K-Ballet Brings “Cleopatra” Back For Another Dance
Tetsuya Kumakawa speaks about his most recent project, Cleopatra, in a way that’s as grand as the...
Read MorePosted by Nobuko Tanaka | 14th Jun 2018 | Japan, News, Theatre and Dance
Tetsuya Kumakawa speaks about his most recent project, Cleopatra, in a way that’s as grand as the...
Read MorePosted by Adam Bloodworth | 14th Jun 2018 | Adaptation, London, News, United Kingdom
Channing Tatum fans are about to get a whole lot closer to the star’s character Magic Mike, as a...
Read MorePosted by Grigory Zaslavsky | 14th Jun 2018 | News, Russia
Russia Beyond asked a theater critic—who is also the president of a major drama school, the...
Read MorePosted by Aleks Sierz | 13th Jun 2018 | London, Review, Theatre and Politics, United Kingdom
Regular air travel is a hassle. All that queuing, all that security, all those hot halls, and then...
Read MorePosted by Jamie Portman | 13th Jun 2018 | Adaptation, Canada, Festivals, Review
STRATFORD, Ont.—It didn’t seem such a great idea 11 years ago when the Stratford Festival first...
Read MorePosted by Alice Jones | 13th Jun 2018 | Adaptation, Books, Interview, London, United Kingdom
The story of Elizabeth Strout is one of creative faith and persistence. Growing up in Maine, “a...
Read MorePosted by Eugene Koch | 12th Jun 2018 | Review, Singapore
The Second Breakfast Company restaging Goh Poh Seng’s The Moon is Less Bright is akin to grabbing...
Read MorePosted by Aleks Sierz | 12th Jun 2018 | Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial...
Read MorePosted by Vikram Phukan | 12th Jun 2018 | India, LGBTQ+ Theatre, London, Review, United Kingdom
In his play, Contempt, queer activist and lawyer Danish Sheikh draws parallels (or contrasts)...
Read MorePosted by Sebastian Kann | 11th Jun 2018 | Belgium, Essay, Management
This is the third letter in a cycle of Open Letters To The Circus. This letter is written in the...
Read MorePosted by Srivathsan Nadadhur | 11th Jun 2018 | India, Management, News
Founder of theatre group PlaneTG, G Kumara Swamy’s efforts in popularizing Telangana culture...
Read MorePosted by Cássio Diniz Santiago and Till Wyler von Ballmoos | 10th Jun 2018 | Germany, Interview
Each day at 6 pm, performers Till Wyler von Ballmoos and Cássio Diniz Santiago opened the doors to...
Read MorePosted by Katrina Holden-Buckley | 10th Jun 2018 | Boston, Review, Theatre and Opera, United States of America
Boston Lyric Opera truly transformed the North End’s DCR Steriti Ice Rink into a 1950s Cuban style...
Read MorePosted by Marjan Moosavi | 9th Jun 2018 | Canada, Documentary Theatre, Iran, Playwriting, Review, Theatre and Gender
Acclimatization refers to the process by which an individual organism adjusts to a change in its...
Read MorePosted by Letizia Fusini | 8th Jun 2018 | China, Essay, Playwriting
The place of dramatic tragedy in the twentieth century was one of extreme ambiguity and...
Read MorePosted by Davide Cioffrese | 8th Jun 2018 | Acting, Essay, Italy
It is not easy to approach a work such as Giorgio Strehler’s Arlecchino Servitore Di Due...
Read MorePosted by John Smythe | 8th Jun 2018 | New Zealand, Review, United States of America
In Welcome to the Murder House, Alfred’s story is told, in the popular vaudeville style of the day, by a group of prison inmates. For them, Southwick is a hero, given their shared belief that execution by electrocution will be more humane than hanging. And, as with the development of all high quality theatre, it takes a lot of trial and error to get it right.
Read MorePosted by Aleks Sierz | 7th Jun 2018 | London, Review, Theatre and Opera, United Kingdom
Playwright Martin Crimp began his career by writing surreal short plays that hinted at his love of...
Read MorePosted by Tom Pandolfino | 7th Jun 2018 | News, Russia, Russian Theatre Abroad
Anton Chekhov is renowned the world over for his innovative approach in portraying the darker side...
Read MorePosted by Jamie Portman | 7th Jun 2018 | Canada, Musical Theatre, Review, Theatre and Gender
There’s a memorable moment in the Three Sisters Theatre Company’s production of Miss Shakespeare...
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