“Exquisita Agonía” At Repertorio Español
Repertorio Español, New York’s preeminent venue for Spanish language theatre, continues its 50th...
Read MorePosted by Jack Wernick | 16th Jun 2018 | New York, Review, United States of America
Repertorio Español, New York’s preeminent venue for Spanish language theatre, continues its 50th...
Read MorePosted by Claire Swyzen | 16th Jun 2018 | Directing, Review, South Korea, Transmedia
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
Read MorePosted by Jessica Rizzo | 15th Jun 2018 | New York, Review, Russian Theatre Abroad, Transmedia, United States of America
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
Read MorePosted by Trevor Boffone | 15th Jun 2018 | Festivals, Interview, Playwriting, United States of America
Born and raised in Chicago by Dominican parents, Guadalís Del Carmen is a playwright, actress, and...
Read MorePosted by Grigory Zaslavsky | 14th Jun 2018 | News, Russia, Russian Theatre - Featured
From Fonvizin and Chekhov to Tolstoy, all on stage. The most famous Russian authors wrote not only...
Read MorePosted by Nobuko Tanaka | 14th Jun 2018 | Japan, News, Theatre and Dance
Tetsuya Kumakawa speaks about his most recent project, Cleopatra, in a way that’s as grand as the...
Read MorePosted by Adam Bloodworth | 14th Jun 2018 | Adaptation, London, News, United Kingdom
Channing Tatum fans are about to get a whole lot closer to the star’s character Magic Mike, as a...
Read MorePosted by Grigory Zaslavsky | 14th Jun 2018 | News, Russia
Russia Beyond asked a theater critic—who is also the president of a major drama school, the...
Read MorePosted by Aleks Sierz | 13th Jun 2018 | London, Review, Theatre and Politics, United Kingdom
Regular air travel is a hassle. All that queuing, all that security, all those hot halls, and then...
Read MorePosted by Jamie Portman | 13th Jun 2018 | Adaptation, Canada, Festivals, Review
STRATFORD, Ont.—It didn’t seem such a great idea 11 years ago when the Stratford Festival first...
Read MorePosted by Alice Jones | 13th Jun 2018 | Adaptation, Books, Interview, London, United Kingdom
The story of Elizabeth Strout is one of creative faith and persistence. Growing up in Maine, “a...
Read MorePosted by Eugene Koch | 12th Jun 2018 | Review, Singapore
The Second Breakfast Company restaging Goh Poh Seng’s The Moon is Less Bright is akin to grabbing...
Read MorePosted by Aleks Sierz | 12th Jun 2018 | Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial...
Read MorePosted by Vikram Phukan | 12th Jun 2018 | India, LGBTQ+ Theatre, London, Review, United Kingdom
In his play, Contempt, queer activist and lawyer Danish Sheikh draws parallels (or contrasts)...
Read MorePosted by Sebastian Kann | 11th Jun 2018 | Belgium, Essay, Management
This is the third letter in a cycle of Open Letters To The Circus. This letter is written in the...
Read MorePosted by Srivathsan Nadadhur | 11th Jun 2018 | India, Management, News
Founder of theatre group PlaneTG, G Kumara Swamy’s efforts in popularizing Telangana culture...
Read MorePosted by Cássio Diniz Santiago and Till Wyler von Ballmoos | 10th Jun 2018 | Germany, Interview
Each day at 6 pm, performers Till Wyler von Ballmoos and Cássio Diniz Santiago opened the doors to...
Read MorePosted by Katrina Holden-Buckley | 10th Jun 2018 | Boston, Review, Theatre and Opera, United States of America
Boston Lyric Opera truly transformed the North End’s DCR Steriti Ice Rink into a 1950s Cuban style...
Read MorePosted by Marjan Moosavi | 9th Jun 2018 | Canada, Documentary Theatre, Iran, Playwriting, Review, Theatre and Gender
Acclimatization refers to the process by which an individual organism adjusts to a change in its...
Read MorePosted by Letizia Fusini | 8th Jun 2018 | China, Essay, Playwriting
The place of dramatic tragedy in the twentieth century was one of extreme ambiguity and...
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