“The Hindu” Notes On 2018 Indian Musicals
If broadsheets and banners are to be taken into account, this has been another fertile year for...
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Featured
Dark Times: British Theatre After Brexit
“In the dark times Will there also be singing? Yes, there will also be singing. About the dark...
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Best Theatre For 2019: This Year’s Hottest Tickets, From Cate Blanchett To “Only Fools And Horses” The Musical
When We Have Sufficiently Tortured Each Other Cate Blanchett stars in Martin Crimp’s experimental...
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“Peace” To Be The Theme For Literary Festival in India
A three-day fete of poetry readings, book launches, workshops, and music gets underway from...
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Rehabilitation Through The Charm Of Theatre
20 differently-abled students to stage plays in Bahrain As a 50-member team of Thanal, Vadakara,...
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Polish Theatre Transfers To Dresden
Hellerau–European Center for the Arts Dresden In honor of the 100th anniversary of Poland...
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A Review of “Notes From Exile” from the 2018 Boska Komedia Festival: Reverberations of Antisemitism
Zapiski Z Wygnania [Notes from Exile] directed by Magda Umer. Presented at Narodowy Stary...
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A Review of “We Are Leaving” from the 2018 Boska Komedia Festival: An Epic in the Mundane
Wyjeżdżamy [We are Leaving], directed by Krzysztof Warlikowski. Presented at Teatr Łaźnia...
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A Review of “Under the Influence” from the 2018 Boska Komedia Festival: Splitting the Mind and Splitting the Stage
Pod presją [Under the Influence], directed by Maja Kleczewska. Presented at Teatr Ludowy, ICE...
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A Review of “Disgrace” from the 2018 Boska Komedia Festival: Fascinating but Problematic Theatre
Hańba [Disgrace] directed by Marcin Wierzchowski. Presented at Teatr Ludowy—Scena Stolarnia for...
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A Review of “Conformist 2029” from the 2018 Boska Komedia Festival: “Those Who Would Give Up Essential Liberty, to Purchase a Little Temporary Safety…”
Konformista 2029 [Conformist 2029], directed by Bartosz Szydłowski. Presented at Teatr Łaźnia...
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Report from The 11th Divine Comedy International Theatre Festival, Kraków, Poland: Reflections of a Strange Strange World
The 11th iteration of the Boska Komedia (Divine Comedy, think Dante) International Theater...
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How Brexit Ruins My Life
Brexit. The UK Referendum vote to leave the European Union — Brexit — took place on 23 June 2016,...
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“Hole” at The Royal Court
Dates: November 28-January 12 Writer: Ellie Kendrick Directors: Helen Goalen and Abbi...
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“One Jewish Boy” at The Old Red Lion Theatre
There’s a nasty smell in the air. Something rotten. Horrible. I can’t quite put my finger on it....
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Sin Muros: Interview with “City Without Altar” Poet and Playwright Jasminne Mendez
This February, writer Jasminne Mendez’s City Without Altar will receive a staged reading at Stages...
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Martha Plimpton On “Sweat”: “In Rehearsals, I Would Nauseate Myself”
“I’m a white heterosexual woman with a fair amount of good fortune and–as the saying...
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Care To Dance Dramaturg? The Invention Of A New Craft
A Foreword by the Editor Thirty years ago an essay was published in the Canadian journal Theatrum...
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Making And Knowing: How Theatre Helps To Explore A City’s Identity
What gives an urban area a particular quality? What is the mood, feeling or atmosphere that makes...
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In The Post-Truth Era, Documentary Theatre Searches For Common Ground
With the onslaught of “alternative facts” or “fake news,” it can feel as though the ground has...
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