When The Personal And Political Collide
In his play, Contempt, queer activist and lawyer Danish Sheikh draws parallels (or contrasts)...
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Open Letters To The Circus #3: Who Gets To Build The Future?
This is the third letter in a cycle of Open Letters To The Circus. This letter is written in the...
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G Kumara Swamy: Dramatizing Traditions
Founder of theatre group PlaneTG, G Kumara Swamy’s efforts in popularizing Telangana culture...
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They Left Off Getting Carried Away: An Interview With Cássio Diniz Santiago And Till Wyler Von Ballmoos
Each day at 6 pm, performers Till Wyler von Ballmoos and Cássio Diniz Santiago opened the doors to...
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Boston Lyric Opera’s “Trouble In Tahiti”
Boston Lyric Opera truly transformed the North End’s DCR Steriti Ice Rink into a 1950s Cuban style...
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Acclimatization: Feminist Iranian Theatre Acclimatizes To Diaspora
Acclimatization refers to the process by which an individual organism adjusts to a change in its...
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Modern Man’s Predicament: Nobel Laureate Gao Xingjian As A Tragic Playwright
The place of dramatic tragedy in the twentieth century was one of extreme ambiguity and...
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Arlecchino Servitore Di Due Padroni: Seventy Years Of Strehler (And Counting)
It is not easy to approach a work such as Giorgio Strehler’s Arlecchino Servitore Di Due...
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Welcome To The Murder House
In Welcome to the Murder House, Alfred’s story is told, in the popular vaudeville style of the day, by a group of prison inmates. For them, Southwick is a hero, given their shared belief that execution by electrocution will be more humane than hanging. And, as with the development of all high quality theatre, it takes a lot of trial and error to get it right.
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“Lessons In Love And Violence” at The Royal Opera House
Playwright Martin Crimp began his career by writing surreal short plays that hinted at his love of...
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“The Seagull” Performed By The Acting Gymnasium
Anton Chekhov is renowned the world over for his innovative approach in portraying the darker side...
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“Miss Shakespeare”: A Bouquet Of Fine Performances
There’s a memorable moment in the Three Sisters Theatre Company’s production of Miss Shakespeare...
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ATIA Guest Blog: Translating For Theatre As Performative Translation: Interview With Dr. Stefano Muneroni
Translating a play for the stage may often be considered a form of literary translation, but it is...
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“Jagged Little Pill” Finds A New Life
Jagged Little Pill, Alanis Morissette’s internationally famous alt-rock album released in 1995 has...
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“On The Block” And “Glammuh” Series: One Play And One Visual Artist’s Impressions On The Life Of Black Youth In Contemporary Barbados-Part I
“Don’t afraid to be different. Conformity is practically a death sentence to an artist. In other...
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“Leave Taking” at The Bush Theatre
Winsome Pinnock has for decades been a central figure in the promotion of BAME drama not just as a...
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Review: “Innocence Lost: A Play About Steven Truscott” At Soulpepper Theatre Company
The Story: On a very warm evening June 9, 1959, in Clinton, Ontario, fourteen-year-old Steven...
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The Revolt Of Craftsmen
Director Ravi Taneja’s Konark, underlined that art cannot exist in isolation. A multi-faceted...
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The Dramaturg Has To Be Seen And Heard: Carmen Kovacs And Jeffrey Döring
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
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In Photos: Backstreet Festival Kicks Off In Alexandria
In its fifth edition this year, the Backstreet Festival will bring a tantalizing range of artistic...
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