Featured Archives - Page 152 of 252

Yukio Ninagawa, The Architect Of Cultural Crossroads

Posted by Corrie Tan | 20th Nov 2018 | Directing, Essay, Japan

Part of the Asian Theatremakers series I met the late Japanese director Yukio Ninagawa in 2013...

(LA)Phil/The Industry Flexes Fluxus With Cage’s “Europeras”

Posted by Lauren Deutsch | 19th Nov 2018 | Festivals, Los Angeles, Review, Theatre and Opera, United States of America

John Cage’s Europera 1 and Europera 2, (aka Europeras 1 & 2) was presented by The...

“Fun Home”: An Extraordinary Musical

Posted by Jane Baldwin | 19th Nov 2018 | Boston, LGBTQ+ Theatre, Musical Theatre, Review, United States of America

Fun Home, the multi-Tony award winning musical is making its Boston début at SpeakEasy and a fine...

Invertigo Dance Theatre Company: A Conversation With Laura Karlin And Sofia Klass

Posted by Elisa Rocha | 18th Nov 2018 | Interview, Los Angeles, Theatre and Dance, Theatre and Disability, United States of America

Invertigo Dance Theatre is a provocative and passionate dance company based in Los Angeles. Laura...

An Interview With Playwright Alexis Roblan

Posted by Grace Power | 18th Nov 2018 | Interview, New York, Playwriting, United States of America

Alexis Roblan graduated from the University of Southern California’s MFA in Dramatic Writing...

“The Drowning Girls”: A Story Of Misogyny And Murder

Posted by Patrick Langston | 18th Nov 2018 | Canada, Immersive Theatre, Review

There’s not much on the stage. Three bathtubs, a metal dress form and shower head hanging above...

A Tragedy With A Happy Ending: “The Emperor And The Concubine” By The China National Peking Opera Company At London’s Sadler’s Wells

Posted by Letizia Fusini | 17th Nov 2018 | China, London, Review, United Kingdom

The long-term collaboration between the China National Peking Opera Company (Guojia jingju yuan)...

Going To War And Making Revolution At The Bâtard Festival

Posted by Rathsaran Sireekan | 17th Nov 2018 | Belgium, Festivals, Review, Theatre and Politics

Cezary Goes To War by Cezary Tomaszewksi and Tell Me About The Revolution by Farbod Fathinejadfard...

Kampala International Theatre Festival, 2018 Edition

Posted by Alexander Nderitu | 17th Nov 2018 | Festivals, News, Transcultural Collaborations, Uganda

The venue is the Uganda Museum and performances from Kenya, India, Iran, UK, USA and the host nation will be staged. Below are teasers of some of the scheduled performances.

Nick Stafford’s “War Horse” At The National Theatre

Posted by Aleks Sierz | 16th Nov 2018 | Adaptation, London, Puppetry, Review, United Kingdom

In the days after the widespread commemorations of the 100th anniversary of the end of the first...

Wit’s End: Will Eno’s “Thom Pain”

Posted by Jonathan Kalb | 16th Nov 2018 | New York, Review, United States of America

“So, a horse walks into a bar. The bartender says, ‘Why the long face?’ And the horse says, ‘I’m...

“The Prom” Is a Celebratory Trumpian Footloose When We Need It Most

Posted by Michael Appler | 15th Nov 2018 | Musical Theatre, New York, Review, United States of America

Maybe “The Prom’s” greatest success, in all of its glitter and be gay, is a validation that splashy, garish musical comedies, themselves no champion of political correctness, can still be made from scratch. “The Prom,” exceptionally original yet cradled by tradition, is proof that bursting into jazz hands when someone puts you down is still a worthy prescription for joy.