, Musical Theatre, Review, Theatre and Opera
A word of advice: If you’re going to see this superlative chamber musical, take the time to read...
Read MorePosted by Justyna Kowal | 21st Jan 2018 | Education, News, Poland
Studying Theatre in Wrocław The Theatre Studies specialization with the Polish Philology Faculty...
Read MorePosted by Sandra D'urso | 21st Jan 2018 | Adaptation, Australia, Melbourne, Review
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
Read MorePosted by Leith Taylor | 21st Jan 2018 | Australia, Management, News
Where do the boundaries lie between exploring every possibility an acting role offers and still...
Read MorePosted by Jozefina Komporaly | 20th Jan 2018 | Essay, Hungary, London, Romania, Translation, United Kingdom
In November 2017, a world premiere by one of the Hungarian language’s leading playwrights...
Read MorePosted by Kee-Yoon Nahm | 20th Jan 2018 | Review, South Korea, Theatre and Politics
The word dongpo, a term that refers affectionately to the sizable Korean immigrant community...
Read MorePosted by Nobuko Tanaka | 20th Jan 2018 | France, Japan, Review, Theatre and Dance
Is the French choreographer Jerome Bel a trailblazer or an enfant terrible of the contemporary...
Read MorePosted by Marjan Moosavi | 19th Jan 2018 | Essay, Immersive Theatre, Iran
Yuval Sharon was recently awarded a MacArthur Fellowship “genius grant” for...
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